Raising the Bar: A Brief History of Gay Bars

I know it’s been like a really long time — sorry about that! My real life job got absolutely crazy and hasn’t calmed down at all. May not ever calm down but I’m handling the craziness better now that I’m kind of getting used to it. So….we’re back with even more queer history!

Chances are pretty good, if you’re an LGBTQIA+ person you’ve been to a gay bar. Even if you’re just someone who loves an LGBTQIA+ person, there’s still a good chance you’ve been to a gay bar. I’m not saying you’re doing queerness wrong if you haven’t been to a gay bar, I’m just saying it’s a pretty common shared experience. It’s true that bars being basically the central gathering place for our community isn’t without drawbacks — although, personally, I love them. But I’m not here to weigh the pros and cons of gay bars — we can all do that on Twitter (and we do) — I just want to talk briefly about the history of gay bars, talk a teeny bit about some of the first ones to exist, and some of the oldest ones that we still have today. A lot of these places will hopefully get posts of their own further down the line.

We have previously talked a little about molly houses before — specifically Mother Clap’s and the White Swan, which were both pretty historically significant. Gay bars were not, at least initially, all that different from molly houses and, in terms of their purpose, still aren’t. They’re a place for gathering socially with similar “deviants” and “sodomites,” to feel safe among those who have a shared lived experience. To separate molly houses from gay bars, we have to kind of look at the history of bars themselves. For a lot of (at least Western) history, bars weren’t really a thing — you had inns and taverns, which served alcohol but also offered lodging or food. Even pubs at the time served food and were intended as a place to have gatherings or meetings. The sale of alcohol was considered sort of a “side hustle” (even though it was probably where most of the profit came from.) Even saloons in the American western frontier were entertainment sites — where people could play games or see performances. Molly houses were typically fronted by taverns, inns or coffee houses, and usually also made money off prostitution. They were also places where fake weddings and mock birth rituals took place. So, to separate molly houses from gay bars — and I’m not going to claim this is the official definition, it’s just what I’m working with here — I’m going to define gay bars as legitimate, legal businesses focused entirely (or almost entirely) on the sale of alcohol to queer customers.

It wasn’t really until towards the end of the 19th century when there started to be bars as we know them today — places that really just served alcohol. I’d guess the invention of machines like the phonograph, which let places play music without having performers present, was probably a big part of that shift. So, of course, as mainstream society started socializing in these places, the queer community followed suit. And so gay bars began to pop up — the first, as far as we can tell was in Cannes, France (where homosexuality had been decriminalized since 1791.) That bar was Zanzibar, which was founded in 1885 and lasted 125 years — eventually closing in December of 2010.

Eldorado in 1932

Meanwhile, Berlin had also become a hotspot of gay and lesbian nightlife by 1900, thanks largely to the Scientific-Humanitarian Committee‘s presence there, though a lot of the specific records about these spots were lost thanks to the Nazis. Within weeks of the Nazi party taking power in Germany in 1933, fourteen gay and lesbian nightclubs were closed, including an internationally renowned drag bar called Eldorado.

The other issue for gay bars at the beginning of the 20th century was Prohibition. Several countries tried their hand at banning the sale of alcohol including Russia, Iceland, Finland, Canada, Norway and the United States. At least in the USA, the fact that everyone‘s bars became illegal and everyone’s drinking had to go underground — where we were already partying — had a pretty profound impact on the queer community. But the most lasting effect of Prohibition, at least for gay bars in the USA, was that alcohol sales became part of the world of organized crime. Even after Prohibition ended in the USA, most gay bars were run by the mafia for the next few decades. In fact, more than thirty years later, this was one of the issues that was raised and fought against during the Stonewall riots and their immediate aftermath.

Over the early decades of the 20th century, gay nightlife spread throughout Western culture. Here’s a few other highlights:

• The Black Cat Bar (not to be confused with the Black Cat Tavern) was founded in San Francisco, California in 1906, and stayed open until 1921. It reopened in 1933 when Prohibition ended, and continued operating until 1963. It might be the first gay bar in the United States.
• The first recorded mention of the then-popular Amsterdam gay club The Empire was in 1911, but it seems to have already been established several years prior. It closed in the 1930’s.

• The Cave of the Golden Calf, founded in 1912, was the first “official” gay bar in England, though it went bankrupt and closed in 1914. Still, it made a reputation for its wild parties and influenced a lot of gay bars afterwards.
• Eve’s Hangout in New York City was one of the first, if not the first, lesbian bar in the United States, opening in 1925 and closing at the end of 1926 due to police raids. This raid more or less led directly to owner Eva Kotchever‘s death at the Auschwitz concentration camp. (Which is definitely getting its own piece, don’t worry, I’m not just leaving you all with no details on that!)
• Social reforms brought about by President Lázaro Cárdenas of Mexico brought about the creation of roughly a dozen gay bars in Mexico after he came into office in 1934, including El Triunfo and El África in Mexico City. All of Mexico City’s gay bars were closed in 1959 and even though there are gay bars in the city now, none of the original ones reopened.
• The first gay bar in South Africa opened in the Carlton Hotel in Johannesburg in the late 1940’s — catering to wealthy white gay men. No women were permitted, and, you know keep in mind there’s Apartheid going on, so definitely no people of color, who were forced to create and use increasingly underground bars and clubs — unfortunately, there’s not too much available about those clubs at the time. However, some of these bars, such as the Butterfly Bar (now the Skyline) began to integrate in the mid-1980’s.
• The American occupation of Japan following World War II brought gay bars to the country — New Sazae opened in Tokyo during this period, in 1966, and is still open now.
• In the 1970’s, a lot of clubs in Singapore began having gay nights but no actual gay bars opened until the lesbian bar Crocodile Rock opened in the 1980’s. It is still open, and is the oldest gay bar in that country.

If you want to experience some history for yourself, here’s some of the oldest gay bars still around today:

• Atlantic House (or “A-House”) in Provincetown, Massachusetts was opened as a tavern in 1798, but mostly served whalers until the beginning of the 20th century, when it became a popular hangout for artists and writers like Eugene O’Neill and Tennessee Williams. They “officially” became a gay bar in 1950 (despite already being popular with gay men like, y’know, Tennessee Williams) and it still operates as one today. (And I’ll vouch that it’s still a fun place to go!)
• Café ‘t Mandje opened was opened in Amsterdam by a lesbian named Bet van Bereen in 1927, and continued to operate until the death of her sister Greet (who took it over after Bet passed away) in 1982. Her niece Diana reopened it on April 27, 2008 and it remains open today, still in the same family that started it!

Café Lafitte in Exile

• In 1933, both White Horse Inn in Oakland, California and Café Lafitte in New Orleans, Louisiana opened (now called Café Lafitte in Exile after they were forced to move to a new spot in the city in 1953). I don’t know the exact months or days they were founded, so I can’t tell you which is actually older (and of course, they both claim to the be the oldest.) I’m trying to solve the mystery, and rest assured, I will even if it means I have to take a cross country road trip to both of them.
• The Double Header in Seattle, Washington opened up the next year and Korner Lounge in Shreveport, Louisiana opened sometime in the late 1930’s as well. Both are still open today.
• Mirabar opened in Woonsocket, RI in 1947. It’s moved around to number of different locations (it’s in Providence now, for starters), and is still open today. (And they have a great trivia game on Wednesday nights!)
• The Half-and-Half in Beijing is the oldest still-operating gay bar in China, having opened some time before 1994.

Some honorable mentions that aren’t really the “oldest gay bars” in their countries but are still historically important and that you can still visit today:

• Julius’ – Julius’ opened in Manhattan in 1864 but it was decidedly not a gay bar but by the late 1950’s, gay men started frequenting it but were often thrown out or simply refused service because it was illegal to serve homosexuals in New York City at the time. In 1966, Dick Leitsch and Craig Rodwell, president and vice president of the Mattachine Society at the time, organized a sip-in protest. By most accounts I’ve, the bartender refused them service to help them with the protest not because they were gay. Laws were changed and Julius’ has been serving gay customers ever since.
• Stonewall – the famous Stonewall Inn, which originally opened in 1967, has been through a lot since our riots — renovations, closing, reopening, closing again, hosting several other businesses, reopening again, closing again, reopening again…..they’ve dropped the word “inn” from their name, and have been open on Christopher Street in Manhattan since 2007.
• The Eagle – Eagles can be found in cities all over the world. They’re not franchises, they’re not a chain, they’re just connected by the community they serve. After the Stonewall riots, the owners of the the Eagle’s Nest (which had been open since 1931, and is now Eagle NYC) made their club a gay bar and it became a very popular spot for more masculine gay men, and especially the leather scene, to hang out. Other Eagles opened elsewhere, even in other countries, and “the Eagle” became a sort of code for gay men looking to connect to their community in a new city. Not every Eagle is historic, but they are all part of that legacy.

I know this breezes past a lot of fascinating details and there’s an awful lot of countries that didn’t get a mention — I simply haven’t found what their oldest gay bars were yet. But rest assured, I’m going to keep the “Raising the Bar” series going intermittently, so there will be lots more coming on this topic!

Chavela Vargas

Today’s post comes to you by popular demand — which makes sense because she was very popular, and she also knew what she wanted and demanded it! Well, okay, mostly she just got it herself. She knew exactly who she was from a remarkably young age and never wavered.

Isabel Vargas Lizano was born on April 17, 1919 to Francisco Vargas and Herminia Lizano in San Joaquin de Flores, Costa Rica. As far as I can tell, it was a pretty unremarkable event. She was frequently called “Chavela” by her family. Despite that affectionate nickname, things would take a turn for the worse — her very religious parents were embarrassed by Chavela’s tomboy-ishness, going so far as to hide her when they had visitors to their home. They ultimately divorced, leaving her to be raised by her uncle, and then she contracted polio. Chavela managed to survive the illness relatively unscathed — she and her family credited this to the rituals and talismans of shamans and witches, rather than the scientific medicine of doctors.

By seventeen years old, Chavela was fully aware that she wanted a career in music and — since there weren’t many musical opportunities in Costa Rica — she moved to Mexico. Initially, she sang on the streets — dressed in traditionally masculine clothing, wearing the red poncho (or more specifically a jorongo) that would become a signature part of her performance “look” in her professional years. The look was a conscious decision — Chavela felt she looked “like a transvestite” in women’s clothing and had trouble walking in heels. To fit into the masculine music scene she was attempting to break into, she began smoking cigars, drinking heavily, and making sure to keep a gun on her at all times. During this period of her career, sometime in the mid-1940s, she had an affair with Frida Kahlo — the romance was relatively brief, but intense. Chavela even lived with Frida and her then-husband Diego Rivera for more than a year. And Frida expressed in letters to her friends that she was very attracted to Chavela. (And yet, there are — of course — scholars who are certain they were just good friends.)

In her thirties, she became a professional, becoming known for her own unique take on ranchera — singing solo, with only her guitar as accompaniment instead of a mariachi band, and slowing down the tempo for more dramatic tension or so they could come across as more humorous and, y’know, suggestive. These songs were typically sung from a man’s perspective ( a straight man’s, I should say) and Chavela Vargas refused to change the genders in the songs when she sang them. While her homosexuality certainly would not have been approved of offstage, on stage it was all part of an entertaining act that audiences embraced.

Towards the end of the 1950’s, her reputation began to expand greatly — particularly in artistic circles. She was a popular performer in Acapulco, singing in the champagne room of La Perla, frequently in front of tourists from other parts of the world. She was so well regarded that she was hired to sing at the wedding of Elizabeth Taylor and Mike Todd on February 2, 1957. Chavela would later claim that she slept with Ava Gardner at that wedding — I haven’t found an corroboration of that, nor have I found any other examples of Ava Gardner having dalliances with women, but I suppose we all have to experiment at least once in our lives and if Elizabeth Taylor’s wedding isn’t the time and place to do it, when is? She is known to have had numerous romances after this — including, apparently, with some very famous people, but she would never share their names. A few have stepped forward, including American author Betty-Carol Sellen, but Chavela was very careful to keep these things private (particularly, I assume, because very few if any of them would have been open about their sexuality at the time!)

In 1961, with the help of José Alfredo Jiménez, Chavela’s first album was released: Noche de Bohemia. This was the first of more than 80 albums that she’d release over the course of her career. Later that year she released Con el cuarteto Lara Foster. Rumor has it that although her career was just beginning to take off, Chavela began a short-lived affair with Arabella Árbenz Villanova in 1964 after their paths crossed coincidentally — the problem being that Arabella was also having a torrid romance with Televisa executive Emilio Azcárraga Milmo, also known as “El Tigre.” When El Tigre learned of this affair he was infuriated and tried to destroy her career. Despite his pretty powerful influence in Mexico, he very nearly did. although Chavela Vargas is — as far as I can tell — still banned from appearing on Televisa in any capacity.

Her next album, Hacia la vida was released in 1966. By the time her fourth album Corridos de la revolución came out in 1970, Chavela had become quite popular, though she still wasn’t invited to headline concerts — but as her popularity grew, so did her alcoholism. Despite her struggle with drinking, Chavela managed to release three albums in 1973 and one more in 1975. However, due to her constant battle with addiction and El Tigre’s continuing campaign against her — Chavela was forced to retire and completely disappeared from the public eye.

The details are a little bit sketchy here, but according to Chavela while she was “submerged in an alcoholic haze” — as she would later describe it — she was found and taken in by a family of Native Mexicans who attempted to help nurse her back to health. It would be decades before the public learned any of this, and at the time many assumed she had died. She had very little money at this time, and sometimes only ate when friends invited her to their homes for meals.

On September 2, 1988, at the request of mutual friend Patria Jiminez, lawyer Dr. Alicia Elena Pérez Duarte arrived at Chavela Vargas’ home in order to stop her from drunkenly signing some legal documents. This began an intense romantic relationship, which both Chavela and Alicia would describe as “something greater than love.” Chavela moved in with Alicia and her four kids — but Chavela’s reliance on alcohol, and her great attachment to firearms, put a heavy strain on the relationship. Although Chavela did manage to quit drinking — which she credits to a shamanistic ritual (though Duarte has publicly disagreed with that statement) — it turned out her violent streak and penchant for guns was not dependent upon alcohol at all. Alicia ended the relationship, though she remained Chavela’s legal representation.

In 1989, a couple of Chavela’s albums were rereleased, sparking renewed interest in the singer. When the nightclub El Hábito opened in Mexico City in 1991, they invited her to perform after spotting her in their audience. Eventually, she agreed — though it was her first time performing on a stage since the 70’s and she was 72 years old at the time. It was also her first ever sober performance. This launched a full revival of her career, which involved several more albums and also international fame the likes of which she had not experienced before. She performed not just in Mexico but even performed numerous sold out shows in Spain and France. And finally, she was the headliner of these shows — an honor she had certainly earned.

She also provided music for several films during this period, primarily at the behest of Pedro Almodóvar who was a fan, a friend, and a champion for her career after meeting her in Madrid in 1992. Chavela once described him as “my husband in this world.” He traveled the world with her, pushing greater and greater opportunities towards her. Despite his best efforts, she insisted that she did not want to begin a career as an actress — although she did appear in the 2002 biographical film Frida about her former lover Frida Kahlo, singing her song “La Llorona.”

That was the same year Chavela published her autobiography Y si quieres saber de mi pasado (which translates to And if you want to know about my past). Although her sexuality had been a fairly open secret for decades — her relationships with women were fairly well known rumors, not to mention her refusal to ever change the genders or pronouns in the songs she sang — it was within the pages of her autobiography that she finally, publicly came out as a lesbian.

The following year on September 15, at age 83, Chavela Vargas had her debut performance at Carnegie Hall. The performance was recorded and released as an album creatively entitled Chavela at Carnegie Hall. The performance was considered groundbreaking given her age and sexuality in a musical genre that generally would have denied her for either of those, and in 2019 the album of the recording was named on Mitú’s list of Spanish-language albums that “Changed the Face and Feel of the Music Industry” calling it “the stuff dreams and legends are made of.”

In 2012, just months after releasing her final album Luna grande, the 93-year old Chavela Vargas was hospitalized in Cuernavaca, Mexico for respiratory problems. Several weeks later, on August 5, she passed away. It’s comforting, I think, that when she did pass away she knew it was coming and seemed to have made peace with it. She spent her final days making statements like “My name is Chavela Vargas, don’t let them forget!” Her final words, according to her Facebook page, were “I leave with Mexico in my heart.”

But truthfully, it’s hard to “leave” if your music is as significant as hers remains to this day, and there’s certainly no way to forget her. Aside from the longevity of her own music, she’s received a lot of tributes — Joaquín Sabina’s song “Por el Boulevard de los Sueños Rotos” is dedicated to her, Juan Carlos created a series of portraits of Chavela which were presented at the Centro Cultural de España en México in Mexico City in 2012. One of the characters in Sergio Ramírez Mercado’s novel La Fugitiva is based off of Chavela. And in 2017, the biographical documentary Chavela was released. She’s even had a Google Doodle in her honor! In 2019, she was commemorated on the Rainbow Honor Walk in San Francisco, which is a “walk of fame” type of thing for LGBTQ+ people who have “made significant contributions in their field.” Given that she essentially reinvented ranchero music, opening it up to women performers, I’d call “significant contributions” an understatement. She remains one of, if not the, most celebrated lesbian in Mexican history.

Felix Yusupov

Imagine, for a moment, if you will, that you’re watching the (fantastic) animated film Anastasia, right? And at the end of the movie, the credits roll, and then you see the disclaimer that tells you that it was fictional and none of the characters were intended to be like real people. You probably roll your eyes and chuckle a little — obviously Rasputin didn’t have a talking bat sidekick, right? But what you probably didn’t know is that that disclaimer is actually kind of a piece of queer history at play, and that it’s partially due to Rasputin that it’s there at all. But mostly it’s because of Prince Felix Felixovich Yusupov, Count Sumarokov-Elston.

Felix was born on March 23, 1887 in the Moika Palace in Saint Petersburg, Russia. His mother Zinaida Yusupova was last of the incredibly wealthy Yusupov family, and his father was Count Felix Felixovich Sumarokov-Elston. The Yusupovs had more money than the Romanovs who, y’know, ran all of Russia. They had four palaces in Saint Petersburg along, three palaces in Moscow and 37 estates elsewhere in Russia. Not just old money sitting around gathering dust either — they were raking it in with coal mines, iron mines, oil fields….all kinds of industries that were booming at the time. So, the point I’m trying to drive home here is….he was born into money. He just had to inherit it.

Standing in the way of that inheritance was his older brother Nicholas Felixovich Yusupov. Nicholas was a lady’s man and a womanizer, but someone Felix looked up to as a child — but was also deeply jealous of him. According to Felix’s memoirs Lost Splendour, Felix lost his virginity while abroad with his family in Contrexeville, France in a chance encounter with an Argentinian man, who’s name never came up, and his girlfriend when he was still pretty young. He confided the experience to Nicholas, but — to Felix’s frustration — his elder brother ignored him, convincing Felix to keep such stories to himself in the future. (I think it’s relevant to note that, whenever this encounter comes up in his memoirs it is always the Argentinian man he talks about and the woman is just “his girlfriend.”)

Felix also soon discovered a penchant for dressing in women’s clothes for parties — he discovered he enjoyed the clothes, and the attention he received from men. Nicholas encouraged this, and brought Felix — in dresses — out to debaucherous parties with him. He began performing in drag at a cafe in Saint Petersburg called The Aquarium — until his mother recognized him during one of his shows that she happened to attend. Although the scandal was kept secret, it ended Felix’s performance career. He continued to dress in drag for parties, however, until his father learned of these “pranks” and furiously threatened to send him to a Siberian convict settlement.

Nicholas was killed in a duel at 26 years old on June 22, 1908. The duel, which was over the affections of a married woman, was something of a surprise to most of the family — Felix, however, had been warned about it (by the woman in question) well in advance and made no moves whatsoever to prevent it from happening. As a result, Felix no longer had to split the family fortune. And before you say I’m being cynical, I present to you this excerpt from Felix’s own memoirs, immediately following his brother’s death: “The thought of becoming one of the richest people in Russia intoxicated me.”

Although Felix clearly came out ahead, there were a lot of people who lost in that duel. Nicholas died. The married woman left her husband and joined a convent, so he still lost his wife. Felix’s mother battled severe depression for the rest of her life, brought on by the death of her eldest son. And then there’s Maria Golovina, a woman who had been in madly love with Nicholas and mostly ignored by him. She latched onto Felix as, essentially, her new best friend to help her through grieving. Her family, however, decided she needed “professional help” from self-proclaimed holy man Grigori Rasputin. When they met, Felix was not impressed by Rasputin, and immediately believed him to be a depraved con artist, writing “The young woman was too pure to understand the baseness of the ‘holy man.'”

Google Street View of Felix’s Oxford address

From 1909 to 1912, Felix attended University College at Oxford, studying forestry and English. He was essentially forced there by his family, who believed it would help ground him. Not so much. While there, he did found the Oxford Russian Club, which was something I suppose, but Felix was still living extravagantly. He was a member of Oxford’s Bullingdon Club — which was basically a dining club for rich boys — and employed a full staff at his residence, including a chef, a valet, a housekeeper, as well as housing numerous pets including a bulldog, three horses, a bear cub, and a macaw. According to the University College Oxford website, he spent more money while attending the school than almost any other student. He spent most of his free time partying with friends like Oswald Rayner (remember that name!), and ultimately became very good friends with pianist Luigi Franchetti and Jacques de Beistegui. I’m hesitant to say that there was anything physical or romantic about his relationship with either, because I can’t find any information about who they were outside of what I’ve just said, but they did both move into his English home at 14 King Edward Street. I’m not saying anything definitive but there’s an awful lot of people (and animals) in what is, by all outside appearances anyways, not a particularly large residence. Little bit crowded in there even if people are sharing beds, that’s all I’m saying.

Felix described Dmitri as “extremely attractive” so…this has to just be a bad picture, right?

Anyways, in 1912 Felix returned to Russia without graduating, writing that he was too busy in Russia to return to school. He developed a relationship with Grand Duke Dmitri Pavlovich — something heavily implied in his own memoirs to be more than a friendship, but less than a romance. There’s no evidence that Dmitri felt the same way about Felix. Felix rejected the advances of one of Dmitri’s friends, and Dmitri was sent elsewhere — effectively ending whatever their relationship may have been for the time being. Felix was pretty quickly married off to Princess Irina Alexandrovna, the only neice of Tsar Nicholas II. Their wedding was on February 22, 1913 and although the wedding was described as modest, don’t worry, it’s not a “real people” version of a modest wedding — Irina was wearing a veil that had once belonged to Marie Antoinette. You know, nothing like getting “something borrowed” and “something old” out of the way at the same time. For their honeymoon they went to Jerusalem, London, and Bad Kissingen in Germany.

They were both still in Germany when World War I began in August of 1914. They were detained in Berlin. Because European royalty is pretty much all one really weird family tree, Irina reached out to her relative the Crown Princess of Prussia to try to help them get back to Russia, but Kaiser Wilhelm II was not about it, and instead offered them their choice of one of three German estates to reside in for the duration of the war. However, Felix’s father intervened by way of the Spanish ambassador to Germany, and the newlyweds were allowed to return to Russia as long as they went there by traveling through Denmark and Finland.

Felix and Irina in 1915

On March 12, 1915 Irina gave birth to their first and only child — a daughter named Irina Felixovna Yusupova — nicknamed Bébé. Irina and Felix found they were both utterly incapable of actually taking care of a child, and so Felix’s parents did most of the parenting. Nevertheless, Bébé was very close with her father and quite distant from her mother. This was probably because Felix and his parents spoiled her rotten. There’s also a distinct possibility that Irina wasn’t thrilled with Felix’s, in his words, “love affairs of a special kind” which were, y’know, with men. He once wrote “One may censure those relationships but not the creatures for whom normal relationships against their nature are impossible.”

Around this time, Felix decided to use some of his vast fortune to help out with the war, converting part of Liteyny Palace into a hospital for soldiers. Felix did not have to actually serve as a soldier because there was a law that stated only sons did not have to serve — nevertheless in February 1916 (after a scathing letter from the Grand Duchess Olga to Tsar Nicholas II called him a “downright civilian” and “a man idling in such times”) Felix began attending the Page Corps military academy.

Meanwhile, concern began to grow that Russia would concede to Germany in the war. Part of this was due to Russia’s economic decline, which many people — particularly those loyal to the monarchy — blamed, at least in part, on Grigori Rasputin and his undue influence with the tsar’s wife Alexandra Feodorovna. Felix, for his part, remained convinced that Rasputin was drugging the tsar in order to slowly weaken him and eventually make the tsarina the regent even at the time of writing his memoir.

What actually transpired is a bit of a mystery. While the official accounts, as told by Felix and his cohorts, match up with each other reasonably well albeit not perfectly, the autopsy reports tell a drastically different story. And further evidence from British Intelligence indicates yet a third different story. But since this is an article about Felix, I am going to focus on his version of events as explained in his memoirs.

It was little wonder that when he received a letter from Vladimir Purishkevich proposing that Felix join him and the Grand Duke Dmitri Pavlovich (whom Felix still pined for) in assassinating the Rasputin, that Felix joined in eagerly — although he insisted on being involved in mapping out the scheme itself. Purishkevich also recruited Doctor Stanislaus de Lazobert and contacted Samuel Hoare at the British Intelligence Service, which is perhaps why MI6 operative and Felix’s college-friend Oswald Rayner visited with Felix a number of times the week that the plot unfolded. Meanwhile, Felix recruited lawyer Vasily Maklakov and an army officer named Sergei Mikhailovich Sukhotin, who was recuperating from an injury sustained in the war.

Grigori Rasputin — honestly, he looks less creepy in “Anastasia”

Felix worked through his friend Maria Golovina, who had introduced him to Rasputin years before, to ingratiate himself to the tsarina’s advisor. It was quite successful and easy — particularly laying the trap. Felix lured Rasputin in with an invitation to the Moika Palace, with a promised invitation to meet his wife Irina, who was actually in Crimea at the time. Dr. Lazovert prepared cyanide crystals, sprinkling them over the tops of cakes and leaving some to be poured into Rasputin’s drink. Lazovert was convinced that it was enough cyanide to instantly kill several men.

Felix brought Rasputin to his home, all of his other cohorts hiding upstairs from the dining room. encouraged Rasputin to partake of the cakes and poured him three poisoned glasses of wine. The cyanide, however, had no effect discernible effect (though the wine slurred his speech.) Excusing himself, Felix went upstairs to discuss this surprising lack of a turn of events with his friends, and they ultimately determined the next course of action had to be to shoot Rasputin. Upon returning to the room, Felix shot Rasputin in the chest. Dr. Lazovert rushed in and, after a brief examination, determined he was in fact dead.

The last part of the plan involved Sukhotin bringing Rasputin back to home, so as to avoid arousing suspicion. However, as they prepared to do so, Rasputin leapt to his feet and charged at Felix — who was forced to hit Rasputin with a rubber club to escape his grasp. Rasputin began crawling out the door into the courtyard, and disappeared into the night. Purichkevich fired two shots into the dark after him. They pursued Rasputin into the courtyard, and Purichkevich shot him two more times.

The gunshots, of course, aroused police suspicion. Felix tried to convince the investigating police officer that it was just a drunken friend firing a gun — but Purichkevich proclaimed that he had killed Rasputin. The police officer agreed not to turn them in. After all of this excitement, Felix passed out and his servants put him to bed. He was later told that Dmitri, Sukhotin, and Lazovert took Rasputin’s body, wrapped it in linen, placed it in a car, drove it to a bridge, and dumped it in the water (breaking the ice as they did).

Although that police officer did not report Purichkevich’s confession, the police investigating Rasputin’s disappearance found the unusual gunshots happening at the same night, at the home of someone acquainted with the missing person to be suspicious. Felix was questioned the next day. The police let Felix go, as he repeated the story about a drunk friend, but rumors flooded Saint Petersburg that Felix had killed Rasputin at the Moika. The tsarina ordered the police to search the Moika — but, because Irina was a Romanov, such a search could only be ordered by the tsar himself. A lucky break, as it gave Felix and his servants time to clean up all of the blood. After that task was completed, the conspirators met for lunch to decide on a story. They all agreed to stick to the story Felix had already told the police.

Though they stayed with this story, and were questioned without arrest a handful more times, Felix and Dmitri were forbidden from leaving Saint Petersburg. The tsarina was already calling for their execution, despite no evidence linking them to a crime. The body took days longer to recover, but it was eventually found. Police were sent to protect Dmitri and Felix, who had made things easy on both their protectors and the multitude of people who wanted to kill them by taking up residence in the same palace. As much as that must’ve been nice for Felix, as I said before, there’s no evidence Dmitri returned his feelings and at this point they were both pretty focused on the aftermath of the assassination they’d committed.

Now, the autopsy of the body revealed a lot that doesn’t add up to Felix’s version of events. They found Rasputin had been shot by three different guns — one of which was the standard issue for British Intelligence operatives. The same type of gun, in fact, carried by Oswald Rayner. (Although the memoirs note that Oswald was aware of the plot to kill Rasputin, it only mentions him checking in on Felix the day after the murder.) The examination of the body also indicated that Rasputin had been severely beaten, and that someone had tried to castrate him. Tried, and failed — not sure how that works but okay. None of that was mentioned in Felix’s story and that lends some credence to the theories that he wasn’t actually involved at all.

Anyways, unable to find evidence proving anyone else killed Rasputin, and unable to find enough evidence they had killed Rasputin, Dmitri and Felix were exiled from Saint Petersburg. Dmitri was sent to Persia, ordered to remain there under the supervision of the military general commanding troops there. Felix was sent to his family’s estate in Rakitnoye. (It helps to have like forty residences, right?) Felix was really heartbroken to be separated from Dmitri. I guess he thought after they assassinated one of the most influential people in Russia, he and Dmitri would live together forever?

This was January of 1917, however. So anyone who knows Russian history at all knows what’s about to happen to the tsar who ordered that exile. The February Revolution began on March 8, by March 12 buildings in the capital were ablaze and by March 15, Tsar Nicholas II had given up the throne of Russia. This ended Felix’s exile from Saint Petersburg but overall made things very complicated for him. His wife was a Romanov, but most of the population thought Felix was a revolutionary because he’d murdered Rasputin. He spent some time kind of playing both sides, clearing out valuable possessions from his family estates, trying to keep below the radar of the new provisional government (who were very much trying to keep an eye on him) and trying to help the imprisoned Romanovs with whatever influence he still had. When the Bolshevik government fully came into power, Felix and Irina headed to Yalta to stay even further below the radar — but be closer to one of the places where some of the Romanovs were being kept in the hopes of somehow improving their situation.

Felix & Irina in exile in France

However, when that proved impossible, Felix and Irina went into permanent exile from Russia. They traveled to Italy, but ultimately settled in Paris, France. They began a couture fashion house called IRFE, and Felix became known for his charitable giving towards France’s Russian immigrant community. He published his memoirs, Lost Splendour: The Amazing Memoirs of the Man Who Killed Rasputin in 1928. Rasputin’s daughter promptly sued him, but the case was dismissed as the French courts had no interest in dealing with a political assassination that had occurred in Russia in any capacity whatsoever. The stock market crash of 1929 (and some poor financial decisions Felix had made) led to IRFE being closed.

In 1932, Felix and Irina sued MGM for invasion of privacy and libel for their portrayal of Irina (as “Princess Natasha”) in the film Rasputin and the Empress. In the film, Princess Natasha is seduced by Rasputin. The English courts sided with the Yusupovs and awarded them $127,373 in damages (over $2 million when adjusted to today’s values!) The court specifically mentioned that text appearing at the beginning of the movie made it seem like it was intended to be a retelling of actual events and worked against MGM’s arguments. As a result, MGM began attaching a disclaimer to each of their films, declaring it as a work of fiction with no intended similarity to any person living or deceased. Numerous other studios followed suit — and to this day, that boilerplate disclaimer shows up on almost every American movie. He was involved in a handful of other, less consequential lawsuits over the next few decades and Felix passed away on September 27, 1967.

Felix remains somewhat of a controversial figure — not because it’s his fault that movies have to explain that they’re fictional in a disclaimer, and not just because he may have murdered Rasputin. Also because, I’m sure you guessed this, his sexuality is often called into question. Per usual, a lot of historians claim he could not have been bisexual. His Wikipedia page even falsely claims that he outright denied being bisexual in his memoirs. I just read his memoirs for this article, they’re available online for free right here. The closest I found to any such denial is this quote: “I have often been accused of disliking women. Nothing is further from the truth. I like women when they are nice.” Nothing about that is a denial of bisexuality especially since right before it is this statement: “I thought it quite natural to take my pleasure wherever I found it, without worrying about what others might think.”

So there you have it, the story of Russia’s bisexual, drag-performing, accidental revolutionary, clumsy assassin prince and how he changed both Russian history and cinematic history forever.

The Fall of Oscar Wilde

Oscar Wilde and Alfred Douglas

…and now the thrilling conclusion…

With his literary success following 1891’s publication of The Picture of Dorian Gray, Oscar Wilde returned to writing for the theater. He penned the tragedy Salomé, but quickly turned to comedies. Lady Windermere’s Fan debuted at the St. James Theatre on February 20, 1892 and proceeded to tour England — despite the outrage of more conservative critics.  He followed this work up with the 1893 comedy A Woman of No Importance. He was then commissioned for two more comedies. By now Wilde was earning approximately 100 pounds each week — by today’s standards that’s about 12,211 pounds or 15,756 US dollars a week. No longer tied to John Gray, Wilde’s relationship with Lord Alfred Douglas turned romantic, and Wilde used that ample income to spoil his new beau.

In many ways, Douglas quickly became the center of Wilde’s entire world. Douglas and several of his friends founded a magazine called The Chameleon, which was as pro-gay as any publication could be at the time without being shut down by law enforcement. Wilde was a regular contributor. Douglas also led Wilde into the seedy underground of London’s gay prostitution circles. Every time he rendezvoused with a prostitute, it followed the same pattern — Wilde was introduced to a young man by a fellow named Alfred Taylor, Wilde would take the young man to dinner, and then to a hotel room. Sometimes, Douglas would meet them there too.

Douglas’ father was John Douglas, the 9th Marquess of Queensberry (more commonly known just as Queensberry). He’s mostly known in history for being cruel to his family and for creating the Queensberry Rules which, apparently, are what modern boxing rules are based around. Oh, and all of the stuff we’re going to talk about. He’s known for that too. (Spoiler alert: it’s not good.) Now, Queensberry and his son fought like all of the time even before Wilde entered the picture — and even though Queensberry was initially charmed by Wilde, it didn’t take him long to piece together what was actually going on with the two. He was not having any of it. He cornered Oscar in the Wilde family’s London house and threatened him — the initial description of this encounter ended with Wilde giving a clever retort (“I don’t know what the Queensberry rules are, but the Oscar Wilde rule is to shoot on sight”) but later accounts by both Wilde and Queensberry make Wilde sound much less assured and much more afraid — and with good reason.

On February 14 of 1895, Wilde’s greatest script premiered in London at the St. James Theatre — The Importance of Being Earnest. The cast was led by popular actor Allan Aynesworth, who later stated that the first night of that show was his greatest triumph on stage. The show itself was hailed as a massive success, even by most critics. Queensberry had planned to attend the premier and publicly humiliate Wilde by throwing a bouquet of rotting vegetables onto the stage — but Wilde had made sure to ban him from the theater — which didn’t actually help calm things down at all.

Four days later, Queensberry left a calling card for Wilde at a club he was known to frequent. The card read: “For Oscar Wilde, posing somdomite.” (Perhaps history’s most infamous spelling error.) Wilde’s friends, including Robbie Ross, begged him to let it go, but Douglas urged him to sue Queensberry for criminal libel. The problem with that was, in order to avoid going to prison, Queensberry would have to publicly prove that Wilde was a sodomite. (Or a somdomite, I guess.) Wilde had been sleeping with men for years and basically wrote about it in a very popular novel (Dorian Gray), so like not really a bright idea to challenge this. But Douglas hated his father, and was also all too happy to disagree with Robbie Ross — who he often butted heads with. Wilde was all too eager to give Douglas anything he wanted, and so he sued for libel.

Queensberry went for Wilde’s jugular almost immediately. He hired Wilde’s former college friend Edward Carson to represent him in court, and hired a number of private detectives to investigate. They amassed a veritable mountain of evidence. Wilde’s lawyer opened the trial on April 3 by preemptively asking about letters Wilde had written to Douglas (letters which Carson had procured) — Wilde claimed the letters were innocent, “prose sonnets”. Carson, meanwhile, opened by stating that he’d located several male prostitutes who were willing to testify against Wilde. Carson’s cross examination was even more brutal — and although Wilde gave sassy answers that got a lot of laughs, they didn’t help the outcome of the trial.

In the end, Carson discredited Wilde by proving he had lied about his age under oath. He also, using text from The Picture of Dorian Gray, managed to successfully paint a picture of Wilde seducing Douglas (which was almost the opposite of what had actually happened.) Moving on from this, Carson started asking about facts — inquiring about his friendships with lower-class men that he had been seen with at dinner. Wilde insisted they were merely friends and that he did not believe in social barriers.

Then, Carson directly asked Wilde if he had ever kissed a certain man — Wilde proclaimed in no uncertain terms that he had not because “he was a particularly plain boy – unfortunately ugly – I pitied him for it.” Carson demanded to know why that was relevant, and for the first time Wilde didn’t really have any answer. Wilde dropped the charges, and Queensberry was found not guilty. This was disastrous for two reasons: the first being that Wilde was responsible for all of Queensberry’s astronomical legal fees, which was more than he could afford — and the second being that the courts issued a warrant for his arrest on the charges of sodomy and gross indecency almost as soon as Wilde had left the building.

Robbie Ross and another friend named Reginald Turner tried to get Wilde to flee the country, and arranged for a train and a boat to take him to France. Meanwhile, Wilde’s mother wanted him to fight. He was basically paralyzed — either with fear or indecision — until all he could say was “The train has gone. It’s too late.” He was arrested on April 6. Ross and Wilde’s butler, under strict instructions, went into the Wilde family house and packed up all of his letters, manuscripts, and some personal items.  While Wilde awaited trial in prison, Alfred Douglas visited him every day — which was nice since this was actually pretty much all Douglas’ fault, and he hadn’t done anything to help out during the criminal libel trial.

When the new trial opened on April 26, Wilde plead “not guilty”. Douglas left for Paris at the urging of Wilde. Several of Wilde’s other “somdomite” friends also left the country for their own safety — including Ross. This trial had captured the attention of the public around the world, even as far as the United States. While being cross examined, Oscar was asked to explain “the love that dare not speak its name” — a phrase originating in a poem written by Douglas. (And that’s the most Douglas participated in this trial, I’m just saying.) Oscar responded with this speech that literally brings a tear to my eye every time, so I’m going to share it here verbatim even though it’s kind of long:

“‘The love that dare not speak its name’ in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art, like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as “the love that dare not speak its name,” and on that account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an older and a younger man, when the older man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it, and sometimes puts one in the pillory for it.”

While this was, in my opinion, a beautiful speech….it really didn’t help out with the whole “not guilty” thing. Nevertheless, the jury failed to reach a verdict. Wilde’s friends were able to post bail, and Wilde was free. Sort of. He was shunned by nearly everyone; his wife wouldn’t let him back into the house. He was forced to stay with two of his few remaining friends, Ernest and Ada Leverson. At this point, even Carson attempted to intervene on Wilde’s behalf — asking the Solicitor General Frank Lockwood if they could “let up” on Wilde. Lockwood replied he would have liked to, but that the trial had been so publicized and so politicized that it was not going to be possible.

A third trial followed, taking place on May 25. This trial was against both Wilde and Alfred Taylor, who had also been arrested for procuring prostitutes for Wilde but who refused to turn state’s evidence against the writer. Sir Alfred Wills presided, and gave the harshest punishment the law allowed: two years of hard labor. He was also very clear that he would have given a harsher punishment if he’d been able to, claiming the sentence was “totally inadequate” for what he considered “the worst case [he had] ever tried.” After the sentence came down, Wilde asked, “And I? May I say nothing, my Lord?” But his question was completely drowned out by the very large crowd that had come to see this beloved celebrity’s downfall.

Wilde was immediately sent off to Newgate Prison for processing, and then was sent to Pentonville Prison. His “hard labour” there was walking on a treadmill and separating rope fibers — so, y’know, really productive for society and all. He was later transferred to Wandsworth Prison. While there, he collapsed from hunger and ruptured his right ear drum.

On November 23 1895, Oscar was transferred to Reading Gaol by train. While he was waiting on the platform for the train to arrive, a crowd gathered to spit on him and ridicule him. At Reading Gaol, he was eventually allowed a pen and paper, he wrote a 50,000 word letter to Alfred Douglas (which he was not allowed to send until he was released and which, later, Douglas would deny ever receiving.) Over the course of the self-reflective letter, Wilde does forgive Douglas for his involvement in getting Wilde into this position. The letter was partially published in 1905 under the title De Profundis.

Throughout the trials and his imprisonment, all eyes — even internationally — were on Oscar Wilde. LGBTQ+ people across the Western world, but especially in Europe, in particular were watching with a sort of horrified fascination.  Just before the end of Wilde’s sentence, inspired in large part by the writer’s legal troubles, Magnus Hirschfeld founded the Wissenschaftlich-humanitäres Komitee in Germany — the first organization to work towards securing legal rights for queer people.

After his release on May 18, 1897, he immediately went to France and never went back to Britain or Ireland. He took the name Sebastian Melmoth, and began to advocate — through letters to English publications — for prison reform. He also wrote The Ballad of Reading Gaol about a man who was hanged while Wilde was imprisoned there. Also, at this point, Wilde’s wife had gotten him to relinquish parental rights to their kids and had changed their last names to “Holland” (and, yet, poor Vyvyan was still named Vyvyan.) They never divorced but were completely estranged.

In August, he reunited with Douglas, but the two were only together for a few months. There’s differing explanations as to why they didn’t stay together — the truth is probably a combination of both. Some say that, after everything that had transpired in their lives, they weren’t able to get their relationship back to what it had been before the trials. Others say that Douglas’ family threatened to cut him off financially. Personally, I can’t imagine that their relationship wasn’t full of resentment, probably on both sides — and if you’re struggling with a relationship that seems like it’s failing and then your family says to break it off or spend the rest of your life completely broke? Yeah, it makes perfect sense to break it off.

Wilde was impoverished for the remainder of his life, and had only a small collection of friends left to him. With nothing left to lose, he was very much open about his sexuality for the years he had left. By the fall of 1900, Wilde was fighting with illness which physicians later stated was from an infection of his right ear drum — the illness left him weak and depressed and frequently unable to leave the bedroom of the hotel he was living in. He famously quipped, “My wallpaper and I are fighting a duel to the death. One of us has got to go.” On October 12, he sent a telegram to Robbie Ross saying “Terribly weak. Please come.”

By November 25, 1900, Wilde’s illness had developed into meningitis (the same illness that struck down his little sister so many years earlier). Robbie Ross arrived on November 29, and immediately sent for a Catholic priest. The priest performed a conditional baptism, and Wilde died the next day. His friends Reginald Turner and Robbie Ross were with him when he died. Wilde’s tomb, which is in Paris, was commissioned by Ross, who also requested a compartment be built for his own ashes — which were dutifully placed there in 1950.

In the years since his death, Oscar Wilde has become arguably one of the world’s most celebrated queer figures. In 1967, Craig Rodwell named his LGBTQ bookstore the Oscar Wilde Memorial Bookshop in order to make sure it was recognized as a safe place by others in the community. In 2014, Wilde was one of the first honorees of the Rainbow Honor Walk in San Francisco. He was also one of 50,000 men posthumously pardoned in 2017 under the Policing and Crime Act, also known as the Alan Turing Law.

The Rise of Oscar Wilde

Oscar Wilde is arguably one of the most famous and lasting playwrights since William Shakespeare — and his work was popular to boot. He was a celebrity in his time, known even then for being an extremely quotable master of one-liners.

He was born on October 16, 1854 in Dublin, Ireland. His parents, Sir William and Jane Wilde, gave him the most Irish name they could: Oscar Fingal O’Flahertie Wills Wilde. Just try yelling out that entire thing when you’re mad at your kid. That’s a chore. Anyways, he was the second child of three — his older brother Willie and younger sister Isola. His parents were part of Dublin’s intellectual elite — Sir William was a doctor notable for taking care of the city’s poor and who had also written and published numerous works regarding medicine, archaeology and folklore while Jane was an Irish nationalist publishing revolutionary poetry for the Young Islanders under the pen name Speranza. They instilled a love of poetry and folklore in all of their children.

Until age of nine, Wilde was educated at home by his mother, a French nursemaid, and a German governess. As such, he became fluent in French and German very early. Then he was enrolled at the Portora Royal School — a free school. While he was there, Isola Wilde died of meningitis in 1867.

Wilde graduated from the Portora Royal School in 1871 and began attending Trinity College in Dublin. There he studied classic literature and Greek alongside his older brother Willie and joined the University Philosophical Society. Through this society, he became an enthusiastic member of the Aesthetic Movement — an intellectual movement prioritizing the appreciation of beauty over social and political themes in literature, fine art, music, and other arts.

While at Trinity, he also befriended Edward Carson — a name you’re going to want to remember for later. They stayed very close friends throughout their college years, but drifted apart in adulthood. Wilde proved to be a gifted student — coming in at the top of his class in his first year of studies and eventually winning Trinity College’s highest academic award, the Berkeley Gold Medal. In 1874, having out-nerded everyone in Ireland (and with encouragement from his teachers who were probably tired of being shown up by him), he applied for and obviously received a scholarship to Magdalen College in Oxford.

At Magdalen College, Wilde reinvented himself. He explored several organizations, religions and philosophies. He toyed with joining Roman Catholicism — despite threats that his father would cut him off financially if he was baptized into that faith. Wilde ultimately decided, at the last minute, not to do it, and sent flowers to the ceremony in his place. He said he liked their aesthetic, rather than their beliefs. Wilde also replaced his Irish accent with an upper class British accent, began to dress in formal wear literally all of the time and lavishly decorated his room with peacock feathers. It was about this time — no surprise — that he became involved in the Decadent Movement.

As anyone who’s ever been to school knows, standing out isn’t always a popular thing. People attempted to beat up or bully Wilde on more than one occasion — but Wilde was 6’3″ and really strong — especially for someone who pretty much hated sports. He once beat up an entire group of students who attacked him, then invited onlookers to go to the room of one of his assailants where they drank all that student’s liquor. He did, at some point (before or after this, I’m unclear), take up boxing — probably not so much as a sport but as a means of self-defense.

The lifestyle he’d adopted was not conducive to studying, and Wilde did not remain the star pupil he had been at Trinity. After returning late from a trip to Greece with a professor, Wilde was even temporarily expelled. Despite this, when he graduated in November of 1878, he received double first (the highest possible honor) for his Bachelor degree in Classical Moderations and Literae Humaniores (basically, literature, just made to sound fancier.) In the same year his poem “Ravenna” won the Newdigate Prize, a high honor for students at Oxford.

Wilde settled in London after graduating, though he spent a good amount of time in Paris. In 1881, a collection of his poems (now having been published in various places since roughly 1871) was published. The first print run of Poems was 750 copies — it sold out and had to have a second run printed in 1882. Despite the book’s undeniable popularity, reviews were mixed — the British magazine Punch was notably unenthusiastic. Their review stated: “The poet is Wilde, but his poetry’s tame.” (Don’t you sometimes wonder if people write intentionally bad reviews just so they throw in some solid gold zingers like that one?)

Because the aesthetic movement was becoming popular in the United States thanks to Gilbert & Sullivan’s Patience (which features a character satirizing Wilde), talent agent Richard D’Oyly Carte booked Wilde for a lecture tour in America coinciding with the tour of Patience. The press in the United States was even more critical of Wilde than it was in Britain. T.W. Higginson wrote that Wilde’s “only distinction is that he has written a thin volume of very mediocre verse” and expressed concerns about the influence Wilde might have on people’s behavior.

Wilde was also subjected to some incredibly bigoted anti-Irish attacks in the press — on January 22, 1882 (just twenty days after he landed in the country!) the Washington Post published a drawing of Wilde next to the Wild Man of Borneo (one of P.T. Barnum’s “freak show” performers) and asked “How far is it from this to this?” Despite the press, Wilde’s actual lectures were very popular and his tour was extended from the original four months to almost a year long.

Wilde interacted a lot with Irish-Americans during this tour. They were, perhaps, the most critical of him out of everyone in America for abandoning his Irish accent. As a result, he actually did reconnect with his Irish roots (though not his accent) and began to get more involved in politics. He was a staunch supporter of Irish independence (despite not going back to Ireland much). He also spoke out on behalf of socialism, although his actual beliefs — which he described as anarchy — were probably closer to communism than anything. (Apparently, for all his studying, Wilde never read the Communist Manifesto.)

Between the tour and publishing The Duchess of Padua, Wilde was making a good amount of money by 1883. In that same year his first play, Vera, was produced in New York City. As his celebrity grew so — of course — did rumors that he might be a sodomite — probably more because of his entire lack of romantic attachments and his super flamboyant clothes. Some historians suggest, therefore, that it is not a coincidence that he started seeing Constance Lloyd — a woman and fellow Decadent writer who he met at a lecture in Dublin. They married on May 29, 1884. Because of the philosophical and literary values they both represented, they spent tons and tons of money on having an incredibly stylish house in London. Like, even though they were both well-off, they ended up having basically no money.

Lloyd and Wilde had two sons — Cyril (born in 1885) and Vyvyan (born in 1886) — proving beyond any doubt that celebrities have always given their kids bizarre names. During the second pregnancy, their marriage began to fall apart. According to the biography written by Daniel Mendelsohn, Wilde became “physically repelled” by his wife. It was also about this time that Wilde met Robert “Robbie” Ross — a seventeen year old university student who was pretty much openly and unashamedly gay. That was a really big deal at the time. Robbie was determined to seduce Wilde — he had recognized allusions to “Greek love” (that’s a classy way of saying gay sex) in Wilde’s work and had decided to introduce Wilde to it. And he was very successful at that. While Ross and Wilde had a fairly short-lived romantic affair, they remained very close lifelong friends. Wilde’s marriage continued to devolve, although they never divorced.

Wilde’s star as a writer continued to rise after this. Over the next several years, he published a number of short stories — most of which alluded to “Greek love” more openly than his works had before. In 1890, Wilde published The Picture of Dorian Gray — a novel that catapulted him to an even higher degree of fame. (Incidentally, Dorian Gray was likely inspired — at least in name, if nothing else — by Wilde’s next ex-lover, John Gray. Gray did his best to deny this rumor.) It was publicly trashed by critics, particularly for the hedonism depicted in the novel — and the rather obvious references to homosexuality. It was heavily edited, some of the more transparent homo eroticism taken out and six new chapters added, and re-released in 1891. It was in this year, Wilde was introduced to Lord Alfred Douglas (aka “Bosie” to his friends), a student at Oxford at the time but with a great interest in literature — and the two struck up a friendship. This friendship would ultimately change the trajectory of Wilde’s life — and impact the entire underground queer community of Europe.

….for the thrilling conclusion, click here.

Dorothy Wilde

History usually remembers ambitious people, who applied themselves to a chosen profession or cause and excelled. That is not exactly the case with Dorothy Ierne Wilde — better known as “Dolly” Wilde.

Dolly was born in London on July 11, 1895 — three months after her uncle Oscar Wilde was arrested for committing homosexual acts. She never met her uncle, but they had a a lot in common. (Not just the whole homosexuality thing, actually. But, you know, that too.) She was the daughter of Willie Wilde and Sophie Lily Lees and had no siblings. Willie died only in March of 1899 — leaving the three year old Dolly to be raised by her mother and her mother’s new husband, the journalist and translator Alexander Teixeira de Mattos.

There’s not much else available about her childhood (except that she liked to eat sugar cubes dipped in her mother’s perfume — ew), but in 1914 she made her way to France in order to drive ambulances for the war effort. While living in Paris during the war, Dolly met Standard Oil heiress Marion “Joe” Carstairs and the two began a hot and heavy relationship. The relationship didn’t last particularly long, but Dolly seemed to have found her calling: having rich friends.

Photograph by Cecil Beaton

After World War I ended, Dolly became, basically, a full-time socialite. She wasn’t wealthy by any means, although her stepfather left her some money when he died in 1921, and mostly survived off the generosity of her friends. She lived in their guest bedrooms, or in hotel rooms, and even sometimes in apartments that she borrowed. She did all she could to live a wild, glamorous life. She had a great talent for telling stories (apparently a hereditary trait), which made her popular at parties and salons, though she never used this talent to actually pursue a career. during these years she went through a string of lovers including with the silent film actress Alla Nazimova (who starred in the 1922 movie Salomé which was based on Oscar Wilde’s book). She referred to these no-strings-attached daliances as “emergency seductions.” She also caught the ire of F. Scott Fitzgerald by flirting with Zelda Fitzgerald. Although only interested in women, Dolly enjoyed the attention she received from men as well — several men over the years proposed marriage to her, but she refused them all. Other than her promiscuity, Dolly was also an alcoholic, and developed an addiction to heroin.

Photograph by Cecil Beaton

If any of this sounds like Dolly had tons in common with Oscar Wilde, I’m just going to point out that her nickname was “Oscaria” and she was quoted as saying “I am more like Oscar than Oscar himself.” Which is a seriously bold claim to make about someone you’ve never met. So it’s little surprise that when Oscar Wilde-super fan Natalie Clifford Barney saw her picture, and saw the family resemblance, she invited Dolly to her renowned Friday night literary salons. Dolly fell in love with Natalie, and the two were together from 1927 until Dolly’s death. The two attended numerous parties together, raising Dolly’s profile significantly — particularly in 1930 when they attended a masquerade ball and Dolly, dressed as her uncle Oscar, was described as “looking important and earnest” in The New Yorker‘s “Letter from Paris” column, written by Janet Flanner.

Dolly attempted to get clean of heroin addiction on multiple occasions — to no avail. During one stay in a nursing facility, she developed a new addiction to paraldehyde — a sleeping pill that was, at the time, available without a prescription. In 1939, Dolly was diagnosed with breast cancer. She decided to explore alternative treatments, stubbornly refusing surgery. With hostile German forces approaching Paris in 1940, she fled back to England — where she was still living when she passed away on April 10, 1941. A coroner could not determine the cause of death, she may have died from cancer or she may have died from a drug overdose.

She left very little behind — 200 of letters to friends and lovers, a passage written in Ladies Almanack, and the testimonies of those who knew her published in Natalie Clifford Barney’s In Memory of Dorothy Ierne Wilde: Oscaria ten years after Dolly passed away.

Friedrich Wilhelm von Steuben

I always say that you can find someone queer connected to virtually any major historical event. The American Revolution is no exception — and, in fact, without this person being queer, we would almost certainly have lost the war.

Baron Friedrich Wilhelm von Steuben was born in Magdeburg in the kingdom Prussia on September 17, 1730. His father was the Royal Prussian Engineer Captain Baron Wilhelm von Steuben and his wife Elizabeth von Jagdovin. In his childhood, his father went into the service of Empress Anna of Russia, and young von Steuben traveled with his father to his various posts. They returned to Prussia in 1740, where von Steuben began to a formal military education, taught to him by Jesuits. This education — despite being from a Roman Catholic order — left him extremely critical of the Roman Catholic church. This was probably partly because his parents were devout Protestants.

Although it’s said he participated in one of his father’s campaigns when he was 14 (in the War of Austrian Succession) Von Steuben did not formally join the Prussian military until he was 17. He served as a second lieutenant in the Seven Years War, suffering an injury in the Battle of Prague in 1757. By 1759, he was promoted to first lieutenant — and then, in August, was injured again. After he recovered he was given the role of deputy quartermaster for the generals headquarters. In 1761, he became the adjutant of Major General Von Knobloch (who — according to my real quick research, is now most renowned for having had von Steuben as his adjutant. Not the most illustrious military career, it seems.) They were taken prisoner by the Russians, but eventually returned to the ranks of the Prussians and von Steuben was later promoted to captain and became the aide-de-camp (personal assistant, basically) to King Frederick the Great. In 1762, von Steuben was one of 13 officers chosen for instruction by the Frederick the Great himself.

However, despite his great success, at the end of the war in 1763, von Steuben was unceremoniously out of a job. Later in his life, letters would point to this being due to an “inconsiderate step and an implacable personal enemy.” While that’s definitely vague enough for lots of interpretation, given later problems in his life, it is easy to speculate exactly what might have been going on — he probably needed to take the discharge in order to keep someone quiet about his sexuality.

The next year, von Steuben joined the service of Petty Court of Hohenzollern-Hechingen — a little principality in Germany. He remained with the court until 1777 — earning himself the title of “Baron” along the way. He was the only member of the court to accompany his prince to France in 1771, hoping to borrow money. They returned to Germany in 1775 deeply in debt and with nothing to show for their efforts.

By 1777, von Steuben was pretty desperate for any sort of job where he could actually make some money. Fortunately, he’d impressed the Comte de Saint-Germain, Claude Louis, when they had met in 1763, and the count also believed that the Americans could really use someone with Prussian officer’s training. He summoned von Steuben back to Paris and introduced him to Benjamin Franklin. The Continental Congress was certainly eager for von Steuben’s experience and training, but they were already running into morale issues among the men when they would hire mercenaries from other countries and immediately make them officers. Franklin could not offer von Steuben an officer’s pay (or really any pay), and von Steuben was unwilling to work for less — he rejected the offer to fight in America and headed back to Prussia.

Where he was immediately accused of engaging in homosexual acts with soldiers while serving in the Hohenzollern-Hechingen court. Although the accusations were never proven, von Steuben realized they would cost him any chance at furthering his career in Europe — and might land him in jail or worse. He returned to Paris — while rumors about his sexual activities made their way to the colonies in America ahead of him — and spoke to Franklin again. I’m not saying Franklin was being open-minded for the time, so much as he was just desperate to get a really skilled Prussian officer on board in the war. He wrote a letter to George Washington exaggerating von Steuben’s credentials (calling him a “Lieutenant General in the King of Prussia’s service”) — there is some debate as to if this was an unintential mistranslation, or if Franklin was trying to counter the damage rumors might have done to von Steuben’s reputation.

Whether or not Washington had heard the rumors is unclear, but there is some evidence that Washington was more open-minded about homosexuality than most people of the time. More to the point, Washington knew the Continental army was hanging by a thread and had even written that without “some great and capital change…this Army must inevitably…starve, dissolve or disperse.” So Washington was very eager to work with von Steuben, and since the baron had agreed to work — at least initially — without pay, the Continental Congress was also quite eager. They forwarded travel funds, and so on September 26, 1777 von Steuben boarded the ship the Flamand and set off for the colonies. They arrived in Portsmouth, New Hampshire on December 1, 1777.

He and his companions — including Pierre Etienne Du Ponceau (who was probably his lover at the time) — traveled to Boston, and then to York, Pennsylvania where they met with the Continental Congress on February 5, 1778. There, arrangements were officially made — von Steuben would be paid for his service at the end of the war, if he survived and if the Americans won. He made the trek from York to Valley Forge, where conditions for the troops were pretty dismal after months of low supplies and an Inspector General who was a complete deadbeat. He was appalled at the conditions — though impressed at the American’s ability to withstand them — and immediately set to work whipping the Continental Army into shape. He did not speak English, but was fluent in both German and French which allowed him to communicate with some of the officers — Alexander Hamilton, Nathaniel Greene, and Captain Benjamin Walker helped translate for him. The former two also helped him write out his training program for the men.

Von Steuben was also appointed temporary inspector general of the camp. He examined the living conditions and their equipment, and set changes into motion regarding the layout of the camp and the sanitation of the camp. These changes included putting the latrines and kitchens on opposite sides of the camp, and having the latrines on the downhill side of camp. A hundred years later, the changes he made would be adopted as standard practice — but they had the immediate effect of improving the health and quality of life for the soldiers at Valley Forge.

His training methods were also a hit — soldiers found him both impressive and entertaining, and found renewed confidence in themselves as they quickly mastered the tactics and maneuvers he instilled in them. He hand-selected 120 men (who became Washington’s honor guard) and trained them — mostly by barking at them, with Benjamin Walker translating. At a certain point, he began insisting that Walker translate not only his orders but also his (many) curse words. These 120 men, in turn, each trained other units of soldiers, who went on to train others, until the entire camp was trained. He had the entirety of the troops at Valley Forge trained by the end of April — just a few months after his arrival.

Von Steuben also implemented a new policy ensuring that troops received training before they were placed in a regiment — using this system of progressive training to make sure that could occur. Although commanding officers were in charge of making sure this happened, they would select their best sergeants to actually perform the training of new recruits. If any of this is sounding vaguely familiar, that’s because this is the groundwork for how our military still operates today.

Washington was greatly impressed, and suggested making von Steuben the permanent inspector general for the army with the rank and pay of a major general. Congress approved this recommendation on May 5, 1778. With this new position, von Steuben became aware of the lack of records being kept about supplies sent to the troops — he insisted that exact records be kept, putting an end to what he called “administrative incompetence, graft, war profiteering” and saving the Continental army an estimated five to eight thousand muskets.

While at Valley Forge, he was known for throwing wild parties in his quarters — to be admitted, it’s said, the only requirement to be allowed in was that no one was permitted to wear pants. I guess he figured that he’d been hired for the job in spite of fairly public allegations regarding his sexuality, so he could be more open about things than he’d been in Europe. He also began long-lasting romantic relationships with Benjamin Walker and Major General William North. This was all particularly brave since the first ever discharge of an American soldier (Ensign Frederick Gotthold Enslin) for committing homosexual acts occurred at Valley Forge at the behest of Lieutenant Colonel Aaron Burr in March of that same year — after von Steuben’s arrival.

Von Steuben’s training program was truly put to the test for the first time on May 20, 1778 with the Battle of Barren Hill. The British army attempted to entrap the Continental army — and although they technically won the battle, the Americans escaped with only three casualties. The next major proof of von Steuben’s training was the Battle of Monmouth on June 28, 1778. However, the greatest proof of the strength of von Steuben’s training was undoubtedly the Battle of Stony Point which took place on July 16, 1779 — the Continental Army launched a surprise attack on a British camp, with unloaded muskets. The Americans won the battle using only bayonets — and the tactics von Steuben had taught them for the use of bayonets.

Von Steuben compiled his training program into a book called Regulations for the Order and Discipline of the Troops of the United States — more commonly called the “Blue Book.” The Blue Book was the manual for the United States Army until 1814, and was stilled heavily referenced until 1846. And, as I said before, it laid out the groundwork for how we are still training the military (just with a lot fewer bayonets.)

In 1780, von Steuben was part of the court martial for Major John André — who was being tried for espionage in conjunction with the defection of Benedict Arnold. Afterwards, von Steuben traveled south to Virginia with Nathaniel Greene, and then took command of a 1,000 man militia whose job was, essentially, to ensure the troops would still be able to receive supplies and shipments while in the south. They fought in the Battle of Blandford in April of 1781, before joining with Nathaniel Greene as he campaigned in the south. Ultimately, this led them to bring 450 Continental troops to Lafayette. Von Steuben took ill at this point, and had to take a leave from his services to recover — finally rejoining the army just in time for the campaign at Yorktown (you know, the climactic siege that sealed Britain’s defeat. Gotta hand it to him, von Steuben had impeccable timing.) Washington split his troops into three divisions — giving von Steuben command of one of them.

So, anyways, as you may have heard, the Americans won the war. Von Steuben helped Washington demobilize the army in 1783, and helped to create a defense plan for the United States of America. In May of 1783, he oversaw the creation of the Society of Cincinnati. That same year, he was granted an estate in New Jersey — a place now called the Steuben House. The estate had suffered some damages in the war, and had been vacant for a few years, so von Steuben spent a great deal of money repairing it — despite not yet having been paid for his participation in the war.

He ultimately settled on Manhattan Island and lived, initially, with William North — who, along with Benjamin Walker, he had adopted. (That was — at the time — a fairly common way for gay people to get around the whole lack of same-sex marraige, and worked well in polyamorous situations like theirs too.) In 1785, von Steuben began to serve as the president of the German Society of the City of New York and the following year the New York legislature voted to make von Steuben a United States citizen. That same year, von Steuben wrote — under the alias “Belisarius” –encouraging Shay’s Rebellion by calling the government of Massachusetts an oligarchy. Shortly thereafter, North married a woman and moved into a home of his own. Whether not he continued his relationship with von Steuben while he was married is unclear but they did remain in contact.

No longer working in the military, Friedrich tried to be a businessman — without much success. In 1788, he determined that his estate in New Jersey had to be sold to pay off debts. Walker handled the sale of the property and saw to it that Friedrich’s debts were paid off. In 1790, Congress finally began paying out Friedrich’s pension — $2,500 a year (that’s roughly $69,604.08 in today’s value. Thanks Inflation Calculator!) With this helping to keep him afloat — and the assistance of Nathaniel Greene and Alexander Hamilton who helped him get a mortgage — he was able to move into an estate in New York state’s Mohawk Valley in Oneida County.

In 1791, he met a young John W. Mulligan, who had recently graduated from Columbia College and begun a relationship with Charles Adams (son of John Adams) and taken a job clerking for Hamilton. Charles and John lived together for two years, until John Adams made it clear that he would disown Charles if their “intense friendship” didn’t end. Friedrich offered that both could live with him — though only John accepted the offer. He took a position as Friedrich’s live-in secretary in 1793 and they began a romantic relationship. (John also seemed to have feelings for Benjamin Walker and William North — a happy little polyamorous relationship, as far as I can tell.)

Friedrich died on November 28, 1794 at his New York estate. William North and John Mulligan were with him. His real estate property and what money he had was inherited by North and Walker — Mulligan inherited Friedrich’s library and collection of maps, as well as $2,500. The estate is now part of the town of Steuben, New York — which was just one of several places named after him. A handful of military vessels have also born the Von Steuben name in his honor — including a German submarine (the SS Kronprinz Wilhelm) captured during World War I was renamed the USS Von Steuben, and in World War II the Germans named a passenger ship that they turned into a gunship the SS General Von Steuben.

Von Steuben Day is a holiday that occurs in mid-September every year and which celebrates German-American culture and contributions to the country — the New York Von Steuben Day Parade is one of the largest parades in New York City every year. Chicago also holds an impressive Von Steuben Day parade, which was featured in the movie Ferris Bueller’s Day Off. There is a also statue of him in Lafayette Square in Washington, D.C.

Friedrich Wilhelm von Steuben is generally regarded as a hero in both Germany and the United States, without whom the American Revolution could never have succeeded. And while his importance to the war is absolutely significant, it seems to me that it’s important to recognize that he was also about as open as any queer person could be at the time — and that if he hadn’t been gay, he would never have left Europe to begin with, and the United States might still be British colonies.

Anne Lister

Anne Lister (sometimes called “Gentleman Jack“) is a remarkable figure in history for a number of reasons — but one of them was that she was living openly as a lesbian in Regency England. Not exactly an easy thing to do (though easier than being a gay man — which you could be executed for). Anne is sometimes called “the first modern lesbian” (whatever that means) and her coded diary gives some insights into some very modern (for the time) views of sex and sexuality.

Anne was the second oldest child, and oldest daughter, in her family, born April 3, 1791. She and her younger sister were the only two of six to survive to adulthood. Anne discovered her sexuality at the age of 13, at boarding school with a girl named Eliza Raine. Eliza was terribly in love with Anne, and expected to live her when they graduated. That ultimately didn’t happen, and Eliza was “driven to despair” and institutionalized (because that was a thing you could do with emotional women, especially if they were emotional *lesbian* women.)

Instead of having a forever-kind-of-love with Eliza, Anne ultimately had for-right-now kinds of love with Isabella Norcliffe and Mariana Belcombe. All while at school. (Incidentally, Clifton Asylum — where Eliza Raine was sent — was run by a Dr. Belcombe. Mariana’s father. Coincidence?) She would continue her relationship with Mariana even into adulthood — and even once Mariana married a man. Mariana’s husband not only knew about their relationship but apparently gave his permission for it to continue.

With so few people left in her family by her adulthood, Anne Lister performed — without ever trying to — a very rare feat for the time period. She inherited land from a relative. Anne became the sole owner of Shibden Hall — which she extensively made over both to allow herself greater privacy and also because she wanted to, basically, show off how rich and influential she and her family were.

And oh boy was she rich. Anne had, aside from income from tenants living in the farming lands of Shibden Hall, but also from properties she owned in the nearby town, as well as investments she made in canals, railroads, coal mining, and other industries. This sort of business savvy was unheard of in women of the day — and ruffled more than a few feathers. But Anne had more than enough money to live life exactly as she wanted with little to no interference from anyone else.

Anne was also able to convince her lover Ann Walker to move into Shibden Hall, and the two engaged in some “marriage rituals” (I’m using quotes because I haven’t found any elaboration of what those rituals might have been) to honor their relationship — although they were not married in the eyes of the country or the church.

Aside from women, Anne other great love was adventure. And she had plenty of money to finance travels to places where she could have adventures. In 1830, Anne became the first woman to ever climb up Monte Perdido in the Pyrenees. Eight years later, she and Ann Walker would return to the Pyrenees. Together, they became the second pair of people ever to complete a climb up Vignemale — the tallest mountain in the French Pyrenees. This climb also made them the first women to climb the mountain, and the first non-locals to climb it. As a result, Anne Lister became something of a hero in France.

Anne Lister died of a fever while traveling in the country that is now called Georgia on September 22, 1840. Shibden Hall was inherited by Ann Walker — however this was disputed and Ann’s sanity called into question. She spent some time under the care of Dr. Belcombe (were there any other mental health doctors in England at the time? Seriously?) and this invalidated her ability to inherit.

Now we know a LOT about Anne Lister because, well, she was obsessive about her diary. Her diary is a 4 million word volume that she began in 1806 while in her relationship with Eliza. The writings continue, in a code, throughout her life and explicitly detail her relationships with other women. The last person to live in Shibden Hall, John Lister was able to decode the diary. His friend Arthur Burrell told him to burn the diary, but John opted instead for hiding it in a wall where it was eventually found. The diary completely re-shaped a lot of our understandings of the Regency period — and especially re-shaped our idea of what life was like for lesbians of the time.

(Adapted from this Facebook post.)

Dale Olson

Dale Olson was born in Fargo, North Dakota on February 20, 1934. As a teenager, he lived in Portland, Oregon and he worked as a newspaper reporter. In that role, he managed to get an interview with Mae West. In 1951, Dale moved to Los Angeles. He began a side job working as the secretary for the Mattachine Society, but was forced to remain in the closet at his day job.

And then, in April of 1954 Dale Olson made gay history.The series “Confidential File”, hosted by Paul Coates, aired and episode titled “Homosexuals and the Problems They Present”, with a segment called “The Sex Variant in Southern California”. Dale Olson was interviewed, introduced as an “acknowledged homosexual” going by the alias “Curtis White“. Nevertheless, he confronted a number of the negative stereotypes people of the day had of homosexuals. When asked if he would want to be “cured” of his homosexuality, if it were possible, would he do it, Curtis/Dale replied “I’m speaking only for myself, but the answer is no.”

His face was blurred out, but he still admitted on the show that being there was going to cost him his job. It did. When Coates asked why he would do the interview despite the consequences, Curtis/Dale replied “I think that this way I can be a little useful to someone besides myself.”

This was the first time a homosexual man ever appeared on television to defend his sexuality. It was a local television show, shown only in Los Angeles, but it represented a change for the LGBTQ+ community. Independent stations and public access television were things they too could access — and they would.

The gay magazine “ONE: The Homosexual Magazine” covered the interview in an issue in 1954 — in which Dale assured readers that he had found another, higher paying job. Unfortunately, the US Post Office determined that ONE was obscene and decided it was unlawful to distribute through the mail — they destroyed most copies of the issue. (The Supreme Court would rule that ONE was not obscene and was legal to distribute through the mail, but not until four years later.)

Dale became a reporter, and then a publicist for Rogers & Cowan. While there, he gained a reputation for really well done and effective Oscar campaigns for his clients — which included Shirley MacLaine Maggie Smith, Marilyn Monroe, Gene Kelly, Clint Eastwood, Laurence Olivier and Robert Duvall. He was also responsible for publicizing a few movies you *might* have heard of — Superman, Rambo, Rocky, Halloween, to name a few. He eventually became head of the firm’s film division, before he left the company in 1985 to start his own — Dale C. Olson & Associates.

And it was through his work as a publicist that Dale would have another brush with gay history though this time behind the scenes. In 1985, one of his clients was Rock Hudson. The media began to speculate about Rock’s health that summer — at first, Dale lied to the public on behalf of his client. Dale constructed the initial statement that said Hudson had inoperable liver cancer on July 21 — but Dale was not convinced this was the best way to go, as he believed Hudson could use his fame to educate the public about AIDS. When Hudson finally agreed, Olson wrote a press release acknowledging that Rock Hudson had the disease. Hudson’s French publicist released the statement on July 25. This made an incalculable impact on the AIDS epidemic — putting the face of a major star on the issue. In the second half of 1985, donations to AIDS research more than doubled what had been given in all of 1984. Dale became an AIDS activist following his experience with Rock Hudson.

Dale survived the AIDS Epidemic and married his long-time partner (more than 30 years!), Eugene Harbin in 2008. In July 12 of 2012, Shirley MacLaine presented Dale with the Actor Fund Medal of Honor. Not quite a month later, on August 9, 2012, Dale Olson passed away from inoperable liver cancer. (Actual inoperable liver cancer.)

(Adapted from this Facebook post.)

Julie d’Aubigny – “La Maupin”

Born in France in 1673, Julie d’Aubigny — better known as La Maupin — would grow up to become an accomplished opera singer and swordsman, and her sexual exploits made her what may well have been the first bisexual celebrity in history. Her father trained the court pages, so she learned many of the skills, including fencing, that pages needed to know early in her life.

At the age of fourteen, she became the mistress to her dad’s boss. But he soon found her to be a little too much to handle, and she was married off to a mild-mannered man named Sieur de Maupin. Shortly after the wedding, he was given an administrative position in the southern part of France. Julie opted to remain in Paris.

Circa 1687, she became involved with a fencing instructor who — shortly thereafter — became a fugitive after murdering someone. Julie, apparently, decided that this was actually the absolute best time to stand by her man (even though this wasn’t actually her man because, y’know, married) and became a fugitive alongside him. She donned men’s clothing, but otherwise made no real attempts to hide her gender, and the duo made a living by singing in taverns and giving fencing exhibitions.

The duo reached Marseilles, and Julie joined an opera company — singing under her maiden name. It was about this time that she decided she was over the fencing instructor, and she began a relationship with a young woman. The woman’s parents put her in a convent in Avignon. This wasn’t enough to deter La Maupin, she entered the convent as a postulant and set about securing their escape. To that end, she put the corpse of a dead nun in her lover’s bed and set the room on fire. This proved enough of a distraction to allow them to escape.

The affair lasted three more months, but eventually the young woman returned to her family. Julie was charged, as a male (and in absentia because no one managed to catch her), with kidnapping, body snatching, arson, and failure to appear before a tribunal and was sentenced to death by fire. She took off once more, making her way back to Paris and earning a living by singing.

In Villerperdue, Julie engaged in a duel with a nobleman she would later learn was the son of the Duke of Luynes. After wounding him in the duel, she visited him and they briefly became lovers. This relationship ended when he had healed and returned to his military unit, though the two remained friends for the rest of Julie’s life. (I mention this because most of Julie’s relationships don’t end that well.)

Julie soon met another singer, named Gabriel-Vincent Thevenard. They began a relationship while they both traveled towards Paris, hoping to join the Paris Opera. While on the way, Julie contacted her father’s employer/her former lover and asked him to convince the king to pardon her for her convent-related crimes. And she was, in fact, pardoned.

Initially, Julie was denied a place with the Paris Opera, but Thevenard intervened on her behalf. She began performing regularly in the opera, initially as a soprano and then later in the contralto range. Her performances were very popular, and the Marquis de Dangeau even wrote that she had the “most beautiful voice in the world”.

But Julie also caused a stir by having outlandish episodes and habitually wearing men’s clothes — although she still never tried to pass herself off as a man. Nevertheless, some refused to believe she was a woman — one anecdote tells of a heckler who accused her of being a man in the middle of one of her performances. She responded by ripping off her shirt. La Maupin, as she was known by now, was capturing the imaginations of all of Paris.

Another famous anecdote from this period of her life — one singer in the opera was harassing the women of the troupe, so La Maupin challenged him to a duel. He refused, so instead she beat him with a cane and stole his wallet and snuffbox. The next day, she overheard him complaining that he’d been jumped by a group of men — so she threw his watch and snuffbox at him and announced that she was the only one involved in kicking his sorry chauvinistic ass.

She fell in love with another female singer of the troupe, Fanchon Moreau, who actually rejected her. This left La Maupin pretty distraught, and by some accounts she tried to commit suicide, but apparently she got over it quickly. In 1695, La Maupin kissed a woman at a royal ball, and was immediately challenged to duels by three men. She bested all of them — but laws existed against dueling within the city of Paris. By some accounts she was pardoned immediately by the king, because he thought this was entertaining and the anti-dueling laws technically only applied to men. Whether or not this happened, she left Paris for Brussels pretty immediately.

She began a relationship with the Elector of Bavaria, and performed in the opera in Brussels from 1697 to 1698 — at which point, she returned to Paris to replace a retiring performer at the Paris Opera. She continued performing there until 1705. In these final years, she had a romantic relationship with Madame la Marquise de Florensac. When Florensac died, La Maupin was inconsolable.

After 1705, accounts differ. By some accounts, she returned to her husband — because, right, they were still married. That whole time. By other accounts, she entered a convent and became a nun. Both of these accounts come out sounding more like morality tales about how not to spend your life as a heathenous, cross-dressing, bisexual celebrity so I’d take both of them with a grain of salt. She is believed to have died in 1707, at the age of 33. (Yeah, she fit all of that in between the ages of 14 and 33!)

La Maupin’s gender identity is a bit of a question, that unfortunately we’ll probably never have confirmation of, but with her frequent waffles back and forth between men and women in her romantic relationships, it’s pretty hard for even the most conservative of historians to try to paint her as a straight woman. This is pretty remarkable in its own right because a lot of historians are very good at straight-washing people.

(Adapted from this Facebook post.)