Scientific-Humanitarian Committee

Most of us are aware of some of the LGBTQ+ rights groups active throughout the ’60s and ’70s — the Mattachine Society, the Daughters of Bilitis, the Metropolitan Community Church, etc. But these kinds of organizations existed before that — in fact, the very first one was founded near the end of the 19th century. That society was the Scientific-Humanitarian Committee or, in German, the Wissenschaftlich-humanitäres Komitee. Wikipedia abbreviates that to WhK, so I’m doing that too.

The Whk was founded on May 15, 1897 — three days before Oscar Wilde was released from prison for homosexuality (not a coincidence) — by Magnus Hirschfeld, a German-Jewish sexologist and physician. Founding members also included Max Spohr, Eduard Oberg, and Franz Joseph von Bülow. At its height, the WhK would have nearly 500 members in 25 chapters across Germany, Austria, and the Netherlands.

Magnus Hirschfeld, 1929

Hirschfeld is probably going to get his own piece written about him at some point, because he keeps showing up in events from that time period as I research them — the man did a lot for the LGBTQ+ community, and not just in Germany! But the reasons he had for starting this organization were primarily that he noticed his homosexual patients were most likely to commit suicide, and he believed that was largely because society told them that they were unnatural, and criminalized them for their natural urges and desires. (Smart guy.) Spohr was a publisher and was one of the first, if not *the* first, to publish LGBT publications (although he does not appear to have been queer himself — just an early and important ally!). Oberg was a lawyer, and Bülow was a writer and former member of the German military.

Kurt Hiller

They were soon joined by Kurt Hiller — a writer, Adolf Brand — a writer, significant also for basically inventing that thing where a writer outs a politician who is anti-gay but is secretly engaging in same-sex behavior, and Benedict Friedlaender — a sexologist and anarchist. You should note, at this point, that between Hirschfeld, Friedlaender, and Hiller the WhK has a pretty significant Jewish membership. Queer Jews. In Germany. At the beginning of the 20th century. Think about how damn brave these people were considering what that country was building up to.

Yearbook for Intermediate Sexual Types

The main goal of the WhK was to repeal Paragraph 175, which was a specifically anti-gay piece of the penal code of Imperial Germany. They gathered over 5,000 signatures on a petition to repeal the law — some of the people who signed it included Leo Tolstoy and Albert Einstein. The WhK was also committed to educating the public and so they hosted lectures on topics about human sexuality and gender. The WhK strongly supported the idea of a third gender outside the gender binary — which is pretty revolutionary for Europe at the turn of the 20th century. The WhK also helped in criminal trials, defending accused homosexuals. Lastly, they published a journal called the Jahrbuch für sexuelle Zwischenstufen (or Yearbook for Intermediate Sexual Types) which is considered by many to be the first scientific journal to deal with sexual diversity. The journal was published on a regular schedule from 1899 to 1923, and then published a sort of haphazard schedule for another ten years after that.

In 1929, Kurt Hiller took over as chairman for Magnus Hirschfeld — Hirschfeld was about to embark on a world tour speaking about his theories about human sexuality. The organization persisted until 1933 when its base of operations, the Institute for Sexual Sciences in Berlin, was destroyed by Nazis. Paragraph 175 remained in effect for another sixty years in East Germany, and was not repealed in West Germany until the two nations were reunited in 1994.

After World War II, there were efforts to reform the group. In 1949, Hermann Weber tried to restart the group — and even had the help of Kurt Hiller (who had survived being in a number of Nazi concentration camps before escaping to London). The group disbanded and then ultimately became the Committee for the Reform of Sexual Criminal Laws, which lasted until 1960. Hiller — after returning to Germany in 1955 — tried to resurrect the WhK in 1962, but was unsuccessful. Finally, in 1998, an organization was formed with the same name. The new incarnation of the WhK appears to still be around.

(Adapted from this Facebook post.)

Willem Arondeus

Willem Arondeus (1894 – 1943)

Willem Arondeus was an artist-turned-author and — most importantly — a member of the Dutch resistance to Nazi occupation. He was born on August 22, 1894 in Naarden, Netherlands. His parents, Hendrik Cornelis Arondeus and Catharina Wilhelmina de Vries, designed costumes for the theater. Despite being the child of two people in the theatre, and being one of six kids, apparently there was nothing remarkable about his entire childhood. I find that a little hard to believe, but there’s literally nothing written about the first seventeen years of his life. Whatever.

At seventeen years old, Arondeus fought with his parents over his homosexuality, left home, and severed all contact with his family. That part of his story is, unfortunately, all too familiar to too many LGBT+ people even to this day. (It would have been a lot worse, had Denmark not decriminalized homosexuality in 1811. Thanks Napoleon!) He began building a career for himself as an illustrator and painter, and was even hired to paint a mural for the Rotterdamn Town Hall in 1923. However, he never had much success as a painter and was living in abject poverty.

“Salome” by Willem Arondeus (1916)

(I’m including a picture of his drawing “Salome” which was completed in 1916. I’m not trying to say this explains, maybe, why he didn’t have a lot of success as a painter but like, y’know, form your own opinions. This piece, and other surviving pieces of his, are on display at the Metropolitan Museum of Art.)

In 1933, Willem met a man named Jan Tijssen, and the two lived together for the next seven years. In 1935 he decided that visual arts might not be for him, and turned to poetry and writing. This turned out to be a good move. In 1938 he published two novels, and in 1939 he published his most famous and, by all accounts, his best work “The Tragedy of the Dream” which is a biography of the artist Matthijs Maris.

And then the Nazis came, and his real work began. When the Nazis came to the Netherlands, they mostly took their time with their policies. There weren’t any immediate deportations, there were no strict curfews. They were trying a subtle approach to keep the Dutch from resisting. This mostly worked. Many of the Dutch were fooled into thinking the Nazis weren’t as bad as everyone was saying. But the Nazis didn’t hesitate when it came to criminalizing homosexuality — and the open and proud LGBT+ populace of the Netherlands was not having any of that. Like many others, Willem Arondeus joined the Dutch resistance almost immediately. (I hesitate to call him a founding member, because no one else seems to be calling him that, but from what I’m reading, he probably missed being a “founding member” by like a day or two.)

Willem’s primary job during the early days of the resistance was to forge fake identity papers for Dutch Jews. Also in his unit were a number of other openly homosexual people, including cellist and conductor Frieda Belinfante. Willem did more than that, however. He also began writing and publishing an illegal magazine encouraging more Dutch to join the resistance. He attempted to call the artistic community of the Netherlands to act against the Nazi regime, criticizing the Nazi’s cultural committee. (He also published another book that had nothing to do with resisting the Nazis. it was called “Figures and Problems of Monumental Painting in the Netherlands”, and he illustrated it himself.) In 1943, Willem’s publication joined forces with a publication run by other Dutch artists, reaching even more people.

By 1943, the Dutch Resistance had a vast underground network hiding Jews from the Nazis. The Nazis, however, were catching on. They began comparing identity papers to those in the Amsterdam Public Records Office. Willem Arondeus would not stand for this. The Dutch Resistance was mostly known for being a peaceful resistance — but this next action would become a symbol for the whole movement. Willem is credited in several places for having the idea.

He determined the only course of action was to blow up the Public Records Office. Joined by his unit, the attack was carefully planned out and executed on March 27. Thousands of files were destroyed. But the success was short-lived — a traitor within the resistance turned the unit in to the Gestapo just a few days later. That traitor’s identity remains unknown to this day. Willem and his cohorts were arrested. Willem took full responsibility for the attack — but the trial was a sham, and twelve people, including Willem, were held responsible and executed on July 1, 1943. The rest of Willem’s unit was forced to flee the country.

Willem’s final words were communicated by his lawyer. “Let it be known that homosexuals are not cowards.”

Frieda Belinfante escaped execution. Most of her participation in the resistance was ignored for years — but more galling to her still, Willem’s role in the resistance was erased for decades. Credit for leading the unit was given to a heterosexual man. She insisted “[Arondeus] was the great hero who was most willing to give his life for the cause.”

In 1984, the Dutch government posthumously awarded Willem the Resistance Memorial Cross. On June 19, 1986, the state of Israel recognized Willem as Righteous Among the Nations (an honorific for non-Jews that risked their lives to protect Jews during the Holocaust). Despite this recognition, and his last words, Willem’s sexuality was not recognized until the 1990’s. Frieda Belinfante’s contribution to the resistance was officially recognized by the United States Holocaust Memorial Museum in 1994. She died one year later, at 90 years old.

Backtracking just for a second, if I may, I just want to touch on those last words. Because, if there was *ever* a theme for this whole site — it’s that. We’ve been here forever, and we have always been brave. If there’s a thread that connects the LGBTQ+ community together more than our gender identities or our sexualities, it’s courage. And, yeah, that’s mostly been out of necessity. It takes bravery to stand in front of a world that hates you and say “so what? I’m me.” But even in times and places where we weren’t hated, we still have that fire — like Osch-Tisch? She was an incredible bad ass, and she wasn’t battling bigotry (at the time, anyways).

Let it be known that LGBTQ+ people are not cowards.

(Adapted from a Facebook post.)