Jackie Shane

Jackie Shane was an R&B singer who was a sensation in the music scene of Toronto, and was a nationally charting artist in Canada — and broke new ground as an openly queer performer.

Jackie Shane was born in Nashville, Tennessee on May 15, 1940. She would later explain that she began dressing as a girl when she was 5, and that she identified herself as a woman in a man’s body by age 13 — but openly she described herself as gay. Her mother supported her, and Shane would later say she never had any problems in school — at least, not because of her sexuality or gender identity.

As a teenager, she played the drums and was a regular sessions player for gospel and R&B record labels in Nashville. Through this, she met various famous musicians including Jackie Wilson.

Nevertheless, she was a black queer kid living in the south during the Jim Crow era. In 1959 or 1960, she moved to Montreal — still fully presenting as a man. She was brought by a local saxophonist to see Frank Motley and the Motley Crew perform. Frank Motley invited Shane on stage — and quickly became the band’s lead vocalist. She traveled with them, recording with them in Boston and performing in Los Angeles and Nashville.

Shane moved to Toronto in 1962, where an R&B scene was emerging on Yonge Street, and went solo. Shane’s arrival in Toronto has been described as a “revelation” — her sound was unlike anything else in the city. The way it’s described, she appeared on the scene and instantly became a legend. She was still presenting as a man, though she clothes were becoming more androgynous, and she typically dodged the question of gender altogether when asked. Canada may not have been as oppressive as Tennessee, but they wouldn’t decriminalize homosexuality until 1969 and were decades away from acknowledging transgender identities at all. Her performances had a profound impact on the Toronto Sound and on the queer community and culture that would develop in the city over the next decades.

For live performances, Shane was a performer through and through. She would tour with around 20 trunks of outfits, and insert monologues and comedy bits into her songs.

In 1962, Shane released her first solo recording — a cover of the song “Money (That’s What I Want)” with a B-side recording of “I’ve Really Got the Blues.” “Money (That’s What I Want)” was later re-released as the B-side on a recording of “Have You Ever Had the Blues?” The same year, she released her second single — “Any Other Way”, which almost instantly became the #2 hit on Toronto’s CHUM Chart of the top 30 songs being played on local radio stations. It is probably her most famous song.

During live performances of “Any Other Way”, she would add quips that were usually used to underline the subversive subtext of the lyrics “Tell her that I’m happy, tell her that I’m gay.” (Her live album is available on Spotify and on iTunes, so you don’t even have to take my word for it, you can hear it for yourself.)

“Any Other Way” was followed by releasing the single “In my Tenement”, which did not do nearly as well and only charted in upstate New York. She began to focus on performing and touring, and did not make any new recordings for several years.

In 1965, Jackie Shane returned to Nashville, where she performed “Walking the Dog” on Night Train. I don’t know that this was a particularly huge moment in her life, but there’s video that I thought I’d share.

Two years later, “Any Other Way” was re-released and this time it rose to #68 on Canada’s national RPM chart. This seems to have encouraged Shane to return to recording new music, as she released “Standing Up Straight and Tall” later that year. This was followed by a live album. In 1969, she released “Cruel Cruel World” — this would prove to be her last recording. (Although, some tracks from the live album would later be re-released on the Motley Crew album “Honkin’ at Midnight.”)

Her prominence began to fade in 1970, and in 1971 she moved to Los Angeles to take care of her mother. She turned down an offer to be part of the band Funkadelic and all but disappeared from public consciousness. Her mother passed away around 1996, and Shane moved back to Nashville.

At this point she literally disappeared for years. Rumors persisted that she had committed suicide or been stabbed to death — in truth, she was just living a quiet life at home. Frank Motley managed to connect with her, and relayed the news that she was alive. Some of her musician friends attempted to reconnect, there were discussions about a reunion tour — and then her phone number was reassigned and she disappeared again.

But she was not forgotten. In 2010 CBC Radio released a documentary about her called I Got Mine: The Story of Jackie Shane. The producers had sent a letter to Shane asking if she would participate — but she never responded, leaving question as to whether or not she was even alive. A 2011 documentary called Yonge Street: Toronto Rock & Roll Stories included Shane. These documentaries were very well received, and the media began attempting to contact Shane for interviews but to no avail.

In 2014, a scout for the reissue record label Numero Group finally managed to reach Jackie Shane by phone, very much alive — although none of her staff had ever even see her face. The scout, Douglas Mcgowan, built a friendship with her over the phone and convinced her to allow his label to re-release her recordings. Though Shane was able to retain her privacy, she was no longer hidden from the world.

Her live album was reissued and shortlisted for a Polaris Award in 2015 (and again in 2016 and 2017). In 2017, her influence on Toronto was remembered in an anthology of essays entitled Any Other Way: How Toronto Got Queer. That same year, a compilation album of many of Shane’s recordings was released and called Any Other Way. The album was nominated for “Best Historical Album” at the 2019 Grammy Awards.

In 2019, Jackie Shane finally granted an interview to Elaine Banks. The interview was aired on the CBC Radio program Q on February 8. This would be the first publicly broadcast interview Shane had given in decades — and it would also be her last. In February of 2019, Jackie Shane passed away in her sleep. She was found in her home on February 21. She was 78 years old.

You can listen to that interview here.

Olympic Clean Up

It’s Pride in Montreal this week — and that city has a long and illustrious queer history. The first recorded gay establishment on the North American continent was in Montreal — but that doesn’t mean our history there has always been a pleasant one. One particularly contentious episode in that history began in 1975.

Montreal was selected by the International Olympic Committee to host the 1976 Summer Olympics. In retrospect, there’s a number of reasons this was not exactly the most successful Olympics ever (and by that I mean, just short of being a total disaster). Not least among those reasons, of course, was that preparing for these Olympics sparked a clash between the police and the LGBTQ+ community.

Mayor Jean Drapeau established the Public Morality Program to help clean up the city’s image when the eyes of the world would be upon it. I’m sure I don’t have to explain that “Morality”, in this case, means “not queer”. They began a campaign of oppression, specifically designed to terrorize the LGBTQ+ community. As Gay Times reported, citing a police source, it was “designed to frighten gays from frequenting public places where Olympic tourists [were] likely to be.”

Using a law that was initially designed to allow police to raid brothels, the police launched a series of brutal raids, over the course of which an estimated 175 people were arrested for being in a “bawdy house”.

It began on February 4, 1975 with a raid on Sauna Aquarius. Police broke down the door, and arrested 36 people. (Just a side note — I found some incongruities here, a couple sources said this was on April 4 and one said in August. Also, a couple sources said it was 35 people arrested. So, somewhere in all of that is what actually happened, but I’m pretty sure it was February 4.)

This initial raid was shocking to the LGBTQ+ community — but seemed like an isolated incident until October of that year. On October 17 and 18, police raided five gay bars. That Halloween, two more gay bars — the Limelight in the heart of downtown, and lesbian dance club Baby Face. Anyone at Baby Face who could not produce an ID or refused to show one was taken into custody until proof of their identity was provided by family or friends. The next month, a series of raids in downtown — including another one at the Limelight — led to the arrests of 80 men.

On January 23 of 1976, police raided Club Baths. Although they were provided a master key to each room in the bathhouse, the police officers broke through the doors with axes instead. They caused more than $500 of property damage and arrested 13 men. On February 11, Sauna Cristal was raided.

And then in May (or possible in March, depending on who you ask), things became truly brutal. On May 14, Neptune Sauna was raided and 89 men were arrested. Police also confiscated a membership book, with an estimated 7,000 names of members of the bathhouse. (But like, how amazing must that place have been to have had 7,000 members?) Over the next week, there were raids practically every day — Sauna Cristal was raided again. Police invaded popular lesbian bar Chez Jilly’s — carrying cameras and rifles. No arrests were made — it was clearly an effort to intimidate. And it worked. On Ste. Catherine Street, police demanded IDs from everyone trying to enter the Bellevue Tavern — again, no arrests were made there but the impact was undeniable. On May 22, Club Baths was raided yet again.

And this was the final straw. By this time, there had been eighteen raids — mostly in Montreal but with a few in Ottawa and Toronto (where a handful of the Olympic events would be taking place.) The raids in May alone had led to so many arrests that it was the largest mass arrest in Canadian history since the October Crisis of 1970 — which was a terrorist action that led to martial law being instituted, just so we’re all clear. Like, it could not have been closer to a declaration of martial law on the LGBTQ+ population of Montreal without someone in the government actually declaring martial law.

So the community formed an organization, calling themselves the Comité homosexuel antirépression (CHAR) or the Gay Coalition Against Repression. On June 19, CHAR gathered roughly 300 demonstrators to protest police oppression of their community — at the time, the largest LGBTQ+ protest in Canadian history. They marched through Montreal, down what was then called Dorchester Boulevard, marching in front of both the Olympic headquarters and city hall.

Although this protest was enough to temporarily stop the raids on queer establishments, CHAR accomplished something else pretty remarkable. Prior to the Olympic clean up, the LGBTQ+ community of Montreal was divided by language — English speakers versus French speakers. CHAR bridged that gap. Eventually, CHAR became the L’association pour les droits de gaies du Québec — an effective political organization that began winning legal protections for LGBTQ+ Canadians in Quebec by the end of 1977. The successful protest encouraged Gays of Ottowa (or GO) to hold a press release condemning the police actions, and demanding a meeting with the mayor on the issue.

And yet, the stage had been set for another clash between the queer community of Montreal and law enforcement. All of this laid the groundwork for the Truxx raid of 1977 — one of biggest events in the queerstory of Canada. And one we will cover another day. Stay tuned!