Chavela Vargas

Today’s post comes to you by popular demand — which makes sense because she was very popular, and she also knew what she wanted and demanded it! Well, okay, mostly she just got it herself. She knew exactly who she was from a remarkably young age and never wavered.

Isabel Vargas Lizano was born on April 17, 1919 to Francisco Vargas and Herminia Lizano in San Joaquin de Flores, Costa Rica. As far as I can tell, it was a pretty unremarkable event. She was frequently called “Chavela” by her family. Despite that affectionate nickname, things would take a turn for the worse — her very religious parents were embarrassed by Chavela’s tomboy-ishness, going so far as to hide her when they had visitors to their home. They ultimately divorced, leaving her to be raised by her uncle, and then she contracted polio. Chavela managed to survive the illness relatively unscathed — she and her family credited this to the rituals and talismans of shamans and witches, rather than the scientific medicine of doctors.

By seventeen years old, Chavela was fully aware that she wanted a career in music and — since there weren’t many musical opportunities in Costa Rica — she moved to Mexico. Initially, she sang on the streets — dressed in traditionally masculine clothing, wearing the red poncho (or more specifically a jorongo) that would become a signature part of her performance “look” in her professional years. The look was a conscious decision — Chavela felt she looked “like a transvestite” in women’s clothing and had trouble walking in heels. To fit into the masculine music scene she was attempting to break into, she began smoking cigars, drinking heavily, and making sure to keep a gun on her at all times. During this period of her career, sometime in the mid-1940s, she had an affair with Frida Kahlo — the romance was relatively brief, but intense. Chavela even lived with Frida and her then-husband Diego Rivera for more than a year. And Frida expressed in letters to her friends that she was very attracted to Chavela. (And yet, there are — of course — scholars who are certain they were just good friends.)

In her thirties, she became a professional, becoming known for her own unique take on ranchera — singing solo, with only her guitar as accompaniment instead of a mariachi band, and slowing down the tempo for more dramatic tension or so they could come across as more humorous and, y’know, suggestive. These songs were typically sung from a man’s perspective ( a straight man’s, I should say) and Chavela Vargas refused to change the genders in the songs when she sang them. While her homosexuality certainly would not have been approved of offstage, on stage it was all part of an entertaining act that audiences embraced.

Towards the end of the 1950’s, her reputation began to expand greatly — particularly in artistic circles. She was a popular performer in Acapulco, singing in the champagne room of La Perla, frequently in front of tourists from other parts of the world. She was so well regarded that she was hired to sing at the wedding of Elizabeth Taylor and Mike Todd on February 2, 1957. Chavela would later claim that she slept with Ava Gardner at that wedding — I haven’t found an corroboration of that, nor have I found any other examples of Ava Gardner having dalliances with women, but I suppose we all have to experiment at least once in our lives and if Elizabeth Taylor’s wedding isn’t the time and place to do it, when is? She is known to have had numerous romances after this — including, apparently, with some very famous people, but she would never share their names. A few have stepped forward, including American author Betty-Carol Sellen, but Chavela was very careful to keep these things private (particularly, I assume, because very few if any of them would have been open about their sexuality at the time!)

In 1961, with the help of José Alfredo Jiménez, Chavela’s first album was released: Noche de Bohemia. This was the first of more than 80 albums that she’d release over the course of her career. Later that year she released Con el cuarteto Lara Foster. Rumor has it that although her career was just beginning to take off, Chavela began a short-lived affair with Arabella Árbenz Villanova in 1964 after their paths crossed coincidentally — the problem being that Arabella was also having a torrid romance with Televisa executive Emilio Azcárraga Milmo, also known as “El Tigre.” When El Tigre learned of this affair he was infuriated and tried to destroy her career. Despite his pretty powerful influence in Mexico, he very nearly did. although Chavela Vargas is — as far as I can tell — still banned from appearing on Televisa in any capacity.

Her next album, Hacia la vida was released in 1966. By the time her fourth album Corridos de la revolución came out in 1970, Chavela had become quite popular, though she still wasn’t invited to headline concerts — but as her popularity grew, so did her alcoholism. Despite her struggle with drinking, Chavela managed to release three albums in 1973 and one more in 1975. However, due to her constant battle with addiction and El Tigre’s continuing campaign against her — Chavela was forced to retire and completely disappeared from the public eye.

The details are a little bit sketchy here, but according to Chavela while she was “submerged in an alcoholic haze” — as she would later describe it — she was found and taken in by a family of Native Mexicans who attempted to help nurse her back to health. It would be decades before the public learned any of this, and at the time many assumed she had died. She had very little money at this time, and sometimes only ate when friends invited her to their homes for meals.

On September 2, 1988, at the request of mutual friend Patria Jiminez, lawyer Dr. Alicia Elena Pérez Duarte arrived at Chavela Vargas’ home in order to stop her from drunkenly signing some legal documents. This began an intense romantic relationship, which both Chavela and Alicia would describe as “something greater than love.” Chavela moved in with Alicia and her four kids — but Chavela’s reliance on alcohol, and her great attachment to firearms, put a heavy strain on the relationship. Although Chavela did manage to quit drinking — which she credits to a shamanistic ritual (though Duarte has publicly disagreed with that statement) — it turned out her violent streak and penchant for guns was not dependent upon alcohol at all. Alicia ended the relationship, though she remained Chavela’s legal representation.

In 1989, a couple of Chavela’s albums were rereleased, sparking renewed interest in the singer. When the nightclub El Hábito opened in Mexico City in 1991, they invited her to perform after spotting her in their audience. Eventually, she agreed — though it was her first time performing on a stage since the 70’s and she was 72 years old at the time. It was also her first ever sober performance. This launched a full revival of her career, which involved several more albums and also international fame the likes of which she had not experienced before. She performed not just in Mexico but even performed numerous sold out shows in Spain and France. And finally, she was the headliner of these shows — an honor she had certainly earned.

She also provided music for several films during this period, primarily at the behest of Pedro Almodóvar who was a fan, a friend, and a champion for her career after meeting her in Madrid in 1992. Chavela once described him as “my husband in this world.” He traveled the world with her, pushing greater and greater opportunities towards her. Despite his best efforts, she insisted that she did not want to begin a career as an actress — although she did appear in the 2002 biographical film Frida about her former lover Frida Kahlo, singing her song “La Llorona.”

That was the same year Chavela published her autobiography Y si quieres saber de mi pasado (which translates to And if you want to know about my past). Although her sexuality had been a fairly open secret for decades — her relationships with women were fairly well known rumors, not to mention her refusal to ever change the genders or pronouns in the songs she sang — it was within the pages of her autobiography that she finally, publicly came out as a lesbian.

The following year on September 15, at age 83, Chavela Vargas had her debut performance at Carnegie Hall. The performance was recorded and released as an album creatively entitled Chavela at Carnegie Hall. The performance was considered groundbreaking given her age and sexuality in a musical genre that generally would have denied her for either of those, and in 2019 the album of the recording was named on Mitú’s list of Spanish-language albums that “Changed the Face and Feel of the Music Industry” calling it “the stuff dreams and legends are made of.”

In 2012, just months after releasing her final album Luna grande, the 93-year old Chavela Vargas was hospitalized in Cuernavaca, Mexico for respiratory problems. Several weeks later, on August 5, she passed away. It’s comforting, I think, that when she did pass away she knew it was coming and seemed to have made peace with it. She spent her final days making statements like “My name is Chavela Vargas, don’t let them forget!” Her final words, according to her Facebook page, were “I leave with Mexico in my heart.”

But truthfully, it’s hard to “leave” if your music is as significant as hers remains to this day, and there’s certainly no way to forget her. Aside from the longevity of her own music, she’s received a lot of tributes — Joaquín Sabina’s song “Por el Boulevard de los Sueños Rotos” is dedicated to her, Juan Carlos created a series of portraits of Chavela which were presented at the Centro Cultural de España en México in Mexico City in 2012. One of the characters in Sergio Ramírez Mercado’s novel La Fugitiva is based off of Chavela. And in 2017, the biographical documentary Chavela was released. She’s even had a Google Doodle in her honor! In 2019, she was commemorated on the Rainbow Honor Walk in San Francisco, which is a “walk of fame” type of thing for LGBTQ+ people who have “made significant contributions in their field.” Given that she essentially reinvented ranchero music, opening it up to women performers, I’d call “significant contributions” an understatement. She remains one of, if not the, most celebrated lesbian in Mexican history.

Felix Yusupov

Imagine, for a moment, if you will, that you’re watching the (fantastic) animated film Anastasia, right? And at the end of the movie, the credits roll, and then you see the disclaimer that tells you that it was fictional and none of the characters were intended to be like real people. You probably roll your eyes and chuckle a little — obviously Rasputin didn’t have a talking bat sidekick, right? But what you probably didn’t know is that that disclaimer is actually kind of a piece of queer history at play, and that it’s partially due to Rasputin that it’s there at all. But mostly it’s because of Prince Felix Felixovich Yusupov, Count Sumarokov-Elston.

Felix was born on March 23, 1887 in the Moika Palace in Saint Petersburg, Russia. His mother Zinaida Yusupova was last of the incredibly wealthy Yusupov family, and his father was Count Felix Felixovich Sumarokov-Elston. The Yusupovs had more money than the Romanovs who, y’know, ran all of Russia. They had four palaces in Saint Petersburg along, three palaces in Moscow and 37 estates elsewhere in Russia. Not just old money sitting around gathering dust either — they were raking it in with coal mines, iron mines, oil fields….all kinds of industries that were booming at the time. So, the point I’m trying to drive home here is….he was born into money. He just had to inherit it.

Standing in the way of that inheritance was his older brother Nicholas Felixovich Yusupov. Nicholas was a lady’s man and a womanizer, but someone Felix looked up to as a child — but was also deeply jealous of him. According to Felix’s memoirs Lost Splendour, Felix lost his virginity while abroad with his family in Contrexeville, France in a chance encounter with an Argentinian man, who’s name never came up, and his girlfriend when he was still pretty young. He confided the experience to Nicholas, but — to Felix’s frustration — his elder brother ignored him, convincing Felix to keep such stories to himself in the future. (I think it’s relevant to note that, whenever this encounter comes up in his memoirs it is always the Argentinian man he talks about and the woman is just “his girlfriend.”)

Felix also soon discovered a penchant for dressing in women’s clothes for parties — he discovered he enjoyed the clothes, and the attention he received from men. Nicholas encouraged this, and brought Felix — in dresses — out to debaucherous parties with him. He began performing in drag at a cafe in Saint Petersburg called The Aquarium — until his mother recognized him during one of his shows that she happened to attend. Although the scandal was kept secret, it ended Felix’s performance career. He continued to dress in drag for parties, however, until his father learned of these “pranks” and furiously threatened to send him to a Siberian convict settlement.

Nicholas was killed in a duel at 26 years old on June 22, 1908. The duel, which was over the affections of a married woman, was something of a surprise to most of the family — Felix, however, had been warned about it (by the woman in question) well in advance and made no moves whatsoever to prevent it from happening. As a result, Felix no longer had to split the family fortune. And before you say I’m being cynical, I present to you this excerpt from Felix’s own memoirs, immediately following his brother’s death: “The thought of becoming one of the richest people in Russia intoxicated me.”

Although Felix clearly came out ahead, there were a lot of people who lost in that duel. Nicholas died. The married woman left her husband and joined a convent, so he still lost his wife. Felix’s mother battled severe depression for the rest of her life, brought on by the death of her eldest son. And then there’s Maria Golovina, a woman who had been in madly love with Nicholas and mostly ignored by him. She latched onto Felix as, essentially, her new best friend to help her through grieving. Her family, however, decided she needed “professional help” from self-proclaimed holy man Grigori Rasputin. When they met, Felix was not impressed by Rasputin, and immediately believed him to be a depraved con artist, writing “The young woman was too pure to understand the baseness of the ‘holy man.'”

Google Street View of Felix’s Oxford address

From 1909 to 1912, Felix attended University College at Oxford, studying forestry and English. He was essentially forced there by his family, who believed it would help ground him. Not so much. While there, he did found the Oxford Russian Club, which was something I suppose, but Felix was still living extravagantly. He was a member of Oxford’s Bullingdon Club — which was basically a dining club for rich boys — and employed a full staff at his residence, including a chef, a valet, a housekeeper, as well as housing numerous pets including a bulldog, three horses, a bear cub, and a macaw. According to the University College Oxford website, he spent more money while attending the school than almost any other student. He spent most of his free time partying with friends like Oswald Rayner (remember that name!), and ultimately became very good friends with pianist Luigi Franchetti and Jacques de Beistegui. I’m hesitant to say that there was anything physical or romantic about his relationship with either, because I can’t find any information about who they were outside of what I’ve just said, but they did both move into his English home at 14 King Edward Street. I’m not saying anything definitive but there’s an awful lot of people (and animals) in what is, by all outside appearances anyways, not a particularly large residence. Little bit crowded in there even if people are sharing beds, that’s all I’m saying.

Felix described Dmitri as “extremely attractive” so…this has to just be a bad picture, right?

Anyways, in 1912 Felix returned to Russia without graduating, writing that he was too busy in Russia to return to school. He developed a relationship with Grand Duke Dmitri Pavlovich — something heavily implied in his own memoirs to be more than a friendship, but less than a romance. There’s no evidence that Dmitri felt the same way about Felix. Felix rejected the advances of one of Dmitri’s friends, and Dmitri was sent elsewhere — effectively ending whatever their relationship may have been for the time being. Felix was pretty quickly married off to Princess Irina Alexandrovna, the only neice of Tsar Nicholas II. Their wedding was on February 22, 1913 and although the wedding was described as modest, don’t worry, it’s not a “real people” version of a modest wedding — Irina was wearing a veil that had once belonged to Marie Antoinette. You know, nothing like getting “something borrowed” and “something old” out of the way at the same time. For their honeymoon they went to Jerusalem, London, and Bad Kissingen in Germany.

They were both still in Germany when World War I began in August of 1914. They were detained in Berlin. Because European royalty is pretty much all one really weird family tree, Irina reached out to her relative the Crown Princess of Prussia to try to help them get back to Russia, but Kaiser Wilhelm II was not about it, and instead offered them their choice of one of three German estates to reside in for the duration of the war. However, Felix’s father intervened by way of the Spanish ambassador to Germany, and the newlyweds were allowed to return to Russia as long as they went there by traveling through Denmark and Finland.

Felix and Irina in 1915

On March 12, 1915 Irina gave birth to their first and only child — a daughter named Irina Felixovna Yusupova — nicknamed Bébé. Irina and Felix found they were both utterly incapable of actually taking care of a child, and so Felix’s parents did most of the parenting. Nevertheless, Bébé was very close with her father and quite distant from her mother. This was probably because Felix and his parents spoiled her rotten. There’s also a distinct possibility that Irina wasn’t thrilled with Felix’s, in his words, “love affairs of a special kind” which were, y’know, with men. He once wrote “One may censure those relationships but not the creatures for whom normal relationships against their nature are impossible.”

Around this time, Felix decided to use some of his vast fortune to help out with the war, converting part of Liteyny Palace into a hospital for soldiers. Felix did not have to actually serve as a soldier because there was a law that stated only sons did not have to serve — nevertheless in February 1916 (after a scathing letter from the Grand Duchess Olga to Tsar Nicholas II called him a “downright civilian” and “a man idling in such times”) Felix began attending the Page Corps military academy.

Meanwhile, concern began to grow that Russia would concede to Germany in the war. Part of this was due to Russia’s economic decline, which many people — particularly those loyal to the monarchy — blamed, at least in part, on Grigori Rasputin and his undue influence with the tsar’s wife Alexandra Feodorovna. Felix, for his part, remained convinced that Rasputin was drugging the tsar in order to slowly weaken him and eventually make the tsarina the regent even at the time of writing his memoir.

What actually transpired is a bit of a mystery. While the official accounts, as told by Felix and his cohorts, match up with each other reasonably well albeit not perfectly, the autopsy reports tell a drastically different story. And further evidence from British Intelligence indicates yet a third different story. But since this is an article about Felix, I am going to focus on his version of events as explained in his memoirs.

It was little wonder that when he received a letter from Vladimir Purishkevich proposing that Felix join him and the Grand Duke Dmitri Pavlovich (whom Felix still pined for) in assassinating the Rasputin, that Felix joined in eagerly — although he insisted on being involved in mapping out the scheme itself. Purishkevich also recruited Doctor Stanislaus de Lazobert and contacted Samuel Hoare at the British Intelligence Service, which is perhaps why MI6 operative and Felix’s college-friend Oswald Rayner visited with Felix a number of times the week that the plot unfolded. Meanwhile, Felix recruited lawyer Vasily Maklakov and an army officer named Sergei Mikhailovich Sukhotin, who was recuperating from an injury sustained in the war.

Grigori Rasputin — honestly, he looks less creepy in “Anastasia”

Felix worked through his friend Maria Golovina, who had introduced him to Rasputin years before, to ingratiate himself to the tsarina’s advisor. It was quite successful and easy — particularly laying the trap. Felix lured Rasputin in with an invitation to the Moika Palace, with a promised invitation to meet his wife Irina, who was actually in Crimea at the time. Dr. Lazovert prepared cyanide crystals, sprinkling them over the tops of cakes and leaving some to be poured into Rasputin’s drink. Lazovert was convinced that it was enough cyanide to instantly kill several men.

Felix brought Rasputin to his home, all of his other cohorts hiding upstairs from the dining room. encouraged Rasputin to partake of the cakes and poured him three poisoned glasses of wine. The cyanide, however, had no effect discernible effect (though the wine slurred his speech.) Excusing himself, Felix went upstairs to discuss this surprising lack of a turn of events with his friends, and they ultimately determined the next course of action had to be to shoot Rasputin. Upon returning to the room, Felix shot Rasputin in the chest. Dr. Lazovert rushed in and, after a brief examination, determined he was in fact dead.

The last part of the plan involved Sukhotin bringing Rasputin back to home, so as to avoid arousing suspicion. However, as they prepared to do so, Rasputin leapt to his feet and charged at Felix — who was forced to hit Rasputin with a rubber club to escape his grasp. Rasputin began crawling out the door into the courtyard, and disappeared into the night. Purichkevich fired two shots into the dark after him. They pursued Rasputin into the courtyard, and Purichkevich shot him two more times.

The gunshots, of course, aroused police suspicion. Felix tried to convince the investigating police officer that it was just a drunken friend firing a gun — but Purichkevich proclaimed that he had killed Rasputin. The police officer agreed not to turn them in. After all of this excitement, Felix passed out and his servants put him to bed. He was later told that Dmitri, Sukhotin, and Lazovert took Rasputin’s body, wrapped it in linen, placed it in a car, drove it to a bridge, and dumped it in the water (breaking the ice as they did).

Although that police officer did not report Purichkevich’s confession, the police investigating Rasputin’s disappearance found the unusual gunshots happening at the same night, at the home of someone acquainted with the missing person to be suspicious. Felix was questioned the next day. The police let Felix go, as he repeated the story about a drunk friend, but rumors flooded Saint Petersburg that Felix had killed Rasputin at the Moika. The tsarina ordered the police to search the Moika — but, because Irina was a Romanov, such a search could only be ordered by the tsar himself. A lucky break, as it gave Felix and his servants time to clean up all of the blood. After that task was completed, the conspirators met for lunch to decide on a story. They all agreed to stick to the story Felix had already told the police.

Though they stayed with this story, and were questioned without arrest a handful more times, Felix and Dmitri were forbidden from leaving Saint Petersburg. The tsarina was already calling for their execution, despite no evidence linking them to a crime. The body took days longer to recover, but it was eventually found. Police were sent to protect Dmitri and Felix, who had made things easy on both their protectors and the multitude of people who wanted to kill them by taking up residence in the same palace. As much as that must’ve been nice for Felix, as I said before, there’s no evidence Dmitri returned his feelings and at this point they were both pretty focused on the aftermath of the assassination they’d committed.

Now, the autopsy of the body revealed a lot that doesn’t add up to Felix’s version of events. They found Rasputin had been shot by three different guns — one of which was the standard issue for British Intelligence operatives. The same type of gun, in fact, carried by Oswald Rayner. (Although the memoirs note that Oswald was aware of the plot to kill Rasputin, it only mentions him checking in on Felix the day after the murder.) The examination of the body also indicated that Rasputin had been severely beaten, and that someone had tried to castrate him. Tried, and failed — not sure how that works but okay. None of that was mentioned in Felix’s story and that lends some credence to the theories that he wasn’t actually involved at all.

Anyways, unable to find evidence proving anyone else killed Rasputin, and unable to find enough evidence they had killed Rasputin, Dmitri and Felix were exiled from Saint Petersburg. Dmitri was sent to Persia, ordered to remain there under the supervision of the military general commanding troops there. Felix was sent to his family’s estate in Rakitnoye. (It helps to have like forty residences, right?) Felix was really heartbroken to be separated from Dmitri. I guess he thought after they assassinated one of the most influential people in Russia, he and Dmitri would live together forever?

This was January of 1917, however. So anyone who knows Russian history at all knows what’s about to happen to the tsar who ordered that exile. The February Revolution began on March 8, by March 12 buildings in the capital were ablaze and by March 15, Tsar Nicholas II had given up the throne of Russia. This ended Felix’s exile from Saint Petersburg but overall made things very complicated for him. His wife was a Romanov, but most of the population thought Felix was a revolutionary because he’d murdered Rasputin. He spent some time kind of playing both sides, clearing out valuable possessions from his family estates, trying to keep below the radar of the new provisional government (who were very much trying to keep an eye on him) and trying to help the imprisoned Romanovs with whatever influence he still had. When the Bolshevik government fully came into power, Felix and Irina headed to Yalta to stay even further below the radar — but be closer to one of the places where some of the Romanovs were being kept in the hopes of somehow improving their situation.

Felix & Irina in exile in France

However, when that proved impossible, Felix and Irina went into permanent exile from Russia. They traveled to Italy, but ultimately settled in Paris, France. They began a couture fashion house called IRFE, and Felix became known for his charitable giving towards France’s Russian immigrant community. He published his memoirs, Lost Splendour: The Amazing Memoirs of the Man Who Killed Rasputin in 1928. Rasputin’s daughter promptly sued him, but the case was dismissed as the French courts had no interest in dealing with a political assassination that had occurred in Russia in any capacity whatsoever. The stock market crash of 1929 (and some poor financial decisions Felix had made) led to IRFE being closed.

In 1932, Felix and Irina sued MGM for invasion of privacy and libel for their portrayal of Irina (as “Princess Natasha”) in the film Rasputin and the Empress. In the film, Princess Natasha is seduced by Rasputin. The English courts sided with the Yusupovs and awarded them $127,373 in damages (over $2 million when adjusted to today’s values!) The court specifically mentioned that text appearing at the beginning of the movie made it seem like it was intended to be a retelling of actual events and worked against MGM’s arguments. As a result, MGM began attaching a disclaimer to each of their films, declaring it as a work of fiction with no intended similarity to any person living or deceased. Numerous other studios followed suit — and to this day, that boilerplate disclaimer shows up on almost every American movie. He was involved in a handful of other, less consequential lawsuits over the next few decades and Felix passed away on September 27, 1967.

Felix remains somewhat of a controversial figure — not because it’s his fault that movies have to explain that they’re fictional in a disclaimer, and not just because he may have murdered Rasputin. Also because, I’m sure you guessed this, his sexuality is often called into question. Per usual, a lot of historians claim he could not have been bisexual. His Wikipedia page even falsely claims that he outright denied being bisexual in his memoirs. I just read his memoirs for this article, they’re available online for free right here. The closest I found to any such denial is this quote: “I have often been accused of disliking women. Nothing is further from the truth. I like women when they are nice.” Nothing about that is a denial of bisexuality especially since right before it is this statement: “I thought it quite natural to take my pleasure wherever I found it, without worrying about what others might think.”

So there you have it, the story of Russia’s bisexual, drag-performing, accidental revolutionary, clumsy assassin prince and how he changed both Russian history and cinematic history forever.

William Dorsey Swann

Okay, I’m going to admit that I just learned about this one this week and I’m pretty excited about it. Almost all of the information available comes from two — Channing Gerard Joseph, who is writing a book The House of Swann: Where Slaves Became Queens about this topic but the book isn’t out yet, and Netisha Currie — who dipped into some archives to verify the story. What I’m saying is, I’m not going to pretend to have one hundred percent of the information. Just wanted to throw that disclaimer out there first. I was really going to wait for the book to come out but, like, I’m kinda too excited to wait until it comes out next year and then I read it to tell you about this.

So, today we’re talking about William Dorsey Swann. Swann was born somewhere in Maryland sometime around 1858. He was a slave in Hancock, Maryland for the first several years of his life — because Maryland was not part of the Confederacy, their slaves weren’t freed by the Emancipation Proclamation and Maryland didn’t free its own slaves until 1864, only a couple of months before the 13th Amendment was ratified. Swann was thankfully freed before then — thanks to the intervention of Union soldiers. Swann is known to have developed friendships with other queer former slaves, including Pierce Lafayette and Felix Hall, two formers slaves who are documented to have been in a relationship.

By the 1880s, Swann had moved to Washington D.C. In 1882, he was arrested for stealing books from the Washington Library Company and from Henry and Sara Spencer — who employed Swann at the Spencerian Business College. Swann pled guilty and was sentenced to six months in jail. In October, having served only one month of his sentence, Henry and Sara Spencer petitioned President Chester A. Arthur to pardon Swann. Both the judge who had sentenced him and the assistant US District Attorney even supported the petition — pointing out that the theft of books was only an effort to educate himself. It’s unknown if the pardon was granted.

At some point in the 1880s — before or after his previous arrest we’ll never know — he began hosting what we would now call drag balls, of the sort that had begun in Harlem in 1867 with the Annual Odd Fellows Ball. Of course, those balls — while not, perhaps “acceptable” were charity events hosted by relatively wealthy, elite African Americans who could get away with things that poor freed slaves could not. Swann himself was regularly dressing in fabulous gowns, which his brother made, and calling himself “the queen of drag” — well before the term “drag” was being used much outside of theaters and certainly before the term “drag queen” was coined (which doesn’t become popular until the 1920’s). Swann was arrested at one of these balls in January of 1887 — which had both black and white guests in drag. Even so, Swann wasn’t exactly breaking new, unheard of ground, but was definitely pushing at its edges.

Excerpt from The Washington Post

The Evening Star

The Washington Critic

Until April 12, 1888. One of Swann’s balls was held in a two-story home near the corner of 12th St and F St. And it was raided by police. The guests made a mad dash for the exits — but Swann made a charge for the police themselves. He was supposedly a large, imposing man who — that night — is described as having worn a cream-color satin gown. Swann physically fought the police to prevent them from entering — with no success. This was, however, one of the first times queer people fought back against police oppression.

13 black men, including Swann, were arrested, charged with “being suspicious characters” and made to pay fines or spend 30 days in jail. Their names were published in various papers – although those lists of names weren’t the same in every paper so that’s a fun mystery for someone else to solve. The list of names that were the same in every paper were: William Dorsey, John Smith, Jacob Byard, Charles Myers, Samuel Jackson, James Waters, James Howard or Laura Howard, James Taylor, and Benjamin Moore. Some papers also listed Jacob Lewis, Samuel Lewis, Lewis Jackson and Albert Lee. Nearly all of those arrested made bail — Swann was bailed out by his employer. This was reported in both The Washington Post, The Washington Critic, and The Evening Star on April 13. The Washington Critic, notably, called the event a “drag party” which may have been one of the earliest uses of that phrase.

Swann managed to avoid having any of his balls raided again until New Years Eve of 1895. That ball was barely starting when police came in — they arrested Swann and three of his black guests — letting his three white guests go, although they were later summoned as witnesses. The three black guests were charged with vangrancy but Swann was charged with “running a disorderly house” — that’s a term I’ve talked about before, but essentially it means they were accusing him of running a brothel. The witnesses testified that they had danced and drank alcohol — hardly damning, I don’t think, but it also didn’t exactly help. Swann was sentenced to ten months imprisonment — the judge didn’t think that was enough and stated: “I would like to send you where you would never again see a man’s face, and would then like to rid the city of all other disreputable persons of the same kind.”

The trial went by very quickly — Swann was convicted three days after being arrested. Three months into serving his sentence, he decided (correctly) this whole thing was unjust and that there was something that could be done about it. He filed a petition for pardon with President Grover Cleveland. He stated that he would never engage in the crime again, that he was a hard worker and an upstanding member of the community. Thirty of his friends signed the petition. However, the US District Attorney, A.A. Birney, was not on board this time, writing: “This petition is wholly without merit. While the charge of keeping a disorderly house does not on its face differ from other cases in which milder sentences have been imposed, the prisoner was in fact convicted of the most horrible and disgusting offences known to the law; an offence so disgusting that it is unnamed. This is not the first time that the prisoner has been convicted of this crime, and his evil example in the community must have been most corrupting.”

In July, Swann’s friends began pushing harder — stating that conditions in jail were bad for his health. I don’t know if these claims were true, but a doctor who had examined Swann in March and said he was healthy diagnosed him with a heart condition in July, claiming that being held in prison could potentially be deadly. Now, knowing who Grover Cleveland’s sister was, one might imagine he would be somewhat sympathetic to the plight of queer people in the US. One would be very wrong. Grover officially denied the pardon on July 29, 1896 — proclaiming that the concerns for Swann’s health did not outweigh the “character of the offense.”

Although the petition was unsuccessful, this does mark the first time in the history of the United States that anyone attempted to take legal action to defend the rights of LGBTQ+ people to assemble. Swann did survive the prison sentence, but retired from drag (unsurprisingly, I would say). His brother continued making dresses for men who wanted to participate in drag balls, which were a tradition that continues even today.

Mr. Brown, NOT William Dorsey Swann

Sadly, there’s no actual images of Swann — he often gets paired up with pictures of this incredible drag performers but this is actually Mr. Brown from the Vaudeville duo Gregory and Brown, who introduced the “cake walk” dance to the world. That’s no small thing either but it is a story for another day.

Carlotta

Aside from how important queer representation in the media is, it’s also something that fascinates me. And part of that discussion, routinely, is who gets to play these characters. In an ideal world, where any queer person would be considered evenly for any role alongside cisgender and straight actors, that shouldn’t matter. But that’s not the world we live in. It stands to reason, that if transgender actors wouldn’t get considered for cisgender characters, the the reverse should be true. That’s often not the case even now. So, let’s take a moment to consider what it must have been like to be a transgender actor in the 1970’s.

Carol Byron was born in Balmain, New South Wales, Australia on September 2, 1943. She was assigned the male gender at birth and named “Richard” by a mother who ultimately abandoned her four months later, placing her child in the care of a woman named Hazel Roberts. Her new mother enjoyed teaching her song and dance routines. At eleven years old, however, her mother Evelyn came back into the picture with a new husband, and took custody of their son. This new stepfather physically abused their kid. Carol dropped out of school at 15 years old, and began working, taking a job putting makeup on mannequins and arranging the displays at David Jones. A year later, she ran away from home to avoid the abuse — but continued her job. At the age of seventeen, she took on the name Carol and began transitioning to live life as a woman.

She was arrested for crossdressing, but actually beat the charge based entirely on being flippant. Not a strategy I recommend, but when she came before the judge she asked what the “offensive behavior” was — the judge explained, dressing as a woman. And she responded, “You have a wig and robe on.” The case was dismissed.

She took on the stage name Carlotta, apparently from Empress Carlota of Mexico (who I will admit I know almost nothing about) and set about establishing herself. About this time, Lee Gordon — an promoter with a resume that included names like Elizabeth Taylor and Judy Garland — was opening what may have been Australia’s first drag club, the Jewel Box Revue Club in King’s Cross, Sydney. They hired Carlotta as a performer. Before too long, the club changed its name to Les Girls Restaurant and kept Carlotta on for its Les Girls caberet act. The cast was advertised as exclusively men in drag, though some — like Carlotta — were transgender women. Carlotta quickly became the star of the show. Because of that, she earned the nickname “Queen of the Cross”. Although Gordon was no longer one of the owners at this point, he continued helping Carlotta as her manager.

In 1970, she had her first film appearance — credited as appearing as herself in a movie called The Naked Bunyip. This wasn’t exactly a big break, but it did open some doors. The movie was, apparently, fairly influential. One of those doors was for her to be cast as Miss Robyn Ross on a show called Number 96 — a show that had already broken ground with gay character Don Finlayson (played by Joe Hasham) the year before. The character of Robyn Ross was the new girlfriend of character Arnold Feather (played by Jeff Kevin), and appeared in four episodes in 1972. Ultimately, it was revealed that she was a transsexual showgirl — a fact which led to the end of the romance, and the end of her storyline on the series. Here’s her “coming out” scene — the language is, obviously, not what we would currently use. To keep this scene, and the end of this storyline a surprise, her scenes were all shot on a closed set and she was initially credited as “Carolle Lea“.

Four episodes, of course, doesn’t seem like a big deal. Especially on a soap opera, which churns out new episode practically every day. But these four episodes were a very big deal because they were the first time that a transgender person played a transgender character on television anywhere in the world.

Afterwards Carlotta decided to undergo sex reassignment surgery (also known, now, as a gender confirmation surgery). Prior to the surgery, a board attempted to cure her — putting her through torturous testing including electric shock therapy on her, though she tore the wires off of her. She also, reportedly, threw a shoe at the doctors engaging in the tests. The feisty outburst worked and she was able to get the surgery. She was not, as is sometimes reported, the first person in Australia to have the procedure. She was, however, the first person in Australia that was publicly reported as having the procedure.

Some time afterwards, she was invited to do a drag performance in London. She jumped at the opportunity, the show was hugely successful, but found she didn’t enjoy it and soon returned to Australia. Where she married a guy who’s name is nowhere to be found but since I see some places where her name is reported as Carol Spencer so I’m guessing his last name was Spencer. She tried out a life of “domestic bliss” as a housewife, but it doesn’t last too long.

Carlotta at the Les Girls 25th anniversary show in 1988

Carlotta showed up on film again in 1982 playing Ron in a movie called Dead Easy. I don’t know if that character was transgender or not, it’s a fairly minor role and I haven’t seen the film.

In 1987, she toured New Zealand with a touring production of Les Girls. Short after that, her marriage ended — she left him so that he could have the opportunity to become a parent. So she resumed working at Les Girls until 1992. With her off and on career with them, she had performed with them for an impressive 26 years.

In 1994, she published her first book — He Did it her Way: The Legend of Les Girls with James Cockington. That was the same year the iconic movie The Adventures of Priscilla, Queen of the Desert was released. Carlotta was one of the inspirations behind the movie — and it, in turn, inspired her. She attempted to start her own show: Carlotta & Her Beautiful Boys which launched in 1996. This was a popular show but not a financial success and ended up bankrupting her after three years.

But Carlotta is not a woman who can be kept down. In 1997, she began appearing as a recurring panelist on the show Beauty and the Beast. (I’m linking to the Wikipedia page on this one because, personally, I was a little confused when that didn’t have to do with fairy tales and talking furniture.) On the show, the panelists answer letters from viewers and Carlotta’s life up to that point made her invaluable to the show. Kids, particularly queer kids, from all over Australia wrote the show specifically in the hopes of getting her advice. Here’s a clip of her on the show in 2001 (not talking about queer issues though, I can’t find any clips of that.)

She was popular on Beauty and the Beast and that led her to more appearances as a television personality. In 2003, she appeared on the short-lived comedy talk show Greeks on the Roof. She also published another book, entitled Carlotta: I’m not that Kind of Girl. Two years later, Carlotta launched a show that was a half-million dollar production based on her recent book Carlotta’s KingsX. She subsequently appeared on Good Morning Australia and on the music quiz show Spicks and Specks.

Carlotta’s portrait in the Australian National Portrait Gallery

Also in 2005, the cast of The Naked Bunyip reunited for a short video “In a Funny Sort of Way” which discussed the movie and its impact on Australian cinema. So, 2005 was a very busy year for Carlotta. In 2006, she appeared in four episodes of the documentary series 20 to 1. That was also the year that Australian National Portrait Gallery purchased a portrait of Carlotta and incorporated it into their collection.

Carlotta later launched a touring one-woman show called Carlotta: Live and Intimate. In 2013, she began appearing as a regular guest panelist on the morning news show Studio 10. The following year, a made-for-TV movie about her life was made called Carlotta. The film was criticized for only hinting at the harsher parts of Carlotta’s life as a transgender woman. Carlotta was played by cisgender actor Jessica Marais and while I would like to criticize that choice, but Carlotta was actually involved in the casting.

Carlotta and a young fan in 2019

In 2018, she was diagnosed with bladder cancer. Her doctors caught it early, performed surgery, and she made a full recovery and jumped right back into her career. In 2019, she continued touring with her musical revue Carlotta: Queen of the Cross which features a wide variety of music, especially from other queer artists like Peter Allen (whom she had been friends with) and Stephen Sondheim.

On January 26, 2020 she was awarded the Medal of the Order of Australia for services to the LGBTQ+ community and to the performing arts. Although this is the most recent and most impressive recognition Carlotta has received for her decades of work, she’s also been recognized with the King’s Cross Award, the Drag Industry Variety Award (in 1997) and a Australian Club Entertainment Lifetime Achievement Award (in 2018). That last one may have to get given to her again, as Carlotta is still performing, and no doubt has much more that she will achieve.

Heroes of Stonewall: Miss Major Griffin-Gracy

Last June, as you may recall, I did a whole series on the Heroes of Stonewall. Obviously, it was a massive riot, I couldn’t cover everyone who was there in just a month. I left out someone incredibly important (several someones), and I can’t think of a better time to cover the story of another transgender person of color who heroically led us at the Stonewall Riots, and afterwards, than right now — when the Trump administration is attacking the healthcare rights of transgender people.

Miss Major — can’t find a date for it but this is such a fantastic picture

Miss Major Griffin-Gracy was born in Chicago on October 25, 1940 in the south side of Chicago at St. Luke’s Hospital. She was assigned to the male gender at birth. It didn’t last too long — while she was still fairly young, she discovered the drag ball scene and began participating regularly. She later explained that, without the terminology we have today existing, she did not realize that she and her peers were questioning their gender identities. But they were, and Miss Major was fairly open about it. Her parents attempted to curb this, but eventually just kicked her out.

Afterwards, she was homelessness — getting by as best she could through sex work and the occasional theft. She transitioned, using hormones she purchased on the black market — something that became a booming business following the very public transition of Christine Jorgensen. She briefly had a job as a secretary for the Mattachine Society, but even that didn’t last too long.

After a run in with the law, and a six month bout in a mental institution, Miss Major moved to New York City. She became a performer at the famous Jewel Box Revue, as well as the Cherries and the Powder Puff Revue. (As an aside, I’m definitely a 90’s kid because I definitely first thought that was “Powerpuff” but it isn’t.) During these years she experimented with a handful of names, but settled on the one her parents had given her: Major. She simply added the word “Miss” in front of it.

Although many of the gay bars would not let her in, Miss Major became a frequent customer at the Stonewall Inn — probably at least in part because of her and Stormé DeLarverie‘s shared association with the Jewel Box Revue. She was there on the night of June 27, 1969 and stayed late enough to be present when the police raided the bar. She participated in the rioting on that first night, until she spit in the face off one of the police officers — he responded by knocking her out. She awoke the next day in a prison cell. While she was in police custody, her jaw was broken.

After the riot, Miss Major was deeply changed by the murder of a Puerto Rican transgender friend of hers known as Puppy. Despite plenty of evidence, the police ruled the murder was a suicide. She realized that transgender women of New York could not depend on anyone but each other — she began to build a network so that they could help protect each other. This was especially true of sex workers, who started trying to get their “johns” to exit the cars so that all of the girls could see them — just in case a girl never came back from a job.

She was arrested in 1970 for burglary after a safe-breaking job went wrong, and spent four years at Clinton Correctional Facility in Dannemora, New York. He had a great deal of respect for Miss Major, and her gender identity, and he talked to her about how she could help her community. She spent a good amount of time in solitary confinement — she was imprisoned with men, and every time a fight broke out between her and any other inmate, she was the one who was punished. She was paroled twice — but both times the parole was revoked when her parole officer reported her for deviant behavior (once was for adopting a more feminine appearance by shaving her face, and the second time was for “entering a deviant bar.”) While incarcerated, she communicated regularly with Frank “Big Black” Smith — who had been in charge of security at the Attica Correctional Facility Riots of 1971. When she was finally released in 1974, she took those lessons to heart.

In 1978, Miss Major’s long-time girlfriend gave birth to their son Christopher. Miss Major decided the life she’d built in New York was not one well-suited for raising a child, she secured sole custody of Christopher and moved to San Diego. She would eventually adopted three other boys — runaways she met at a park. This was the start of a growing chosen family that still rallies around Miss Major to this day. She started working at a food bank and attempted to help transgender people who were in prison or recovering from addiction, but as the AIDS epidemic began to ravage the queer community of California, Miss Major turned her attention to helping provide healthcare and performing funerals. The silver lining for the epidemic, Miss Major later recalled, was that many transgender people — especially women — were able to find legitimate, legal jobs for the first time, even if that job was the heartbreaking task of providing healthcare to doomed queer people no one else wanted to touch.

Miss Major in the 90s

In the mid 90’s, Miss Major moved to San Francisco. She continued her HIV/AIDS activism, including serving with the Tenderloin AIDS Resource Center (TARC). As part of that organization, she ensured they had a refrigerator available so that homeless people could store food and medications at the center. She fought for them to acquire a washing machine and a dryer so homeless people in the community could do their laundry.

In 2003, Miss Major — who’s activism was returning more to its original focus on incarcerated transgender people — joined the newly founded Transgender Gender Variant Intersex Justice Project (TGI Justice Project), and became the Executive Director. In this position, she is one of an estimated five people in the United States that is working full time towards equal transgender rights in prison. She has testified about human rights violations towards transgender people in prisons before both the California State Assembly and the United Nations Human Rights Committee in Geneva. One particular focus of her activism is on the healthcare that transgender inmates receive — they are sometimes denied everything from hormones to routine medical examinations. But, as she notes, transgender inmates face abuse in almost every aspect of prison life, and are overrepresented in prison populations (where they are typically housed with the incorrect gender).

Miss Major, Grand Marshall at San Francisco Pride

She has decried the gay rights movement for ignoring the plight of transgender people as they fought for equality — a sentiment that was shared deeply by Sylvia Rivera and Marsha P. Johnson. (And frankly, shared by me too. It’s hard to argue with.) But Miss Major herself has continued to fight tirelessly for those the rest of society wanted to ignore. She’s known to have said: “Just because there’s this umbrella, LGBT, we’re all grouped together. But guess what? Someone poked a hole in the umbrella and the girls are still getting wet.”

And recently, although those sentiments still largely hold true, Miss Major herself has finally been getting attention for her decades of work. In 2014, Miss Major was made the Grand Marshall of the San Francisco Pride Parade. In 2015, the documentary MAJOR! was released, following Miss Major’s life as an activist.

More recently, in 2018 Miss Major has relocated from California to Little Rock, Arkansas. There, she has founded the Griffin-Gracy Historical Retreat and Educational Center — also known the House of GG. On July 4, 2019 Miss Major suffered a stroke — but survived and is recovering well enough that she has been engaged in Black Lives Matters protests within the past month according to her Instagram. If you want to help with her continued recovery or with her continued activisim for transgender and gender non-conforming people, a website has been set up for donations.

Miss Major and her daughter Janetta Johnson

While articles about Miss Major’s life and activism are plentiful, they all have anecdotes of Miss Major saving lives by simply being there, lending an ear, or offering advice and a good book. It’s little wonder so many have rallied around her, now often calling her “Mama Major” or “Grandma Major.” Janet Mock, a writer, director, and producer — one of the creators of the TV show Pose, once said, “Without Miss Major’s contributions and work, I would not exist.” There are countless transgender people in this country who say the same. That’s a tremendous legacy, but when asked what she hoped her legacy would be in a 2018 interview she said: “If ain’t right, fucking fix it, whatever it takes.”

And if that’s not a mantra for the whole world to adopt, I don’t know what is.

(PS, Miss Major also has a Facebook page you should totally follow.)

Dante “Tex” Gill

Dante “Tex” Gill was a savvy businessman in Pittsburgh, about whom there is honestly not a lot of reliable information except that “[he] was just a hell of a lot of fun” (according to his sometimes lawyer, Carl Max Janavitz).

Gill was born April 2, 1930 and was given the name Lois Jean Gill. The family was fairly large. That’s basically all the information I could find about Gill’s life before the 1950’s (except some records from the U.S. census that claims he was 3 in 1940. Someone over there is bad at math, I guess. Worse than me, even!) In the 1950’s, still using the name Lois, Gill worked as a blacksmith at horse stables in Schenley Park, where he earned a reputation for taking no nonsense — from people or from horses. According to his cousins, he was already pretty intimidating at this point. Later, he became involved in other businesses in Pittsburgh — including a baby furniture store and a frozen foods store, but was involved in the prostitution industry on the side. It was during this period that Gill began essentially living as a man.

However, when his mother Agnes fell ill, his businesses simply did not bring in enough money. And so, through business contacts, Gill turned full-time to a life of crime. This was some time around 1964. Agnes died of cancer in 1973, but Gill remained in the illegal business. Gill was arrested by the FBI in 1974, but apparently avoided conviction. On February 12, 1977 — in the midst of what was essentially a mob war — prominent businessman (and local crime boss) George Lee was shot to death in a restaurant in broad daylight. Gill — along with Nick Delucia — took over the massage parlors, which were fronts for prostitution, that Lee had operated.

He came to run a number of these massage parlors, including Spartacus Massage Parlor, the Japanese Meditation Temple, and the Taurean Models massage parlor. One of his parlors, Gemini, was bombed by the mafia in 1977 — destroying the building and killing Joanne Scott, one of the girls who worked there. In the same year, one of Gill’s employees — Anthony Pugh — was murdered in his own home. Later, DeLucia would be charged with planning to assassinate Gill, although this would never be proven in court (and their rivalry would continue until DeLucia went to prison for tax evasion in 1981). Though much of the mob was definitely unhappy with Gill’s control over illegal operations in the city, he was supported by the LGBTQ+ community of the city — and by the Pittsburgh Steelers, who Gill had begun selling anabolic steroids to. That was enough support to keep him virtually untouchable. Gill’s criminal empire grew — much to the chagrin of his rivals in Pittsburgh’s underground.

Gill’s ties to the LGBTQ+ community of Pittsburgh at the time were slim, but enough to earn their loyalty. When Tampa gay bar El Goya burned down in November of 1977, Gill brought the owner Frank Cocchiara to Pittsburgh to manage Taurean Models. Frank — also known as Miss Frank — became a staple of the Pittsburgh drag ball scene and friend of activist Herb Beatty.

By all accounts, he lived an extravagant lifestyle, traveling often and becoming the owner of several rare pets. Gill lavished the women who worked for him with expensive gifts — but conversely, insisted they take lie detector tests if he suspected they might be stealing from him. Gill also insisted on regular tests for STDs — decades before that was common practice anywhere in the United States. Despite this toughness, Gill was described as gentle and non-violent by those who knew him. For a time, he was legally married to Cynthia Bruno — the marriage certificate denotes Gill as “husband”, and no other gender qualifications were asked for. The two did eventually part ways.

In 1978, police attempted one of several efforts to take down Gill’s operations — with no success. Authorities raided Spartacus — and Gill continued the grand queer tradition of weaponizing baked goods by throwing a cake at Pennsylvania State Trooper Gerald Fielder. Gill was arrested in 1979, but claimed that his primary source of income was a ceramics shop called “Take Me Paint Me”. Ultimately, Gill was not convicted of any crime.

Dante Gill in the Pittsburgh Press

In 1980, a fire destroyed the building that housed the Taurean Models massage parlor. Three men, asleep on the top floor of the building, died. They were customers; neither Gill nor anyone who worked for him was hurt. Authorities determined the fire was an arson. As far as I can find, that was the extent of the investigation — no one was ever arrested for the crime.

The authorities finally got the best of Gill. It was not for his underground prostitution empire — it was for income tax fraud and conspiracy. A federal jury determined that Gill was guilty of underreporting his income by $60,000 between 1975 and 1983 — hardly anything when you consider that Gill was raking in over a million dollars from the massage parlors. The Pittsburgh Press gave Gill the titles of “Dubious Man of the Year” and “Dubious Woman of the Year”. One of the reasons for this prestigious title was said to be Gill’s compassion — the Press specifically noted that he gave senior citizens a $5 discount at his massage parlors. (Apparently, that’s what qualified you for having notable compassion in Pittsburgh in the 80’s.)

In 1985, a U.S. District Judge sentenced Gill to 13 years in prison — but offered to take three years off the sentence if he would close three massage parlors in 24 hours. Gill complied, reducing the sentence to 10 years. Gill was paroled in 1987 and then was driven into poverty by a string of lawsuits from the IRS. He had not yet — as far as I can find — paid the IRS all of the money they were seeking when he passed away on January 8, 2003.

I did want to note that there’s loads of misinformation about Gill out there on the Internet — some of which is really obvious (incorrect dates of death, for instance, despite there being publicly available obituaries written by surviving family members) and some of it is a bit less so. One area with lots of discrepancy is Gill’s actual gender identity — which makes sense given that the understanding we have of gender now was rapidly evolving throughout Gill’s life. That said, Gill’s cousin Barry Paris has definitively confirmed (in the wake of all that controversy with Scarlett Johannson) that Gill identified as a transgender man.

Heroes of Stonewall: Tammy Novak

Gay nightlife in 1969 was something quite different from what it is today for a couple of reasons. One of those reasons was that they tended to be owned by organized crime families, rather than by actual queer people. While this didn’t usually work out in the favor of the customers, it was just fine with Tammy Novak.

Tammy Novak was 18 years old in 1969, and was living — as far as I can tell — fully transitioned into life as a woman. Typically, a transvestite (the popular word of the time) would only be allowed into a place like Stonewall Inn if they were wearing at least four articles of “gender appropriate” clothing — the minimum allowed by law. The idea was that by making sure everyone was “gender appropriate” it would minimize police attention (and that worked out so well, clearly…)

Tammy Novak making out with some guy. Good for her.

But Novak had lived with Fat Tony of the Genovese crime family — the owners of Stonewall Inn — and so she was allowed to come and go as she pleased, no matter what she was wearing. She was also friendly with Chuck Shasheen, who ran the bar.

It was because of these connections that Tammy was in the bar when it was raided by the police on June 28, 1969 — and she immediately caught the attention of the police. There’s some (kind of unreliable) eyewitness testimonies that Tammy was on a lot of drugs that night, and seemed not to realize what was going on until the shouting outside of the bar snapped her out of it. She was almost in the police wagon (that drag queens were being loaded into) at this point, but turned and swung at the police — she made an escape attempt.

This — like so many other moments — was claimed by some to be the moment that sparked the riots, but with the shouting being a pretty key part of the story, my guess is this was happening just after or around the same time that Stormé Delarverie was being arrested. During the confusion that followed, Tammy made her escape. She took refuge in the apartment of drag performer Joe Tish.

There doesn’t appear to be any record of what happened to Tammy after the riots. This is partially because she wasn’t the only Tammy Novak in New York in 1969 — the other Tammy Novak was a performer at a place called 82 Club, and was not involved in the riots in any way, but it does make it more confusing when you’re trying to find out what happened to this Tammy Novak.

Heroes of Stonewall: Zazu Nova

Zazu Nova at a GLF meeting in 1970

The third name given by eyewitnesses at the Stonewall riots for the person who may have thrown the legendary “first brick” was Zazu (sometimes “Zasou“) Nova — and if I had to put money down on one of them, this is who I would pick. The sad thing is, there’s just not a ton of information about her and her name is often left out of conversations about the riots altogether.

Nova was a transvestite (in the common lingo of the day) and a sex worker on the streets of Greenwich Village in 1969. Nova had given herself the title “Queen of Sex” and was known to carry herself as though she were actually royalty. Nova was a practicing Unitarian, and was said to be quite proud of having a religious upbringing. It was rumored Nova had spent time in prison for murder — and though it’s definitely true that she’d been in prison, the why is all conjecture.

Whether or not Nova was a murderer, she was definitely a badass. One anecdote shared in the book Stonewall: The Riots That Sparked the Gay Revolution by David Carter (and coincidentally one of the only places to get information on Nova or on Jackie Hormona from their lives before the riots) relates that she and a man named Martin Boyce were about to get jumped by five men, when she pulled a heavy chain out of her purse and chased the five men away.

Now, Zazu Nova was not inside the Stonewall Inn when the police raided it. But Nova frequently worked Christopher Street, and the raid drew quite a crowd. Nova was absolutely present at the start of the riots, and absolutely had the, let’s say, gumption to react to the police abusing Stormé Delarverie. She was later seen fighting alongside Marsha P. Johnson that first night — which might explain how some witnesses believed that it was in fact Johnson who threw the brick even though she wasn’t there yet.

It’s very difficult to find much about Nova following the riots. She became involved in the Gay Liberation Front that was founded after the riots. She was also a founding member of New York Gay Youth and was involved in Street Action Transvestite Revolutionaries, the organization started by Johnson and Sylvia Rivera — though I can’t find exactly to what extent. What became of her after those organizations fizzled out, I truly cannot find.

And that’s it. That is all that I could find about someone who may be one of the greatest heroes of the modern LGBTQ+ movement.

Heroes of Stonewall: Stormé DeLarverie

Photo Credit: New York Times

Sometimes called “the Rosa Parks of the gay community,” Stormé DeLarverie was a butch lesbian who’s arrest is often credited as the moment that sparked the Stonewall Riots — despite being quite adamant that “it was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot.”

DeLarverie was born in 1920 to a white man and a black woman — who worked as a servant for her father’s family. DeLarverie’s exact date of birth was never exactly known, so she celebrated it on December 24. (I’m not sure why you’d pick that if you’re given a choice, but I guess we can’t all have June birthdays…) As a kid, DeLarverie was bullied constantly. In her teenage years, she joined the circus — getting a job riding jumping horses for Ringling Brothers Circus, until she was injured in a fall and was unable to resume the work.

DeLarverie realized she was a lesbian around the age of 18. She entered into a relationship with a dancer named Diana, who she was with for about 25 years until Diana’s death in the ’70s. DeLarverie carried a photo of Diana with her for the rest of her life.

In 1955, began touring as the MC and the only drag king in the Jewel Box Revue — the first racially integrated drag show, appearing regularly at the Apollo Theater. Audience members would attempt to “guess the girl,” ultimately being surprised during a song entitled “Surprise with a Song” that the girl was actually DeLarverie, who was often sporting a mustache and a tailored suit.  DeLarverie was noted particularly for having a strinkingly handsome appearance as a boy — which inspired a lot of other lesbians of the time to begin wearing traditionally masculine clothing as well. Her career as a performer would be explored in the 1987 documentary Stormé: The Lady of the Jewel Box.

DeLarverie continued performing with the Jewel Box Revue until 1969, becoming quite well known and influential in drag culture. 1969, however, was the year the most truly secured her place in queer history. DeLarverie was at the Stonewall Inn working as a bouncer when the police raid began in the early morning hours. Although resistance to the raid truly started inside the bar itself, the real riot on the street is often said to have begun with a woman many have identified as DeLarverie. She was brought out of the bar and through the crowd outside several times, but kept escaping — at least once by punching an officer (which she, according to friend Lisa Cannistraci, believed was the first punch of the riot.) At some point, DeLarverie was hit in the head by an officer’s baton and began to bleed from the wound — she struggled and complained that her handcuffs were too tight, before looking to the crowd and asking “Why don’t you guys do something?” At this point, the police officers picked up DeLarverie and hurled her into the back of the police wagon — and the crowd erupted. (It was at this moment that the legendary “first brick” was thrown.)

Now, it hasn’t been confirmed that DeLarverie was actually the woman that that story is about — but it has been absolutely confirmed that she was there and was one of several butch lesbians fighting against the police. In truth, it’s entirely likely that the above story did happen, and no one’s name but DeLarverie’s has ever been put forth for it, but there probably wasn’t just one inciting incident that sparked the riots — a number of things were happening simultaneously that cumulatively led to the uprising.

The riots transformed DeLarverie, who became a fierce activist and a protector of the LGBTQIA+ community afterwards. She had a state gun permit, and was known to patrol the neighborhoods around lesbian bars looking for intolerance or, as she described it, “ugliness” against her community. She was a regular staple at the Pride parades and rallies that followed after Stonewall, and also acted as a bouncer at several lesbian bars until she was 85 years old. Meanwhile, she also continued to perform, often putting on benefits for abused women and children and volunteered for queer organizations and charities as well.

She was also a well-respected member of the Stonewall Veterans Association, holding several offices there including Chief of Security and Ambassador. She also served as Vice President from 1998 to 2000.

Photo by Sam Bassett

In 2010, DeLarverie moved into a nursing home in Brooklyn. With dementia setting in, she did not know she was living in a nursing home but she retained her memories of the Stonewall Riots and her childhood. On June 7, 2012 Brooklyn Pride Inc. honored her at the Brooklyn Society for Ethical Culture, where they also aired the 1987 documentary about her. Two years later on April 24, the Brooklyn Community Pride Center honored DeLarverie “for her fearlessness and bravery.” One month — to the day — later, DeLarverie died in her Brooklyn nursing home from a heart attack at 94 years old.

DeLarverie led a long life, but her legacy with the LGBTQIA+ community will continue for many many years to come. Every time there is ugliness against this community, I hope you hear her asking that question that changed the course of history for queer people everywhere: “Why don’t you guys do something?”

Heroes of Stonewall: Sylvia Rivera

Of all of the heroes of the LGBTQIA+ community who fought for us at the Stonewall Riots, I personally think that Sylvia Rivera may have had the most important impact on our community — however, she may also be the most controversial. Though we view her as a hero and champion for our community now, she was not always looked on so fondly.

Sylvia was given the name Ray Rivera when she was born on July 2, 1951 and was of both Puerto Rican and Venezuelan heritage. Her father, Jose Rivera, abandoned the family. Her mother committed suicide — orphaning the young Rivera at only three years old. And so she was raised by her grandmother, who vocally disapproved of how effeminate “Ray” was. This disapproval became even worse when Rivera began to wear makeup in the fourth grade — as a result, she was living on the streets at eleven years old, surviving only by making money through sex work. She was taken in by a group of drag queens, who gave her the name Sylvia that she would carry for the rest of her life.

Rivera developed a very, very fluid sense of gender identity throughout her life. She would alternate between referring to herself as a gay man, a gay girl, a drag queen, a street queen, and a transvestite (while that was still the popular term in usage, anyways.) Consistently, however, she shirked labels whenever possible. In one interview she stated, as a response to the gender identity question: “I am Sylvia Rivera. Ray Rivera left home at the age of 10 to become Sylvia. And that’s who I am.”

Rivera took to activism early, before the Stonewall Riots, and was active in the Civil Rights Movement and protested against the Vietnam War, and was involved in youth activism with the Young Lords and Black Panthers. She was particularly vocal, however, about queer homeless people of color — who she felt were being left behind by a gay community that only wanted to assimilate into the mainstream. She frequently struggled with substance abuse and homelessness herself, so she sought to give a stronger voice to those who — like her — suffered from racism, poverty, as well as inmates, drag queens, and other often ignored sections of the queer community. (Some of these groups, I might add, are still often ignored — we could use another Sylvia Rivera!)

Rivera was a regular customer of the Stonewall Inn in 1969 and was frequently there with her close friend Marsha P. Johnson. Although Rivera stated in interviews in the 90’s that she was present when the riots began, most other accounts — including Johnson’s telling of it — indicate she arrived after the riots began. In fact, by some accounts, she may not actually have been present the first night of the riots at all — though Johnson made sure Rivera was aware of the riots that night, it’s unclear if Rivera actually showed up until the second night of the riots. She was certainly present at that point.

Following the riots, Rivera worked alongside the Gay Liberation Front — and with their next iteration, the Gay Activists Alliance. In 1971, she campaigned with them to pass a sweeping anti-discrimination ordinance in New York City. However, despite her hard work, the GAA made deals that stripped the language protecting non-gender conforming individuals, like drag queens and transvestites. The argument was that it would not be possible to pass the bill with “extreme elements” included — but the GAA rapidly became more conservative, and began to outright exclude any protections for the more “radical” portions of the LGBTQ+ community. The leadership of the GAA would have Rivera plan and front rallies — until the media showed up, when the straight passing members of the organization would essentially push her aside. Eventually, Rivera was all but pushed out of the organization. When recalling this in an interview years later, she’d add “Hell hath no fury like a drag queen scorned.”

In 1970, River and Johnson worked together to found the Street Transvestite Action Revolutionaries (STAR) to provide support and advocacy for young homeless queer people. In 1972, STAR even managed to open housing for homeless queer youth — with rent paid mostly from money that Rivera and Johnson earned as sex workers. According to Rivera, aside from trying to help those who needed it, they were trying to help move the community away from the mafia-controlled bar scene.

In 1973, at a Christopher Street Liberation Day rally Rivera gave an impassioned speech in which she warned of heterosexual men who preyed on the transgender community, and also declared that queer inmates looking for help “do not write women. Do not write men. They write to STAR.” Despite that — and how revolutionary an organization STAR was — it was short lived, partly because of Rivera’s passion. At the same rally, Rivera and Lee Brewster interrupted Jean O’Leary‘s speech. Rivera argued, “You go to bars because of what drag queens did for you, and these bitches tell us to quit being ourselves!”

Rivera and Johnson

Following the rally, Rivera attempted to commit suicide — but was found and saved by Marsha P. Johnson. Unfortunately, that outburst cost Rivera much of her remaining support in New York’s LGBTQ+ community. STAR closed within the year. Rivera took the better part of the next 20 years off from activism, feeling totally abandoned by her community. She did — on certain occasions in the ’80s — speak up on behalf of those left homeless by the AIDS crisis.

In July of 1992, Johnson’s body was found in the Hudson River. Police ruled the death a suicide — something Rivera, among others, insisted was false. Rivera stated that she and Johnson had made a pact to “cross the ‘river Jordan’ together.” In May of 1995, Rivera attempted to commit suicide in the Hudson River. The attempt failed, but afterwards she got back into advocating for the most vulnerable in the queer community — much to the chagrin of other activists in the community. Most of the focus of queer activism at the time involved fitting the homosexuals into existing legal structures — getting marriage equality, overturning Don’t Ask, Don’t Tell, passing the Matthew Shepard Act, etc. These were not Rivera’s priorities, and she made it quite well known.

She was banned from New York’s Gay & Lesbian Community Center for most of the mid-90s for angrily insisting that they provide housing for homeless queer youth during the frigid winters. She attacked the Empire State Pride Agenda for not being inclusive of transgender issues. She also made something of an enemy of the Human Rights Campaign, because — as she would tell Michael Bronski: “I’m tired of sitting on the back of the bumper. It’s not even the back of the bus anymore — it’s the back of the bumper. The bitch on wheels is back.”

Despite her friction with many queer organizations, Rivera was an active member of the Metropolitan Community Church of New York, and often helped to feed the poor and homeless through their food pantry. In 2000, Rivera traveled to Rome, Italy for WorldPride. There she was called “the mother of all gay people” and participated in the Millenium March. In 2001, Rivera attempted to revive STAR as a political organization — changing the “T” to stand for “Transgender,” which was beginning to come into common usage. The new STAR, under Rivera’s leadership, pushed for a trans-inclusive New York State Sexual Non-Discrimination Act, as well as the New York City Transgender Rights Bill. They also fought for justice for Amanda Milan, a transgender woman who was murdered in 2000.

Sylvia Rivera suffered from liver cancer at the end of her life. Before her death — on her deathbed — she negotiated with Matt Foreman and Joe Grabarz, leaders of the Empire State Pride Agenda, to ensure they would be more inclusive of transgender people and issues in the future. She passed away on February 19, 2002.

Rivera’s portrait in the National Gallery — also featuring Christina Hayworth (left) and Rivera’s partner Julia Murray (right) — which shows them at New York Pride in June of 2000.

After her death, she became much more appreciated by the queer community. The year of her death the Sylvia Rivera Law Project was established, to help fight against discrimination based on gender identity and expression. The MCC in New York built a shelter for homeless queer youth, which is named Sylvia’s Place in her honor. The New School named their social justice hub the Baldwin Rivera Boggs Center, putting her name alongside James Baldwin and Grace Lee Boggs. The intersection of Hudson Street and Christopher Street in New York was also renamed in her honor, coming to be called “Sylvia Rivera Way.” In 2015, she became the first transgender (well, genderfluid?) American citizen to have a portrait placed in the National Gallery of the Smithsonian. It was recently announced that she — along with her friend Marsha P. Johnson — will soon be honored with a monument in Greenwich Village

There have even been some fictional depictions of Rivera. In 2002, she was depicted in the musical ICONS: The Lesbian and Gay History of the World, Vol 1. In 2007, a musical called Sylvia So Far premiered in New York, based on Rivera’s life. She is also depicted in the short film Happy Birthday Marsha!

Despite all that Rivera did, the communities she specifically fought for — the poor queer — mostly transgender — youth of color are still by far the most vulnerable in the queer community. They are the most likely to be homeless, most likely to be uneducated, most likely to be unemployed, and most likely to commit suicide. It’s been 50 years since the Stonewall Riots. It’s been 19 years since she was called the “mother of all gay people” at WorldPride. Now that WorldPride is going to be in New York City, honoring that momentous event 50 years ago, let’s not forget what Rivera was actually fighting for and truly honor her legacy by keeping that fight going.