Raising the Bar: A Brief History of Gay Bars

I know it’s been like a really long time — sorry about that! My real life job got absolutely crazy and hasn’t calmed down at all. May not ever calm down but I’m handling the craziness better now that I’m kind of getting used to it. So….we’re back with even more queer history!

Chances are pretty good, if you’re an LGBTQIA+ person you’ve been to a gay bar. Even if you’re just someone who loves an LGBTQIA+ person, there’s still a good chance you’ve been to a gay bar. I’m not saying you’re doing queerness wrong if you haven’t been to a gay bar, I’m just saying it’s a pretty common shared experience. It’s true that bars being basically the central gathering place for our community isn’t without drawbacks — although, personally, I love them. But I’m not here to weigh the pros and cons of gay bars — we can all do that on Twitter (and we do) — I just want to talk briefly about the history of gay bars, talk a teeny bit about some of the first ones to exist, and some of the oldest ones that we still have today. A lot of these places will hopefully get posts of their own further down the line.

We have previously talked a little about molly houses before — specifically Mother Clap’s and the White Swan, which were both pretty historically significant. Gay bars were not, at least initially, all that different from molly houses and, in terms of their purpose, still aren’t. They’re a place for gathering socially with similar “deviants” and “sodomites,” to feel safe among those who have a shared lived experience. To separate molly houses from gay bars, we have to kind of look at the history of bars themselves. For a lot of (at least Western) history, bars weren’t really a thing — you had inns and taverns, which served alcohol but also offered lodging or food. Even pubs at the time served food and were intended as a place to have gatherings or meetings. The sale of alcohol was considered sort of a “side hustle” (even though it was probably where most of the profit came from.) Even saloons in the American western frontier were entertainment sites — where people could play games or see performances. Molly houses were typically fronted by taverns, inns or coffee houses, and usually also made money off prostitution. They were also places where fake weddings and mock birth rituals took place. So, to separate molly houses from gay bars — and I’m not going to claim this is the official definition, it’s just what I’m working with here — I’m going to define gay bars as legitimate, legal businesses focused entirely (or almost entirely) on the sale of alcohol to queer customers.

It wasn’t really until towards the end of the 19th century when there started to be bars as we know them today — places that really just served alcohol. I’d guess the invention of machines like the phonograph, which let places play music without having performers present, was probably a big part of that shift. So, of course, as mainstream society started socializing in these places, the queer community followed suit. And so gay bars began to pop up — the first, as far as we can tell was in Cannes, France (where homosexuality had been decriminalized since 1791.) That bar was Zanzibar, which was founded in 1885 and lasted 125 years — eventually closing in December of 2010.

Eldorado in 1932

Meanwhile, Berlin had also become a hotspot of gay and lesbian nightlife by 1900, thanks largely to the Scientific-Humanitarian Committee‘s presence there, though a lot of the specific records about these spots were lost thanks to the Nazis. Within weeks of the Nazi party taking power in Germany in 1933, fourteen gay and lesbian nightclubs were closed, including an internationally renowned drag bar called Eldorado.

The other issue for gay bars at the beginning of the 20th century was Prohibition. Several countries tried their hand at banning the sale of alcohol including Russia, Iceland, Finland, Canada, Norway and the United States. At least in the USA, the fact that everyone‘s bars became illegal and everyone’s drinking had to go underground — where we were already partying — had a pretty profound impact on the queer community. But the most lasting effect of Prohibition, at least for gay bars in the USA, was that alcohol sales became part of the world of organized crime. Even after Prohibition ended in the USA, most gay bars were run by the mafia for the next few decades. In fact, more than thirty years later, this was one of the issues that was raised and fought against during the Stonewall riots and their immediate aftermath.

Over the early decades of the 20th century, gay nightlife spread throughout Western culture. Here’s a few other highlights:

• The Black Cat Bar (not to be confused with the Black Cat Tavern) was founded in San Francisco, California in 1906, and stayed open until 1921. It reopened in 1933 when Prohibition ended, and continued operating until 1963. It might be the first gay bar in the United States.
• The first recorded mention of the then-popular Amsterdam gay club The Empire was in 1911, but it seems to have already been established several years prior. It closed in the 1930’s.

• The Cave of the Golden Calf, founded in 1912, was the first “official” gay bar in England, though it went bankrupt and closed in 1914. Still, it made a reputation for its wild parties and influenced a lot of gay bars afterwards.
• Eve’s Hangout in New York City was one of the first, if not the first, lesbian bar in the United States, opening in 1925 and closing at the end of 1926 due to police raids. This raid more or less led directly to owner Eva Kotchever‘s death at the Auschwitz concentration camp. (Which is definitely getting its own piece, don’t worry, I’m not just leaving you all with no details on that!)
• Social reforms brought about by President Lázaro Cárdenas of Mexico brought about the creation of roughly a dozen gay bars in Mexico after he came into office in 1934, including El Triunfo and El África in Mexico City. All of Mexico City’s gay bars were closed in 1959 and even though there are gay bars in the city now, none of the original ones reopened.
• The first gay bar in South Africa opened in the Carlton Hotel in Johannesburg in the late 1940’s — catering to wealthy white gay men. No women were permitted, and, you know keep in mind there’s Apartheid going on, so definitely no people of color, who were forced to create and use increasingly underground bars and clubs — unfortunately, there’s not too much available about those clubs at the time. However, some of these bars, such as the Butterfly Bar (now the Skyline) began to integrate in the mid-1980’s.
• The American occupation of Japan following World War II brought gay bars to the country — New Sazae opened in Tokyo during this period, in 1966, and is still open now.
• In the 1970’s, a lot of clubs in Singapore began having gay nights but no actual gay bars opened until the lesbian bar Crocodile Rock opened in the 1980’s. It is still open, and is the oldest gay bar in that country.

If you want to experience some history for yourself, here’s some of the oldest gay bars still around today:

• Atlantic House (or “A-House”) in Provincetown, Massachusetts was opened as a tavern in 1798, but mostly served whalers until the beginning of the 20th century, when it became a popular hangout for artists and writers like Eugene O’Neill and Tennessee Williams. They “officially” became a gay bar in 1950 (despite already being popular with gay men like, y’know, Tennessee Williams) and it still operates as one today. (And I’ll vouch that it’s still a fun place to go!)
• Café ‘t Mandje opened was opened in Amsterdam by a lesbian named Bet van Bereen in 1927, and continued to operate until the death of her sister Greet (who took it over after Bet passed away) in 1982. Her niece Diana reopened it on April 27, 2008 and it remains open today, still in the same family that started it!

Café Lafitte in Exile

• In 1933, both White Horse Inn in Oakland, California and Café Lafitte in New Orleans, Louisiana opened (now called Café Lafitte in Exile after they were forced to move to a new spot in the city in 1953). I don’t know the exact months or days they were founded, so I can’t tell you which is actually older (and of course, they both claim to the be the oldest.) I’m trying to solve the mystery, and rest assured, I will even if it means I have to take a cross country road trip to both of them.
• The Double Header in Seattle, Washington opened up the next year and Korner Lounge in Shreveport, Louisiana opened sometime in the late 1930’s as well. Both are still open today.
• Mirabar opened in Woonsocket, RI in 1947. It’s moved around to number of different locations (it’s in Providence now, for starters), and is still open today. (And they have a great trivia game on Wednesday nights!)
• The Half-and-Half in Beijing is the oldest still-operating gay bar in China, having opened some time before 1994.

Some honorable mentions that aren’t really the “oldest gay bars” in their countries but are still historically important and that you can still visit today:

• Julius’ – Julius’ opened in Manhattan in 1864 but it was decidedly not a gay bar but by the late 1950’s, gay men started frequenting it but were often thrown out or simply refused service because it was illegal to serve homosexuals in New York City at the time. In 1966, Dick Leitsch and Craig Rodwell, president and vice president of the Mattachine Society at the time, organized a sip-in protest. By most accounts I’ve, the bartender refused them service to help them with the protest not because they were gay. Laws were changed and Julius’ has been serving gay customers ever since.
• Stonewall – the famous Stonewall Inn, which originally opened in 1967, has been through a lot since our riots — renovations, closing, reopening, closing again, hosting several other businesses, reopening again, closing again, reopening again…..they’ve dropped the word “inn” from their name, and have been open on Christopher Street in Manhattan since 2007.
• The Eagle – Eagles can be found in cities all over the world. They’re not franchises, they’re not a chain, they’re just connected by the community they serve. After the Stonewall riots, the owners of the the Eagle’s Nest (which had been open since 1931, and is now Eagle NYC) made their club a gay bar and it became a very popular spot for more masculine gay men, and especially the leather scene, to hang out. Other Eagles opened elsewhere, even in other countries, and “the Eagle” became a sort of code for gay men looking to connect to their community in a new city. Not every Eagle is historic, but they are all part of that legacy.

I know this breezes past a lot of fascinating details and there’s an awful lot of countries that didn’t get a mention — I simply haven’t found what their oldest gay bars were yet. But rest assured, I’m going to keep the “Raising the Bar” series going intermittently, so there will be lots more coming on this topic!

Felix Yusupov

Imagine, for a moment, if you will, that you’re watching the (fantastic) animated film Anastasia, right? And at the end of the movie, the credits roll, and then you see the disclaimer that tells you that it was fictional and none of the characters were intended to be like real people. You probably roll your eyes and chuckle a little — obviously Rasputin didn’t have a talking bat sidekick, right? But what you probably didn’t know is that that disclaimer is actually kind of a piece of queer history at play, and that it’s partially due to Rasputin that it’s there at all. But mostly it’s because of Prince Felix Felixovich Yusupov, Count Sumarokov-Elston.

Felix was born on March 23, 1887 in the Moika Palace in Saint Petersburg, Russia. His mother Zinaida Yusupova was last of the incredibly wealthy Yusupov family, and his father was Count Felix Felixovich Sumarokov-Elston. The Yusupovs had more money than the Romanovs who, y’know, ran all of Russia. They had four palaces in Saint Petersburg along, three palaces in Moscow and 37 estates elsewhere in Russia. Not just old money sitting around gathering dust either — they were raking it in with coal mines, iron mines, oil fields….all kinds of industries that were booming at the time. So, the point I’m trying to drive home here is….he was born into money. He just had to inherit it.

Standing in the way of that inheritance was his older brother Nicholas Felixovich Yusupov. Nicholas was a lady’s man and a womanizer, but someone Felix looked up to as a child — but was also deeply jealous of him. According to Felix’s memoirs Lost Splendour, Felix lost his virginity while abroad with his family in Contrexeville, France in a chance encounter with an Argentinian man, who’s name never came up, and his girlfriend when he was still pretty young. He confided the experience to Nicholas, but — to Felix’s frustration — his elder brother ignored him, convincing Felix to keep such stories to himself in the future. (I think it’s relevant to note that, whenever this encounter comes up in his memoirs it is always the Argentinian man he talks about and the woman is just “his girlfriend.”)

Felix also soon discovered a penchant for dressing in women’s clothes for parties — he discovered he enjoyed the clothes, and the attention he received from men. Nicholas encouraged this, and brought Felix — in dresses — out to debaucherous parties with him. He began performing in drag at a cafe in Saint Petersburg called The Aquarium — until his mother recognized him during one of his shows that she happened to attend. Although the scandal was kept secret, it ended Felix’s performance career. He continued to dress in drag for parties, however, until his father learned of these “pranks” and furiously threatened to send him to a Siberian convict settlement.

Nicholas was killed in a duel at 26 years old on June 22, 1908. The duel, which was over the affections of a married woman, was something of a surprise to most of the family — Felix, however, had been warned about it (by the woman in question) well in advance and made no moves whatsoever to prevent it from happening. As a result, Felix no longer had to split the family fortune. And before you say I’m being cynical, I present to you this excerpt from Felix’s own memoirs, immediately following his brother’s death: “The thought of becoming one of the richest people in Russia intoxicated me.”

Although Felix clearly came out ahead, there were a lot of people who lost in that duel. Nicholas died. The married woman left her husband and joined a convent, so he still lost his wife. Felix’s mother battled severe depression for the rest of her life, brought on by the death of her eldest son. And then there’s Maria Golovina, a woman who had been in madly love with Nicholas and mostly ignored by him. She latched onto Felix as, essentially, her new best friend to help her through grieving. Her family, however, decided she needed “professional help” from self-proclaimed holy man Grigori Rasputin. When they met, Felix was not impressed by Rasputin, and immediately believed him to be a depraved con artist, writing “The young woman was too pure to understand the baseness of the ‘holy man.'”

Google Street View of Felix’s Oxford address

From 1909 to 1912, Felix attended University College at Oxford, studying forestry and English. He was essentially forced there by his family, who believed it would help ground him. Not so much. While there, he did found the Oxford Russian Club, which was something I suppose, but Felix was still living extravagantly. He was a member of Oxford’s Bullingdon Club — which was basically a dining club for rich boys — and employed a full staff at his residence, including a chef, a valet, a housekeeper, as well as housing numerous pets including a bulldog, three horses, a bear cub, and a macaw. According to the University College Oxford website, he spent more money while attending the school than almost any other student. He spent most of his free time partying with friends like Oswald Rayner (remember that name!), and ultimately became very good friends with pianist Luigi Franchetti and Jacques de Beistegui. I’m hesitant to say that there was anything physical or romantic about his relationship with either, because I can’t find any information about who they were outside of what I’ve just said, but they did both move into his English home at 14 King Edward Street. I’m not saying anything definitive but there’s an awful lot of people (and animals) in what is, by all outside appearances anyways, not a particularly large residence. Little bit crowded in there even if people are sharing beds, that’s all I’m saying.

Felix described Dmitri as “extremely attractive” so…this has to just be a bad picture, right?

Anyways, in 1912 Felix returned to Russia without graduating, writing that he was too busy in Russia to return to school. He developed a relationship with Grand Duke Dmitri Pavlovich — something heavily implied in his own memoirs to be more than a friendship, but less than a romance. There’s no evidence that Dmitri felt the same way about Felix. Felix rejected the advances of one of Dmitri’s friends, and Dmitri was sent elsewhere — effectively ending whatever their relationship may have been for the time being. Felix was pretty quickly married off to Princess Irina Alexandrovna, the only neice of Tsar Nicholas II. Their wedding was on February 22, 1913 and although the wedding was described as modest, don’t worry, it’s not a “real people” version of a modest wedding — Irina was wearing a veil that had once belonged to Marie Antoinette. You know, nothing like getting “something borrowed” and “something old” out of the way at the same time. For their honeymoon they went to Jerusalem, London, and Bad Kissingen in Germany.

They were both still in Germany when World War I began in August of 1914. They were detained in Berlin. Because European royalty is pretty much all one really weird family tree, Irina reached out to her relative the Crown Princess of Prussia to try to help them get back to Russia, but Kaiser Wilhelm II was not about it, and instead offered them their choice of one of three German estates to reside in for the duration of the war. However, Felix’s father intervened by way of the Spanish ambassador to Germany, and the newlyweds were allowed to return to Russia as long as they went there by traveling through Denmark and Finland.

Felix and Irina in 1915

On March 12, 1915 Irina gave birth to their first and only child — a daughter named Irina Felixovna Yusupova — nicknamed Bébé. Irina and Felix found they were both utterly incapable of actually taking care of a child, and so Felix’s parents did most of the parenting. Nevertheless, Bébé was very close with her father and quite distant from her mother. This was probably because Felix and his parents spoiled her rotten. There’s also a distinct possibility that Irina wasn’t thrilled with Felix’s, in his words, “love affairs of a special kind” which were, y’know, with men. He once wrote “One may censure those relationships but not the creatures for whom normal relationships against their nature are impossible.”

Around this time, Felix decided to use some of his vast fortune to help out with the war, converting part of Liteyny Palace into a hospital for soldiers. Felix did not have to actually serve as a soldier because there was a law that stated only sons did not have to serve — nevertheless in February 1916 (after a scathing letter from the Grand Duchess Olga to Tsar Nicholas II called him a “downright civilian” and “a man idling in such times”) Felix began attending the Page Corps military academy.

Meanwhile, concern began to grow that Russia would concede to Germany in the war. Part of this was due to Russia’s economic decline, which many people — particularly those loyal to the monarchy — blamed, at least in part, on Grigori Rasputin and his undue influence with the tsar’s wife Alexandra Feodorovna. Felix, for his part, remained convinced that Rasputin was drugging the tsar in order to slowly weaken him and eventually make the tsarina the regent even at the time of writing his memoir.

What actually transpired is a bit of a mystery. While the official accounts, as told by Felix and his cohorts, match up with each other reasonably well albeit not perfectly, the autopsy reports tell a drastically different story. And further evidence from British Intelligence indicates yet a third different story. But since this is an article about Felix, I am going to focus on his version of events as explained in his memoirs.

It was little wonder that when he received a letter from Vladimir Purishkevich proposing that Felix join him and the Grand Duke Dmitri Pavlovich (whom Felix still pined for) in assassinating the Rasputin, that Felix joined in eagerly — although he insisted on being involved in mapping out the scheme itself. Purishkevich also recruited Doctor Stanislaus de Lazobert and contacted Samuel Hoare at the British Intelligence Service, which is perhaps why MI6 operative and Felix’s college-friend Oswald Rayner visited with Felix a number of times the week that the plot unfolded. Meanwhile, Felix recruited lawyer Vasily Maklakov and an army officer named Sergei Mikhailovich Sukhotin, who was recuperating from an injury sustained in the war.

Grigori Rasputin — honestly, he looks less creepy in “Anastasia”

Felix worked through his friend Maria Golovina, who had introduced him to Rasputin years before, to ingratiate himself to the tsarina’s advisor. It was quite successful and easy — particularly laying the trap. Felix lured Rasputin in with an invitation to the Moika Palace, with a promised invitation to meet his wife Irina, who was actually in Crimea at the time. Dr. Lazovert prepared cyanide crystals, sprinkling them over the tops of cakes and leaving some to be poured into Rasputin’s drink. Lazovert was convinced that it was enough cyanide to instantly kill several men.

Felix brought Rasputin to his home, all of his other cohorts hiding upstairs from the dining room. encouraged Rasputin to partake of the cakes and poured him three poisoned glasses of wine. The cyanide, however, had no effect discernible effect (though the wine slurred his speech.) Excusing himself, Felix went upstairs to discuss this surprising lack of a turn of events with his friends, and they ultimately determined the next course of action had to be to shoot Rasputin. Upon returning to the room, Felix shot Rasputin in the chest. Dr. Lazovert rushed in and, after a brief examination, determined he was in fact dead.

The last part of the plan involved Sukhotin bringing Rasputin back to home, so as to avoid arousing suspicion. However, as they prepared to do so, Rasputin leapt to his feet and charged at Felix — who was forced to hit Rasputin with a rubber club to escape his grasp. Rasputin began crawling out the door into the courtyard, and disappeared into the night. Purichkevich fired two shots into the dark after him. They pursued Rasputin into the courtyard, and Purichkevich shot him two more times.

The gunshots, of course, aroused police suspicion. Felix tried to convince the investigating police officer that it was just a drunken friend firing a gun — but Purichkevich proclaimed that he had killed Rasputin. The police officer agreed not to turn them in. After all of this excitement, Felix passed out and his servants put him to bed. He was later told that Dmitri, Sukhotin, and Lazovert took Rasputin’s body, wrapped it in linen, placed it in a car, drove it to a bridge, and dumped it in the water (breaking the ice as they did).

Although that police officer did not report Purichkevich’s confession, the police investigating Rasputin’s disappearance found the unusual gunshots happening at the same night, at the home of someone acquainted with the missing person to be suspicious. Felix was questioned the next day. The police let Felix go, as he repeated the story about a drunk friend, but rumors flooded Saint Petersburg that Felix had killed Rasputin at the Moika. The tsarina ordered the police to search the Moika — but, because Irina was a Romanov, such a search could only be ordered by the tsar himself. A lucky break, as it gave Felix and his servants time to clean up all of the blood. After that task was completed, the conspirators met for lunch to decide on a story. They all agreed to stick to the story Felix had already told the police.

Though they stayed with this story, and were questioned without arrest a handful more times, Felix and Dmitri were forbidden from leaving Saint Petersburg. The tsarina was already calling for their execution, despite no evidence linking them to a crime. The body took days longer to recover, but it was eventually found. Police were sent to protect Dmitri and Felix, who had made things easy on both their protectors and the multitude of people who wanted to kill them by taking up residence in the same palace. As much as that must’ve been nice for Felix, as I said before, there’s no evidence Dmitri returned his feelings and at this point they were both pretty focused on the aftermath of the assassination they’d committed.

Now, the autopsy of the body revealed a lot that doesn’t add up to Felix’s version of events. They found Rasputin had been shot by three different guns — one of which was the standard issue for British Intelligence operatives. The same type of gun, in fact, carried by Oswald Rayner. (Although the memoirs note that Oswald was aware of the plot to kill Rasputin, it only mentions him checking in on Felix the day after the murder.) The examination of the body also indicated that Rasputin had been severely beaten, and that someone had tried to castrate him. Tried, and failed — not sure how that works but okay. None of that was mentioned in Felix’s story and that lends some credence to the theories that he wasn’t actually involved at all.

Anyways, unable to find evidence proving anyone else killed Rasputin, and unable to find enough evidence they had killed Rasputin, Dmitri and Felix were exiled from Saint Petersburg. Dmitri was sent to Persia, ordered to remain there under the supervision of the military general commanding troops there. Felix was sent to his family’s estate in Rakitnoye. (It helps to have like forty residences, right?) Felix was really heartbroken to be separated from Dmitri. I guess he thought after they assassinated one of the most influential people in Russia, he and Dmitri would live together forever?

This was January of 1917, however. So anyone who knows Russian history at all knows what’s about to happen to the tsar who ordered that exile. The February Revolution began on March 8, by March 12 buildings in the capital were ablaze and by March 15, Tsar Nicholas II had given up the throne of Russia. This ended Felix’s exile from Saint Petersburg but overall made things very complicated for him. His wife was a Romanov, but most of the population thought Felix was a revolutionary because he’d murdered Rasputin. He spent some time kind of playing both sides, clearing out valuable possessions from his family estates, trying to keep below the radar of the new provisional government (who were very much trying to keep an eye on him) and trying to help the imprisoned Romanovs with whatever influence he still had. When the Bolshevik government fully came into power, Felix and Irina headed to Yalta to stay even further below the radar — but be closer to one of the places where some of the Romanovs were being kept in the hopes of somehow improving their situation.

Felix & Irina in exile in France

However, when that proved impossible, Felix and Irina went into permanent exile from Russia. They traveled to Italy, but ultimately settled in Paris, France. They began a couture fashion house called IRFE, and Felix became known for his charitable giving towards France’s Russian immigrant community. He published his memoirs, Lost Splendour: The Amazing Memoirs of the Man Who Killed Rasputin in 1928. Rasputin’s daughter promptly sued him, but the case was dismissed as the French courts had no interest in dealing with a political assassination that had occurred in Russia in any capacity whatsoever. The stock market crash of 1929 (and some poor financial decisions Felix had made) led to IRFE being closed.

In 1932, Felix and Irina sued MGM for invasion of privacy and libel for their portrayal of Irina (as “Princess Natasha”) in the film Rasputin and the Empress. In the film, Princess Natasha is seduced by Rasputin. The English courts sided with the Yusupovs and awarded them $127,373 in damages (over $2 million when adjusted to today’s values!) The court specifically mentioned that text appearing at the beginning of the movie made it seem like it was intended to be a retelling of actual events and worked against MGM’s arguments. As a result, MGM began attaching a disclaimer to each of their films, declaring it as a work of fiction with no intended similarity to any person living or deceased. Numerous other studios followed suit — and to this day, that boilerplate disclaimer shows up on almost every American movie. He was involved in a handful of other, less consequential lawsuits over the next few decades and Felix passed away on September 27, 1967.

Felix remains somewhat of a controversial figure — not because it’s his fault that movies have to explain that they’re fictional in a disclaimer, and not just because he may have murdered Rasputin. Also because, I’m sure you guessed this, his sexuality is often called into question. Per usual, a lot of historians claim he could not have been bisexual. His Wikipedia page even falsely claims that he outright denied being bisexual in his memoirs. I just read his memoirs for this article, they’re available online for free right here. The closest I found to any such denial is this quote: “I have often been accused of disliking women. Nothing is further from the truth. I like women when they are nice.” Nothing about that is a denial of bisexuality especially since right before it is this statement: “I thought it quite natural to take my pleasure wherever I found it, without worrying about what others might think.”

So there you have it, the story of Russia’s bisexual, drag-performing, accidental revolutionary, clumsy assassin prince and how he changed both Russian history and cinematic history forever.

The Fall of Oscar Wilde

Oscar Wilde and Alfred Douglas

…and now the thrilling conclusion…

With his literary success following 1891’s publication of The Picture of Dorian Gray, Oscar Wilde returned to writing for the theater. He penned the tragedy Salomé, but quickly turned to comedies. Lady Windermere’s Fan debuted at the St. James Theatre on February 20, 1892 and proceeded to tour England — despite the outrage of more conservative critics.  He followed this work up with the 1893 comedy A Woman of No Importance. He was then commissioned for two more comedies. By now Wilde was earning approximately 100 pounds each week — by today’s standards that’s about 12,211 pounds or 15,756 US dollars a week. No longer tied to John Gray, Wilde’s relationship with Lord Alfred Douglas turned romantic, and Wilde used that ample income to spoil his new beau.

In many ways, Douglas quickly became the center of Wilde’s entire world. Douglas and several of his friends founded a magazine called The Chameleon, which was as pro-gay as any publication could be at the time without being shut down by law enforcement. Wilde was a regular contributor. Douglas also led Wilde into the seedy underground of London’s gay prostitution circles. Every time he rendezvoused with a prostitute, it followed the same pattern — Wilde was introduced to a young man by a fellow named Alfred Taylor, Wilde would take the young man to dinner, and then to a hotel room. Sometimes, Douglas would meet them there too.

Douglas’ father was John Douglas, the 9th Marquess of Queensberry (more commonly known just as Queensberry). He’s mostly known in history for being cruel to his family and for creating the Queensberry Rules which, apparently, are what modern boxing rules are based around. Oh, and all of the stuff we’re going to talk about. He’s known for that too. (Spoiler alert: it’s not good.) Now, Queensberry and his son fought like all of the time even before Wilde entered the picture — and even though Queensberry was initially charmed by Wilde, it didn’t take him long to piece together what was actually going on with the two. He was not having any of it. He cornered Oscar in the Wilde family’s London house and threatened him — the initial description of this encounter ended with Wilde giving a clever retort (“I don’t know what the Queensberry rules are, but the Oscar Wilde rule is to shoot on sight”) but later accounts by both Wilde and Queensberry make Wilde sound much less assured and much more afraid — and with good reason.

On February 14 of 1895, Wilde’s greatest script premiered in London at the St. James Theatre — The Importance of Being Earnest. The cast was led by popular actor Allan Aynesworth, who later stated that the first night of that show was his greatest triumph on stage. The show itself was hailed as a massive success, even by most critics. Queensberry had planned to attend the premier and publicly humiliate Wilde by throwing a bouquet of rotting vegetables onto the stage — but Wilde had made sure to ban him from the theater — which didn’t actually help calm things down at all.

Four days later, Queensberry left a calling card for Wilde at a club he was known to frequent. The card read: “For Oscar Wilde, posing somdomite.” (Perhaps history’s most infamous spelling error.) Wilde’s friends, including Robbie Ross, begged him to let it go, but Douglas urged him to sue Queensberry for criminal libel. The problem with that was, in order to avoid going to prison, Queensberry would have to publicly prove that Wilde was a sodomite. (Or a somdomite, I guess.) Wilde had been sleeping with men for years and basically wrote about it in a very popular novel (Dorian Gray), so like not really a bright idea to challenge this. But Douglas hated his father, and was also all too happy to disagree with Robbie Ross — who he often butted heads with. Wilde was all too eager to give Douglas anything he wanted, and so he sued for libel.

Queensberry went for Wilde’s jugular almost immediately. He hired Wilde’s former college friend Edward Carson to represent him in court, and hired a number of private detectives to investigate. They amassed a veritable mountain of evidence. Wilde’s lawyer opened the trial on April 3 by preemptively asking about letters Wilde had written to Douglas (letters which Carson had procured) — Wilde claimed the letters were innocent, “prose sonnets”. Carson, meanwhile, opened by stating that he’d located several male prostitutes who were willing to testify against Wilde. Carson’s cross examination was even more brutal — and although Wilde gave sassy answers that got a lot of laughs, they didn’t help the outcome of the trial.

In the end, Carson discredited Wilde by proving he had lied about his age under oath. He also, using text from The Picture of Dorian Gray, managed to successfully paint a picture of Wilde seducing Douglas (which was almost the opposite of what had actually happened.) Moving on from this, Carson started asking about facts — inquiring about his friendships with lower-class men that he had been seen with at dinner. Wilde insisted they were merely friends and that he did not believe in social barriers.

Then, Carson directly asked Wilde if he had ever kissed a certain man — Wilde proclaimed in no uncertain terms that he had not because “he was a particularly plain boy – unfortunately ugly – I pitied him for it.” Carson demanded to know why that was relevant, and for the first time Wilde didn’t really have any answer. Wilde dropped the charges, and Queensberry was found not guilty. This was disastrous for two reasons: the first being that Wilde was responsible for all of Queensberry’s astronomical legal fees, which was more than he could afford — and the second being that the courts issued a warrant for his arrest on the charges of sodomy and gross indecency almost as soon as Wilde had left the building.

Robbie Ross and another friend named Reginald Turner tried to get Wilde to flee the country, and arranged for a train and a boat to take him to France. Meanwhile, Wilde’s mother wanted him to fight. He was basically paralyzed — either with fear or indecision — until all he could say was “The train has gone. It’s too late.” He was arrested on April 6. Ross and Wilde’s butler, under strict instructions, went into the Wilde family house and packed up all of his letters, manuscripts, and some personal items.  While Wilde awaited trial in prison, Alfred Douglas visited him every day — which was nice since this was actually pretty much all Douglas’ fault, and he hadn’t done anything to help out during the criminal libel trial.

When the new trial opened on April 26, Wilde plead “not guilty”. Douglas left for Paris at the urging of Wilde. Several of Wilde’s other “somdomite” friends also left the country for their own safety — including Ross. This trial had captured the attention of the public around the world, even as far as the United States. While being cross examined, Oscar was asked to explain “the love that dare not speak its name” — a phrase originating in a poem written by Douglas. (And that’s the most Douglas participated in this trial, I’m just saying.) Oscar responded with this speech that literally brings a tear to my eye every time, so I’m going to share it here verbatim even though it’s kind of long:

“‘The love that dare not speak its name’ in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art, like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as “the love that dare not speak its name,” and on that account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an older and a younger man, when the older man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it, and sometimes puts one in the pillory for it.”

While this was, in my opinion, a beautiful speech….it really didn’t help out with the whole “not guilty” thing. Nevertheless, the jury failed to reach a verdict. Wilde’s friends were able to post bail, and Wilde was free. Sort of. He was shunned by nearly everyone; his wife wouldn’t let him back into the house. He was forced to stay with two of his few remaining friends, Ernest and Ada Leverson. At this point, even Carson attempted to intervene on Wilde’s behalf — asking the Solicitor General Frank Lockwood if they could “let up” on Wilde. Lockwood replied he would have liked to, but that the trial had been so publicized and so politicized that it was not going to be possible.

A third trial followed, taking place on May 25. This trial was against both Wilde and Alfred Taylor, who had also been arrested for procuring prostitutes for Wilde but who refused to turn state’s evidence against the writer. Sir Alfred Wills presided, and gave the harshest punishment the law allowed: two years of hard labor. He was also very clear that he would have given a harsher punishment if he’d been able to, claiming the sentence was “totally inadequate” for what he considered “the worst case [he had] ever tried.” After the sentence came down, Wilde asked, “And I? May I say nothing, my Lord?” But his question was completely drowned out by the very large crowd that had come to see this beloved celebrity’s downfall.

Wilde was immediately sent off to Newgate Prison for processing, and then was sent to Pentonville Prison. His “hard labour” there was walking on a treadmill and separating rope fibers — so, y’know, really productive for society and all. He was later transferred to Wandsworth Prison. While there, he collapsed from hunger and ruptured his right ear drum.

On November 23 1895, Oscar was transferred to Reading Gaol by train. While he was waiting on the platform for the train to arrive, a crowd gathered to spit on him and ridicule him. At Reading Gaol, he was eventually allowed a pen and paper, he wrote a 50,000 word letter to Alfred Douglas (which he was not allowed to send until he was released and which, later, Douglas would deny ever receiving.) Over the course of the self-reflective letter, Wilde does forgive Douglas for his involvement in getting Wilde into this position. The letter was partially published in 1905 under the title De Profundis.

Throughout the trials and his imprisonment, all eyes — even internationally — were on Oscar Wilde. LGBTQ+ people across the Western world, but especially in Europe, in particular were watching with a sort of horrified fascination.  Just before the end of Wilde’s sentence, inspired in large part by the writer’s legal troubles, Magnus Hirschfeld founded the Wissenschaftlich-humanitäres Komitee in Germany — the first organization to work towards securing legal rights for queer people.

After his release on May 18, 1897, he immediately went to France and never went back to Britain or Ireland. He took the name Sebastian Melmoth, and began to advocate — through letters to English publications — for prison reform. He also wrote The Ballad of Reading Gaol about a man who was hanged while Wilde was imprisoned there. Also, at this point, Wilde’s wife had gotten him to relinquish parental rights to their kids and had changed their last names to “Holland” (and, yet, poor Vyvyan was still named Vyvyan.) They never divorced but were completely estranged.

In August, he reunited with Douglas, but the two were only together for a few months. There’s differing explanations as to why they didn’t stay together — the truth is probably a combination of both. Some say that, after everything that had transpired in their lives, they weren’t able to get their relationship back to what it had been before the trials. Others say that Douglas’ family threatened to cut him off financially. Personally, I can’t imagine that their relationship wasn’t full of resentment, probably on both sides — and if you’re struggling with a relationship that seems like it’s failing and then your family says to break it off or spend the rest of your life completely broke? Yeah, it makes perfect sense to break it off.

Wilde was impoverished for the remainder of his life, and had only a small collection of friends left to him. With nothing left to lose, he was very much open about his sexuality for the years he had left. By the fall of 1900, Wilde was fighting with illness which physicians later stated was from an infection of his right ear drum — the illness left him weak and depressed and frequently unable to leave the bedroom of the hotel he was living in. He famously quipped, “My wallpaper and I are fighting a duel to the death. One of us has got to go.” On October 12, he sent a telegram to Robbie Ross saying “Terribly weak. Please come.”

By November 25, 1900, Wilde’s illness had developed into meningitis (the same illness that struck down his little sister so many years earlier). Robbie Ross arrived on November 29, and immediately sent for a Catholic priest. The priest performed a conditional baptism, and Wilde died the next day. His friends Reginald Turner and Robbie Ross were with him when he died. Wilde’s tomb, which is in Paris, was commissioned by Ross, who also requested a compartment be built for his own ashes — which were dutifully placed there in 1950.

In the years since his death, Oscar Wilde has become arguably one of the world’s most celebrated queer figures. In 1967, Craig Rodwell named his LGBTQ bookstore the Oscar Wilde Memorial Bookshop in order to make sure it was recognized as a safe place by others in the community. In 2014, Wilde was one of the first honorees of the Rainbow Honor Walk in San Francisco. He was also one of 50,000 men posthumously pardoned in 2017 under the Policing and Crime Act, also known as the Alan Turing Law.

Dorothy Wilde

History usually remembers ambitious people, who applied themselves to a chosen profession or cause and excelled. That is not exactly the case with Dorothy Ierne Wilde — better known as “Dolly” Wilde.

Dolly was born in London on July 11, 1895 — three months after her uncle Oscar Wilde was arrested for committing homosexual acts. She never met her uncle, but they had a a lot in common. (Not just the whole homosexuality thing, actually. But, you know, that too.) She was the daughter of Willie Wilde and Sophie Lily Lees and had no siblings. Willie died only in March of 1899 — leaving the three year old Dolly to be raised by her mother and her mother’s new husband, the journalist and translator Alexander Teixeira de Mattos.

There’s not much else available about her childhood (except that she liked to eat sugar cubes dipped in her mother’s perfume — ew), but in 1914 she made her way to France in order to drive ambulances for the war effort. While living in Paris during the war, Dolly met Standard Oil heiress Marion “Joe” Carstairs and the two began a hot and heavy relationship. The relationship didn’t last particularly long, but Dolly seemed to have found her calling: having rich friends.

Photograph by Cecil Beaton

After World War I ended, Dolly became, basically, a full-time socialite. She wasn’t wealthy by any means, although her stepfather left her some money when he died in 1921, and mostly survived off the generosity of her friends. She lived in their guest bedrooms, or in hotel rooms, and even sometimes in apartments that she borrowed. She did all she could to live a wild, glamorous life. She had a great talent for telling stories (apparently a hereditary trait), which made her popular at parties and salons, though she never used this talent to actually pursue a career. during these years she went through a string of lovers including with the silent film actress Alla Nazimova (who starred in the 1922 movie Salomé which was based on Oscar Wilde’s book). She referred to these no-strings-attached daliances as “emergency seductions.” She also caught the ire of F. Scott Fitzgerald by flirting with Zelda Fitzgerald. Although only interested in women, Dolly enjoyed the attention she received from men as well — several men over the years proposed marriage to her, but she refused them all. Other than her promiscuity, Dolly was also an alcoholic, and developed an addiction to heroin.

Photograph by Cecil Beaton

If any of this sounds like Dolly had tons in common with Oscar Wilde, I’m just going to point out that her nickname was “Oscaria” and she was quoted as saying “I am more like Oscar than Oscar himself.” Which is a seriously bold claim to make about someone you’ve never met. So it’s little surprise that when Oscar Wilde-super fan Natalie Clifford Barney saw her picture, and saw the family resemblance, she invited Dolly to her renowned Friday night literary salons. Dolly fell in love with Natalie, and the two were together from 1927 until Dolly’s death. The two attended numerous parties together, raising Dolly’s profile significantly — particularly in 1930 when they attended a masquerade ball and Dolly, dressed as her uncle Oscar, was described as “looking important and earnest” in The New Yorker‘s “Letter from Paris” column, written by Janet Flanner.

Dolly attempted to get clean of heroin addiction on multiple occasions — to no avail. During one stay in a nursing facility, she developed a new addiction to paraldehyde — a sleeping pill that was, at the time, available without a prescription. In 1939, Dolly was diagnosed with breast cancer. She decided to explore alternative treatments, stubbornly refusing surgery. With hostile German forces approaching Paris in 1940, she fled back to England — where she was still living when she passed away on April 10, 1941. A coroner could not determine the cause of death, she may have died from cancer or she may have died from a drug overdose.

She left very little behind — 200 of letters to friends and lovers, a passage written in Ladies Almanack, and the testimonies of those who knew her published in Natalie Clifford Barney’s In Memory of Dorothy Ierne Wilde: Oscaria ten years after Dolly passed away.

Lord Byron

This one is going to be long — can’t help it, he did a lot. (In fact, I have cut out so much of this it’s kind of embarrassing. I was just trying to focus in on the gay stuff and the sexy stuff.) He’s also kind of my historical crush — spoiler: I have the worst taste in men. I give you: the poet Lord Byron. Now, he’s from a time before we really had the understanding of sexuality that we have now, but I can say three things for certain. Lord Byron was not heterosexual. Lord Byron was not homosexual. Lord Byron was very sexual.

Lord Byron was born on January 22, 1788 CE in London to parents Captain John “Mad Jack” Byron Gordon and Catherine Gordon — Mad Jack’s second wife. They named their son George Gordon Byron. Between a rocky relationship with his unstable mother, his dad leaving them and then dying in France in 1791 (although, honestly, having read about the dad they were probably better off), and being born with a deformed foot, he definitely wasn’t winning any awards for greatest childhood ever. In 1798, at ten years old, George inherited the title of Baron Byron from his great-uncle (on his father’s side). The title came with very little money — and two properties, one of which his great-uncle had illegally sold (and most of the money Byron inherited was spent on a legal battle concerning that) and the other of which, Newstead Abbey, was run-down to the point of being practically ruins.

As he reached adolescence he was sent to the school of William Glennie. Glennie and Catherine fought constantly, particularly over control of Byron’s schedule. It was around this time (1800) that Byron first started to dabble in poetry — and, not so coincidentally, also around this time he discovered some of his distant cousins were like really pretty.

His mother pulled him from William Glennie’s school and enrolled Byron at Harrow in 1801. It was while he was attending Harrow that he met his cousin Mary Chaworth — and he fell for her hard. She did not return the feelings at all. In September of 1803, Byron refused to return to school because of this rejection. When he finally did return to school (the next year) he rekindled friendships with a number of boys there. He also began writing letters to his half-sister Augusta Leigh (from his dad’s first marriage). In 1805, Byron’s final year at Harrow, he began a romantic relationship with John Thomas Claridge and he would return to Harrow more than once after his graduation to visit Claridge.

After graduating Harrow, Byron began attending Trinity College in Cambridge. There he met John Edleston — who he became close to. While Byron almost certainly had romantic feelings for Edleston, it is unclear from his writings whether or not that friendship was sexual. He may have kept things PG out of respect for Edleston’s supposed innocence — or maybe he just kept his letters PG because England was getting stricter about penalizing anyone even suspected of engaging in “buggery”. The two had planned on living together, they never did.

In 1809, Byron left on “the Grand Tour” which was basically a trip around continental Europe that young British men would take when they finished college — if they could afford it. (Byron could not afford it but he managed to make it happen anyways.) His Grand Tour was a little less grand than most because the Napoleonic Wars were not great for tourism, so his tour focused primarily on the Mediterranean. Byron had a lot of motivations for escaping England at the time — he was jealous that Mary Chaworth was marrying another man, he was being pursued by creditors that he owed money to, and — according to letters written to his friend (and fellow lover-of-men) Charles Skinner Matthew — because he wanted to sleep with men somewhere less uptight than England. (And like all of Europe was pretty much less uptight than England at this point.) They ended up in Greece where Byron reportedly encountered over 200 male lovers, including Eusthathius Georgiou and a 14-year old boy named Nicolo Giraud. Details about the actual relationships are scarce but he sent Giraud to school, and bequeathed him an inheritance of 7,000 pounds (which he later canceled). He eventually wrote in a letter to his friend John Hobhouse that he was tired of “pl and opt Cs” (a code he used for homosexual intercourse), “the last thing I could be tired of”. (I can’t find any evidence that Hobhouse was even the slightest bit gay, so he was either very open-minded for the time or better at keeping his own secrets than he was at keeping Byron’s.)

After returning from his Grand Tour in 1811 and learning that Edleston had died from consumption, Byron attempted to resume his relationship with John Claridge but discovered that Claridge had grown up to be — of all terrible things — boring. Byron wrote in a letter to Hobhouse that Claridge was “a good man, a handsome man, an honourable man, a most inoffensive man, a well informed man, and a dull man, & this last damn epithet undoes all the rest.”

In 1812, the first two cantos of “Childe Harold’s Pilgrimage” were published and Byron became something of a celebrity. He also became — essentially — the premier male sex symbol in England at the time. He is known to have had several affairs in this time, and while I’m sure some are just rumor, I’m equally sure some happened that nobody ever heard about (especially some affairs with men!) One that definitely happened was a tumultuous affair with the married Lady Caroline Lamb. For months, they wrote letters to each other. Byron started calling Lady Caroline “Caro”, and she started using that as her public name — but that was the only public sign of their feelings each other. In public they feigned hatred and Caroline even described Byron as “mad, bad and dangerous to know” — which is possibly the single greatest epithet ever uttered. Unfortunately bumper stickers didn’t exist yet so Caroline couldn’t cash in on her genius. (I, however, am thinking of getting t-shirts made.) Eventually Byron broke up with her. Caroline’s husband took her away to Ireland so she could recover, but like, you know that saying “absence makes the heart grow fonder”? That turned out to be true and also terrible. She became obsessed with Byron. When she came back to London in 1813, she made many very public advances to try to win him back.

Public life also brought Byron back to attention of the various people to whom he owed money. In order to solve this problem, he thought of turning back to the old Byron family book of tricks — marrying for money. He ultimately settled on marrying Annabella Millbanke who was strictly religious and seemed from the beginning to be an ill-suited match for Byron. Furthermore, she was a cousin of Caroline Lamb’s husband. (I don’t know if that was on purpose but if it was, that’s an impressive level of pettiness.) While he was going through the courting and marriage process, he was also becoming reacquainted with his half-sister Augusta and rumors that they were having an incestuous affair began to circulate. The amount of time that he and Augusta spent alone together would end up destroying his marriage, so, y’know, make of that what you will.

Millbanke brought her daughter to London in January of 1816 — leaving Byron behind — and proceedings for an official divorce began. This separation was just one of several scandals plaguing Byron’s life — rumors circulated about his crushing debt, extramarital affairs with actresses, and of course of his incestuous relationship with Augusta. In February, Lady Caroline Lamb added one more devastating scandal to the mix: she started spreading word of Byron’s sexual encounters with men. On February 12, Hobhouse brought news of the rumors to Byron’s attention. Up until this point, Byron had been planning to defend himself in court and prove that his divorce was not his fault. Hobhouse advised him this would be a massive mistake amid the rumors of sodomy. If it had come out in court that Byron had engaged in “buggery”, he might have been executed. Instead, Byron settled on a self-imposed exile. By April 25, 1816 Lord Byron left England for the rest of his life.

These events had changed Byron. He became considerably more serious — and more political — but he was also more discreet. In fact, that I can’t find any records of him being sexually involved with any men from this point on although I think we can all agree that he was probably still having same-sex affairs. (I suspect, had his memoirs not be destroyed, we’d probably know a lot more about his relationships during the next few years of his life.)

By the summer of 1816, Byron had settled at Lake Geneva with a motley crew — his personal physician John William Polidori, Percy Shelley, Shelley’s future wife Mary Godwin, and her stepsister Claire Clairmont. Claire and Byron had a brief affair, which resulted in his illegitimate daughter Allegra being born in 1817. His stay at Lake Geneva is mostly important, though, because of the other writers who were there: chiefly, Mary Godwin created a draft of what would become Frankenstein, or the Modern Prometheus. Also, Byron and Polidori pretty much invented the modern idea of the vampire as a sexy blood-drinker.

By the winter, Byron had moved on — settling down in Venice. He stayed in a house belonging to Marianna Segati — a married woman with whom he was having an affair. He broke it off, and started an affair with another married woman named Margarita Cogni — though he continued staying in Marianna’s house. Anyways, Cogni left her husband and moved in — a bad move because she and Byron argued constantly (and also, not his house. His ex lover’s house. Seriously.) He finally asked her to move out, and she responded by throwing herself in the canal and drowning herself.

Around 1819, he encountered the young Italian countess Teresa Guiccioli. She fell in love with Byron — despite it being three days after her wedding to the Count Guiccioli — and he asked her to elope. The two lived together in Ravenna until moving to Pisa in 1821. Around that time, Byron and Shelley worked with Leigh Hunt to create a newspaper that they called The Liberal.

In 1823, advocates for Greek independence from the Ottoman Empire approached Byron looking for support. They hoped his fame would prove a valuable asset. Byron was hesitant — he did not want to abandon the Countess Guiccioli. Circumstances in her family, however, forced her to abandon him. So, Byron set sail for Greece. Byron also planned to give generously to the cause of Greek independence. To that end, he sold his remaining estate in Scotland — Rochdale Manor — for 11,250 pounds. Translated into today’s money, Byron would have been a multimillionaire — and at the time there weren’t people with Jeff Bezos’ wealth so that was way more impressive. Byron intended to spend it all on the effort to free Greece. Virtually every Greek leader wanted Byron’s money. Only one won his favor —  while others vied through a variety of tactics. Byron put his support behind Alexandros Mavrokordatos.

Meanwhile, Byron had a few distractions of his own. He pursued a relationship with his page Lukas Chalandritsanos — though Lukas was very seriously not interested and kept things very professional. Byron wrote Lukas a bunch of poems and lavished Lukas with basically anything he wanted — to no avail. But Lukas wasn’t the only person Byron was spoiling — he had begun doting on a nine year old Turkish Muslim girl named Hato, whose father had been killed by the Greeks. He considered adopting her, spent quite a bit of money on dresses for her — and when things began to get dangerous for her and her mother, he sent them away to the island of Cephalonia.

Lord Byron on His Deathbed, by Joseph Denis Odevaere

Mavrokordatos and Byron began planning an assault on Lepanto, a fortress held by the Ottoman Empire. Although Byron had no military experience, he planned to lead the attack himself. Before they could actually follow through with this plan, however, Byron became very ill with malaria. Doctors decided bloodletting would help, because that was a thing they did back then. It didn’t help — surprise! — in fact, it made things worse. Especially because no one sterilized their medical tools. (That wasn’t so much a “medicine used to suck” thing as “Byron’s doctor sucked” thing.) He developed sepsis and a fever, and then died on April 19, 1824.

Upon his death, Byron was firmly solidified as a national hero in Greece — and his reputation in England instantly became one of reverence. The reaction caused some alarm for his friends — who wanted him to be respected in his death — and so Hobhouse, Thomas Moore, and John Murray promptly burned the only copy of his memoirs instead of publishing them. His body was embalmed in Greece (though rumors circulate that the Greeks kept his heart) and then returned to England. Massive crowds came out to view his coffin. Despite efforts by Murray’s publishing firm (and later by way too many historians) to hide Byron’s sexuality, many religious and cultural institutions of the country refused to honor Byron — Westminster Abbey did not memorialize Byron in their Poets’ Corner until 1969.

If you made it this far, congratulations. Like I said, I really cut a lot out of this so I definitely encourage you all to read up on him some more! He’s iconic, and — despite the best efforts of historians — he’s undeniably queer.

Julie d’Aubigny – “La Maupin”

Born in France in 1673, Julie d’Aubigny — better known as La Maupin — would grow up to become an accomplished opera singer and swordsman, and her sexual exploits made her what may well have been the first bisexual celebrity in history. Her father trained the court pages, so she learned many of the skills, including fencing, that pages needed to know early in her life.

At the age of fourteen, she became the mistress to her dad’s boss. But he soon found her to be a little too much to handle, and she was married off to a mild-mannered man named Sieur de Maupin. Shortly after the wedding, he was given an administrative position in the southern part of France. Julie opted to remain in Paris.

Circa 1687, she became involved with a fencing instructor who — shortly thereafter — became a fugitive after murdering someone. Julie, apparently, decided that this was actually the absolute best time to stand by her man (even though this wasn’t actually her man because, y’know, married) and became a fugitive alongside him. She donned men’s clothing, but otherwise made no real attempts to hide her gender, and the duo made a living by singing in taverns and giving fencing exhibitions.

The duo reached Marseilles, and Julie joined an opera company — singing under her maiden name. It was about this time that she decided she was over the fencing instructor, and she began a relationship with a young woman. The woman’s parents put her in a convent in Avignon. This wasn’t enough to deter La Maupin, she entered the convent as a postulant and set about securing their escape. To that end, she put the corpse of a dead nun in her lover’s bed and set the room on fire. This proved enough of a distraction to allow them to escape.

The affair lasted three more months, but eventually the young woman returned to her family. Julie was charged, as a male (and in absentia because no one managed to catch her), with kidnapping, body snatching, arson, and failure to appear before a tribunal and was sentenced to death by fire. She took off once more, making her way back to Paris and earning a living by singing.

In Villerperdue, Julie engaged in a duel with a nobleman she would later learn was the son of the Duke of Luynes. After wounding him in the duel, she visited him and they briefly became lovers. This relationship ended when he had healed and returned to his military unit, though the two remained friends for the rest of Julie’s life. (I mention this because most of Julie’s relationships don’t end that well.)

Julie soon met another singer, named Gabriel-Vincent Thevenard. They began a relationship while they both traveled towards Paris, hoping to join the Paris Opera. While on the way, Julie contacted her father’s employer/her former lover and asked him to convince the king to pardon her for her convent-related crimes. And she was, in fact, pardoned.

Initially, Julie was denied a place with the Paris Opera, but Thevenard intervened on her behalf. She began performing regularly in the opera, initially as a soprano and then later in the contralto range. Her performances were very popular, and the Marquis de Dangeau even wrote that she had the “most beautiful voice in the world”.

But Julie also caused a stir by having outlandish episodes and habitually wearing men’s clothes — although she still never tried to pass herself off as a man. Nevertheless, some refused to believe she was a woman — one anecdote tells of a heckler who accused her of being a man in the middle of one of her performances. She responded by ripping off her shirt. La Maupin, as she was known by now, was capturing the imaginations of all of Paris.

Another famous anecdote from this period of her life — one singer in the opera was harassing the women of the troupe, so La Maupin challenged him to a duel. He refused, so instead she beat him with a cane and stole his wallet and snuffbox. The next day, she overheard him complaining that he’d been jumped by a group of men — so she threw his watch and snuffbox at him and announced that she was the only one involved in kicking his sorry chauvinistic ass.

She fell in love with another female singer of the troupe, Fanchon Moreau, who actually rejected her. This left La Maupin pretty distraught, and by some accounts she tried to commit suicide, but apparently she got over it quickly. In 1695, La Maupin kissed a woman at a royal ball, and was immediately challenged to duels by three men. She bested all of them — but laws existed against dueling within the city of Paris. By some accounts she was pardoned immediately by the king, because he thought this was entertaining and the anti-dueling laws technically only applied to men. Whether or not this happened, she left Paris for Brussels pretty immediately.

She began a relationship with the Elector of Bavaria, and performed in the opera in Brussels from 1697 to 1698 — at which point, she returned to Paris to replace a retiring performer at the Paris Opera. She continued performing there until 1705. In these final years, she had a romantic relationship with Madame la Marquise de Florensac. When Florensac died, La Maupin was inconsolable.

After 1705, accounts differ. By some accounts, she returned to her husband — because, right, they were still married. That whole time. By other accounts, she entered a convent and became a nun. Both of these accounts come out sounding more like morality tales about how not to spend your life as a heathenous, cross-dressing, bisexual celebrity so I’d take both of them with a grain of salt. She is believed to have died in 1707, at the age of 33. (Yeah, she fit all of that in between the ages of 14 and 33!)

La Maupin’s gender identity is a bit of a question, that unfortunately we’ll probably never have confirmation of, but with her frequent waffles back and forth between men and women in her romantic relationships, it’s pretty hard for even the most conservative of historians to try to paint her as a straight woman. This is pretty remarkable in its own right because a lot of historians are very good at straight-washing people.

(Adapted from this Facebook post.)